Encyclopedia of Movie Special Effects PDF Download
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Author: Patricia D. Netzley
Publisher: Greenwood
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 314
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Book Description
Review: "A unique resource detailing the developments and use of special effects in the American movie industry, this title is well indexed and illustrated with 366 entries. It covers Academy Award-winning special effects movies, groundbreaking techniques, equipment, and devices, special effects houses, and pivotal figures in mechanical and visual special effects, makeup, creature design, directing, and stunt work."--"Outstanding Reference Sources," American Libraries, May 2001.
Author: Patricia D. Netzley
Publisher: Greenwood
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 314
Get Book
Book Description
Review: "A unique resource detailing the developments and use of special effects in the American movie industry, this title is well indexed and illustrated with 366 entries. It covers Academy Award-winning special effects movies, groundbreaking techniques, equipment, and devices, special effects houses, and pivotal figures in mechanical and visual special effects, makeup, creature design, directing, and stunt work."--"Outstanding Reference Sources," American Libraries, May 2001.
Author: John Brosnan
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 256
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Book Description
Author: Damian Allen
Publisher:
ISBN: 9780321303349
Category : Computers
Languages : en
Pages : 590
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Book Description
The ultimate effect recipe book covers not just one but three software packages: Shake, After Effects, and Motion!
Author: Robert E. McCarthy
Publisher: Routledge
ISBN: 9780240801087
Category : Cinematography
Languages : en
Pages : 0
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Book Description
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Richard Rickitt
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 392
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Book Description
Spanning the rich history of movie magic, this completely up-to-date guide to visual trickery is unparalleled in scope, presenting a clearly written, lushly illustrated chronicle of special effects development during ten decades of filmmaking. A must for lovers of movie fantasy, students of film and pop culture, and amateur filmmakers. 350 color and 60 b&w illustrations.
Author: Ron Miller
Publisher: Twenty-First Century Books
ISBN: 9780761329183
Category : Juvenile Nonfiction
Languages : en
Pages : 134
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Book Description
Looks at the history of the special effects industry from silent films to the use of current technologies, providing insight into how various special effects are created and used.
Author: C. J. Henderson
Publisher:
ISBN: 9780816040438
Category : Performing Arts
Languages : en
Pages : 516
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Book Description
Compiles information about science fiction films, providing the film title, studio, date of release, length, availability, producer, director, screenplay writer, music composer, special effects person, and lead cast members.
Author: Jeff Rovin
Publisher: South Brunswick [N.J.] : A. S. Barnes
ISBN:
Category : Photography
Languages : en
Pages : 188
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Book Description
Author: Ian Failes
Publisher: CRC Press
ISBN: 1317540921
Category : Art
Languages : en
Pages : 327
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Book Description
It would be rare these days to find a film that did not in some way depend on the magic of visual effects, from the raging computer-generated dinosaurs in Steven Spielberg's Jurassic Park, to the fantastical worlds of Tim Burton's Alice in Wonderland, and the photoreal tiger and ocean in Ang Lee's Life of Pi. Through interviews with 16 of the leading effects pioneers from around the world (see list below), author Ian Failes explores the making of some of the most memorable film sequences ever produced, showcasing the shift from practical to digital magic with original behind-the-scenes imagery, shot breakdowns, and detailed explanations of some of the secrets behind the making of cinema's most extraordinary creations. Visual effects artists and films discussed include: Dennis Muren (Star Wars: Episodes IV–VI; Terminator 2: Judgment Day; Jurassic Park; A.I. Artificial Intelligence; War of the Worlds) Bill Westenhofer (Babe: Pig in the City; Cats & Dogs; The Lion, the Witch and the Wardrobe; The Golden Compass; Life of Pi) Joe Letteri (The Lord of the Rings trilogy; King Kong; Avatar; Planet of the Apes; The Hobbit trilogy) Rob Legato (Apollo 13; Titanic; The Aviator; Hugo) Paul Franklin (Pitch Black; Christopher Nolan’s The Dark Knight trilogy; Inception; Interstellar) Richard Edlund (Star Wars: Episodes IV–VI; Raiders of the Lost Ark; Ghostbusters; Multiplicity); Edson Williams (X-Men: The Last Stand; The Curious Case of Benjamin Button; The Social Network; Captain America films) Karen Goulekas (Godzilla; The Day After Tomorrow; 10,000 BC; Green Lantern); Chris Corbould (Golden Eye; Die Another Day; Christopher Nolan’s The Dark Knight trilogy; Inception); Ian Hunter (The X-Files; The Dark Knight; The Dark Knight Rises; Inception; Interstellar) John Rosengrant (Terminator films; Jurassic Park; Iron Man films; Real Steel)
Author: Charlie Keil
Publisher: Rutgers University Press
ISBN: 0813570832
Category : Art
Languages : en
Pages : 279
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Book Description
Most moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film editing is often subtle and almost invisible, whereas special effects frequently call attention to themselves. Yet, film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day. Editing and Special/Visual Effects brings together a diverse range of film scholars who trace how the arts of editing and effects have evolved in tandem. Collectively, the contributors demonstrate how these two crafts have been integral to cinematic history, starting with the “trick films” of the early silent era, which astounded audiences by splicing in or editing out key frames, all the way up to cutting-edge effects technologies and concealed edits used to create the illusions. Throughout, readers learn about a variety of filmmaking techniques, from classic Hollywood’s rear projection and matte shots to the fast cuts and wall-to-wall CGI of the contemporary blockbuster. In addition to providing a rich historical overview, Editing and Special/Visual Effects supplies multiple perspectives on these twinned crafts, introducing readers to the analog and digital tools used in each craft, showing the impact of changes in the film industry, and giving the reader a new appreciation for the processes of artistic collaboration they involve.
