England

England PDF Author: Geoffrey Cox
Publisher:
ISBN:
Category :
Languages : en
Pages : 33

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Book Description

England

England PDF Author: Geoffrey Cox
Publisher:
ISBN:
Category :
Languages : en
Pages : 33

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Book Description


Literature and Revolution in England, 1640-1660

Literature and Revolution in England, 1640-1660 PDF Author: Nigel Smith
Publisher: Yale University Press
ISBN: 9780300071535
Category : Literary Criticism
Languages : en
Pages : 452

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Book Description
At a time of crisis and constitutional turmoil, literature itself acquired new functions and played a dynamic part in the fragmentation of religious and political authority.

A Historical Study of the Characteristics of Acting During the Restoration Period in England, 1660-1710

A Historical Study of the Characteristics of Acting During the Restoration Period in England, 1660-1710 PDF Author: Wesley Joe Jensby
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 582

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Book Description


England 1625-1660

England 1625-1660 PDF Author: Dale Scarboro
Publisher: Hodder Education Publishers
ISBN: 9780719577475
Category : History
Languages : en
Pages : 304

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Book Description
This series uses varied learning approaches to offer in-depth content coverage of the most popular AS and A2 options.

Venice Preserv'd

Venice Preserv'd PDF Author: Thomas Otway
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 78

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Book Description


Bolognese Instrumental Music, 1660-1710

Bolognese Instrumental Music, 1660-1710 PDF Author: Gregory Barnett
Publisher: Routledge
ISBN: 1351573330
Category : Music
Languages : en
Pages : 289

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Book Description
This book, the first of its kind, is a study of Bolognese instrumental music during the height of the city's musical activity in the late seventeenth century. The period?marked by a rapid expansion of the cappella musicale of the principal city church, San Petronio, by the founding of the Accademia Filarmonica, and by increasingly lavish patronage of musical events?witnessed the proliferation of repertory for instrumental ensembles. This music not only reveals crucial stages in the development of the sonata and concerto but also recalls the elaborate church rituals and the opulent public and private celebrations in which they figured prominently. Moreover, the late seventeenth century saw the heyday of Bolognese music publishing, whose output of sonatas and related instrumental genres easily surpassed that of the once-dominating Venetian presses. The approach taken here departs from composer- and genre-centered monographs on Italian instrumental music in order to illuminate an array of topics that center on the Bolognese repertory: the social condition of instrumentalist-composers; the acumen of music publishers in the creation of the repertory; the diverse contexts of the instrumental dances; the influence of liturgical traditions on sonata topoi; the impact of psalmodic practice on tonal style; and the innovative climate that led to experiments with scoring and form in the earliest instrumental concertos. In sum, this book not only illustrates the historically significant and defining features of the music, but also links the surviving repertory to the flourishing musical culture in which it was created.

Micrographia

Micrographia PDF Author: Robert Hooke
Publisher:
ISBN:
Category : Hair
Languages : en
Pages : 394

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Book Description
At one time, Hooke was a research assistant to Robert Boyle. He is believed to be one of the greatest inventive geniuses of all time and constructed one of the most famous of the early compound microscopes.

Shakespeare Imitations, Parodies and Forgeries, 1710-1820

Shakespeare Imitations, Parodies and Forgeries, 1710-1820 PDF Author: Jeffrey Kahan
Publisher: Taylor & Francis
ISBN: 9780415288583
Category : Drama
Languages : en
Pages : 408

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Book Description
In their own day, the works in this collection of now all-but-forgotten plays, composed between 1710 and 1820, enjoyed much critical and commercial success. For example, Nicholas Rowe's "The Tragedy of Jane Shore" (1714) was the most popular new play of the eighteenth century, and the sixth most performed tragedy, following "Hamlet," "Macbeth," "Romeo and Juliet,"" Othello" and "King Lear." Even William Shirley's forgotten play, "Edward the Black Prince" (1750), "was well received with great applause" and had a stage history spanning three decades. This collection includes the performance text to the 1796 Ireland play, "Vortigern." The plays are all reset and, where possible, modernized from original manuscripts, with listed variants, and parallel passages traced to Shakespearean canonical texts. The set includes a new introduction by the editor, and raises important questions about the nature of artistic property and authenticity, a key area of Shakespearean research today.

The Oxford Handbook of British Poetry, 1660-1800

The Oxford Handbook of British Poetry, 1660-1800 PDF Author: Jack Lynch
Publisher: Oxford University Press
ISBN: 0199600805
Category : Literary Criticism
Languages : en
Pages : 817

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Book Description
In the most comprehensive, up-to-date account of the poetry published in Britain between the Restoration and the end of the eighteenth century, a team of leading experts surveys the poetry of the age in all its richness and diversity. They provide a systematic overview, and restore these poetic works to a position of centrality in modern criticism.

Paratext Printed with New English Plays, 1660–1700

Paratext Printed with New English Plays, 1660–1700 PDF Author: Robert D. Hume
Publisher: Cambridge University Press
ISBN: 1009270494
Category : Literary Criticism
Languages : en
Pages : 169

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Book Description
This Element Paratext printed with new English plays has a lot to tell us about what playwrights were attempting to do and how audiences responded, thereby contributing substantially to our understanding of larger patterns of generic evolution across two centuries. The presence (or absence) of twelve elements needs to be systematically surveyed. (1) Attribution of authorship; (2) generic designation; (3) performance auspices; (4) government license authorizing publication; (5) dedication; (6) prefaces of various sorts; (7a-b-c) list of characters (three types); (8) actors' names (sometimes with descriptive characterizations-very helpful for deducing intended authorial interpretation); (9) location of action; (10) prologue and epilogue for first production. Surveying these results, we can see that much of the generic evolution traceable in the later seventeenth century gets undone during the eighteenth-a reversal largely attributable to the Licensing Act of 1737. This title is also available as Open Access on Cambridge Core.