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Author:
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Category : American fiction
Languages : en
Pages : 396
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Book Description
Author:
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 396
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Book Description
Author:
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ISBN:
Category : American fiction
Languages : en
Pages : 864
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Author: [Anonymus AC00748318]
Publisher:
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Category :
Languages : en
Pages :
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Author:
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ISBN:
Category : American literature
Languages : en
Pages : 648
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Book Description
Author: Calvin Lindsay Smiley
Publisher:
ISBN:
Category : Canadian fiction
Languages : en
Pages : 478
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Book Description
Author: George Gissing
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 356
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Book Description
Author: Catherine J. Golden
Publisher: University Press of Florida
ISBN: 0813063736
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
The Victorian illustrated book came into being, flourished, and evolved during the long nineteenth century. While existing scholarship on Victorian illustrators largely centers on the realist artists of the "Sixties," this volume examines the entire lifetime of the Victorian illustrated book. Catherine Golden offers a new framework for viewing the arc of this vibrant genre, arguing that it arose from and continually built on the creative vision of the caricature-style illustrators of the 1830s. She surveys the fluidity of illustration styles across serial installments, British and American periodicals, adult and children’s literature, and--more recently--graphic novels. Serials to Graphic Novels examines widely recognized illustrated texts, such as The Pickwick Papers, Oliver Twist, Alice in Wonderland, Peter Rabbit, and Trilby. Golden explores factors that contributed to the early popularity of the illustrated book—the growth of commodity culture, a rise in literacy, new printing technologies—and that ultimately created a mass market for illustrated fiction. Golden identifies present-day visual adaptations of the works of Austen, Dickens, and Trollope as well as original Neo-Victorian graphic novels like The League of Extraordinary Gentlemen and Victorian-themed novels like Batman: Noël as the heirs to the Victorian illustrated book. With these adaptations and additions, the Victorian canon has been refashioned and repurposed visually for new generations of readers.
Author: Will Abberley
Publisher: Cambridge University Press
ISBN: 1316300870
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Victorian science changed language from a tool into a natural phenomenon, evolving independently of its speakers. Will Abberley explores how science and fiction interacted in imagining different stories of language evolution. Popular narratives of language progress clashed with others of decay and degeneration. Furthermore, the blurring of language evolution with biological evolution encouraged Victorians to re-imagine language as a mixture of social convention and primordial instinct. Abberley argues that fiction by authors such as Charles Kingsley, Thomas Hardy and H. G. Wells not only reflected these intellectual currents, but also helped to shape them. Genres from utopia to historical romance supplied narrative models for generating thought experiments in the possible pasts and futures of language. Equally, fiction that explored the instinctive roots of language intervened in debates about language standardisation and scientific objectivity. These textual readings offer new perspectives on twenty-first-century discussions about language evolution and the language of science.
Author: Sterling Professor of Humanities Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438114923
Category : English fiction
Languages : en
Pages : 457
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Book Description
This volume examines the great writers of the late 19th and early 20th centuries, from Thomas Hardy to Joseph Conrad.
Author: Holly A. Laird
Publisher: Springer
ISBN: 1137393807
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
The ranks of English women writers rose steeply in the late 19th and early 20th centuries, contributing to the era’s revolutionary social movements as well as to transforming literary genres in prose and poetry. The phenomena of ‘the new’ — ‘New Women’, ‘New Unionism’, ‘New Imperialism’, ‘New Ethics’, ‘New Critics’, ‘New Journalism’, ‘New Man’ — are this moment’s touchstones. This book tracks the period's new social phenomena and unfolds its distinctively modern modes of writing. It provides expert introductions amid new insights into women’s writing throughout the United Kingdom and around the globe.
