Author: Robin Langley
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 100
Book Description
English organ music: The concerto repertoire 1740-1815
Author: Robin Langley
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 100
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 100
Book Description
English organ music: The duet repertoire 1530-1830
Author: Robin Langley
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 68
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 68
Book Description
English organ music
Author: Robin Langley
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 88
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 88
Book Description
British Music, Musicians and Institutions, C. 1630-1800
Author: Julian Rushton
Publisher: Boydell & Brewer
ISBN: 1783276479
Category : Music
Languages : en
Pages : 317
Book Description
Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Publisher: Boydell & Brewer
ISBN: 1783276479
Category : Music
Languages : en
Pages : 317
Book Description
Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
English organ music: From John Keeble to Samuel Wesley
Author: Robin Langley
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 78
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 78
Book Description
English organ music: From Rococo to Romanticism: 1. Thomas Attwood to Thomas Attwood Walmisley ; v. 10. 2. Samuel Sebastian Wesley
Author: Robin Langley
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 100
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 100
Book Description
English organ music: From Henry Purcell to John Stanley
Author: Robin Langley
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 64
Book Description
English organ music: From John Stanley to John Keeble
Author: Robin Langley
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 70
Book Description
Organists' Review
Author:
Publisher:
ISBN:
Category : Organ (Musical instrument)
Languages : en
Pages : 414
Book Description
Publisher:
ISBN:
Category : Organ (Musical instrument)
Languages : en
Pages : 414
Book Description
The Organ
Author:
Publisher:
ISBN:
Category : Organ (Musical instrument)
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : Organ (Musical instrument)
Languages : en
Pages : 256
Book Description