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Author: Dennis Farr
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 572
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Book Description
Donated: Margaret A. Bailey Art Collection.
Author: Dennis Farr
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 572
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Book Description
Donated: Margaret A. Bailey Art Collection.
Author: Ann Calhoun
Publisher: Auckland University Press
ISBN: 1869402294
Category : Arts and Crafts Movement
Languages : en
Pages : 240
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Book Description
"Reveals ... the exquisite work and extraordinary skill of a group of New Zealand artists, most of them women, working in a wide variety of art and craft forms ... This flowering of local talent ... originated in the British Arts and Crafts movement and is associated with the growth of art education in this country: its quiet but dedicated character also suggests much about the situation of women in the years before and after 1900"--Jacket.
Author: Thomas Bromwell
Publisher: Taylor & Francis
ISBN: 1040256309
Category : Art
Languages : en
Pages : 327
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Book Description
This book is the first substantial study of the presence and relationship with the concepts of apocalypse, eschatology, and millennium in modern British art from 1914 to 1945, addressing how and why practitioners in both religious and secular spheres turned to the subjects. The volume examines British art and visual culture’s relationship with the then-contemporary anxieties and hopes regarding the orientation of society and culture, arguing that there is an acute relationship to the particular forms of cultural discourse of eschatology, apocalypse, and millennium. Chapters identify the continued relevance of religion and religious themes in British art during the period, and demonstrate that eschatology, apocalypse, and millennium were thriving and surprisingly mainstream concepts in the period that remained vital in early to mid-twentieth-century society and culture. This book is a research monograph aimed at an audience of scholars and graduate students already familiar with the core focus of modern British art and cultural histories, especially those working on the late nineteenth and early twentieth centuries, or the concepts of apocalypse, eschatology, and millennium in Theology, Sociology, or other disciplinary settings. It will also be of interest to scholars and students working on war and visual culture, or histories of imperialism. It will benefit scholars of early twentieth-century British art, demonstrating the intersection of art and religion in the modern era, and critically qualifies the standard secular canon and narrative of modern British art, and the general neglect of religion in existing art-historical literature.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 260
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Book Description
Includes history and illustrations of architecture, sculpture, paintings, medieval manuscripts and books, wall murals and frescoes.
Author: Clare A. P. Willsdon
Publisher: Oxford University Press, USA
ISBN: 9780198175155
Category : Art
Languages : en
Pages : 730
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Book Description
This survey sets state, civic, commercial, church, private and other murals in their historical and cultural contexts. The book covers work by over 400 artists and numerous murals never previously documented or illustrated.
Author: Keith Robbins
Publisher: Routledge
ISBN: 1317894987
Category : History
Languages : en
Pages : 487
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Book Description
Covers both the expansion and the decline of the British Empire and the reasons behind this sudden eclipse in power.
Author: Bernard Smith
Publisher: Macmillan Education AU
ISBN: 9781876832339
Category : Art
Languages : en
Pages : 148
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Book Description
In this well-illustrated book Professor Bernard Smith, who is often referred to as the father of art history in Australia, condenses the arguments presented in an earlier publication Modernisms History, 1998) into a very accessible and helpful text will prove useful for students and arts-interested readers. He begins by listing and carefully explaining those terms which frequently occur in arts literature dealing with the modern period and then goes on to show that modernism has become an historical period with its art forms both 'institutionalised' and 'globalised'. Now an historical entity, art historys basic tools can be employed to explain and describe it. They include an investigation of the periods 'style', use of 'form' and attitudes to meaning. In his defence of art historys traditions and methodologies he argues that the period that encompasses modernism in the arts might now be known as The Formalesque .
Author: ElizabethA. Pergam
Publisher: Routledge
ISBN: 135154280X
Category : Art
Languages : en
Pages : 397
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Book Description
An overdue study of a groundbreaking event, this is the first book-length examination of the Manchester Art Treasures Exhibition of 1857. Intended to rehabilitate Manchester's image at a heady time of economic prosperity, the Exhibition became a touchstone for aesthetic, social, and economic issues of the mid-nineteenth century. Reverberations of this moment can be followed to the present day in the discipline of art history and its practice in public museums of Europe and America. Highlighting the tension between art and commerce, philanthropy and profit, the book examines the Exhibition's organization and the presentation of the works of art in the purpose-built Art Treasures Palace. Pergam places the Exhibition in the context of contemporary debates about museum architecture and display. With an analysis of the reception of both "Ancient" and "Modern" paintings, the book questions the function of exhibitions in the construction of an art historical canon. The book also provides an essential reference tool: a compiled list of all of the paintings exhibited in 1857 that are now in public collections throughout the world, with an analysis of the collecting trends manifest in their provenance.
Author: Paul Greenhalgh
Publisher: Manchester University Press
ISBN: 1526123657
Category : History
Languages : en
Pages : 273
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Book Description
The international exhibitions held around the world between 1851 and 1939 were spectacular gestures, which briefly held the attention of the world before disappearing into an abrupt oblivion, of the victims of their planned temporality. Known in Britain as Great Exhibitions, in France as Expositions Universelles and in America as World's Fairs, the genre became a self-perpetuating phenomenon, the extraordinary cultural spawn of industry and empire. Thoroughly in the spirit of the first industrial age, the exhibitions illustrated the relation between money and power, and revelled in the belief that the uncontrolled expression of that power was the quintessence of freedom. Philanthropy found its place on exhibition sites functioning as a conscience to the age although even here morality was inextricably linked to economic efficiency and expansion. Imperial achievement was celebrated to the full at international exhibitions. Nevertheless, most World's Fairs maintained an imperial element and out of this blossomed a vibrant racism. Between 1889 and 1914, the exhibitions became a human showcase, when people from all over the world were brought to sites in order to be seen by others for their gratification and education. In essence, the English national profile fabricated in the closing decades of the nineteenth century was derived from the pre-industrial world. The Fine Arts were an important ingredient in any international exhibition of calibre. This book incorporates comparative work on European and American empire-building, with the chronological focus primarily on the nineteenth and twentieth centuries, when these cultural exchanges were most powerfully at work.
Author: Carolyn Burke
Publisher: Macmillan
ISBN: 0374109648
Category : Biography & Autobiography
Languages : en
Pages : 533
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Book Description
Born in London of mixed Jewish and English parentage, and a much photographed beauty, she moved in the pivotal circles of international modernism - in Florence as Gertrude Stein's friend and Marinetti's lover; in New York as Marcel Duchamp's co-conspirator and Djuna Barnes's confidante; in Mexico with her greatest love, the notorious boxer-poet Arthur Cravan; in Paris with the Surrealists and Man Ray.
