English and Continental Watercolours and Drawings [Christie's, 1983]. PDF Download
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![English and Continental Watercolours and Drawings [Christie's, 1983]. PDF](https://books.google.com/books/content/images/frontcover/CaFrjwEACAAJ?fife=w80-h100)
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Author: Christie, Manson & Woods
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 102
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Author: Richard Lockett
Publisher: B.T. Batsford
ISBN:
Category : Europe
Languages : en
Pages : 208
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Samuel Prout was one of the first artists to specialize in continental views. In the early 1820s he popularized the scenery of the grand tour- Normandy, the Rhine, the Low Countries, Switzerland and Italy, particularly Venice- with a wider public, through the print trade and his books of engravings and lithographs. George IV appointed him 'Painter in Water-Colours in Ordinary' in 1829, and Prout continued to enjoy royal patronage. His especial skill in depicting architectural subjects won him the admiration of Ruskin, who was to become a personal friend. Yet since the end of the nineteenth century Prout's work has received relatively little attention from art historians."--Publisher description.
Author: John Herbert
Publisher:
ISBN: 9780714880082
Category : Antiques & Collectibles
Languages : en
Pages : 512
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Author:
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 34
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Author: Jordan Kauffman
Publisher: MIT Press
ISBN: 0262344416
Category : Architecture
Languages : en
Pages : 378
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How architectural drawings emerged as aesthetic objects, promoted by a network of galleries, collectors, and institutions, and how this changed the understanding of architecture. Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside the process of building. In Drawing on Architecture, Jordan Kauffman offers an account of how architectural drawings—promoted by a network of galleries and collectors, exhibitions and events—emerged as aesthetic objects and ultimately attained status as important cultural and historical artifacts, and how this was both emblematic of changes in architecture and a catalyst for these changes. Kauffman traces moments of critical importance to the evolution of the perception of architectural drawings, beginning with exhibitions that featured architectural drawings displayed in ways that did not elucidate buildings but treated them as meaningful objects in their own right. When architectural drawings were seen as having intrinsic value, they became collectible, and Kauffman chronicles early collectors, galleries, and sales. He discusses three key exhibitions at the Leo Castelli Gallery in New York; other galleries around the world that specialized in architectural drawings; the founding of architecture museums that understood and collected drawings as important cultural and historical artifacts; and the effect of the new significance of architectural drawings on architecture and architectural history. Drawing on interviews with more than forty people directly involved with the events described and on extensive archival research, Kauffman shows how architectural drawings became the driving force in architectural debate in an era of change.
Author:
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ISBN:
Category : Drawing
Languages : en
Pages : 152
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Author: Joachim Wolschke-Bulmahn
Publisher: Dumbarton Oaks
ISBN: 9780884022466
Category : Architecture
Languages : en
Pages : 296
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The essays in this volume explore the broad range of ideas about nature reflected in twentieth-century concepts of natural gardens and their ideological implications. They also investigate garden designers' use of earlier ideas of natural gardens and their relationship to the rich model that nature offers.
Author:
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ISBN:
Category : Antiques
Languages : en
Pages : 668
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Author:
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ISBN:
Category : Art auctions
Languages : en
Pages : 162
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