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Author: Laura Cull Ó Maoilearca
Publisher: Springer
ISBN: 1137291915
Category : Performing Arts
Languages : en
Pages : 302
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Book Description
Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Deleuze's philosophy for theatre and performance. Drawing from Goat Island, Butoh, Artaud and Kaprow, as well from Deleuze, Bergson and Laruelle, the book conceives performance as a way of thinking immanence.
Author: Laura Cull Ó Maoilearca
Publisher: Springer
ISBN: 1137291915
Category : Performing Arts
Languages : en
Pages : 302
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Book Description
Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Deleuze's philosophy for theatre and performance. Drawing from Goat Island, Butoh, Artaud and Kaprow, as well from Deleuze, Bergson and Laruelle, the book conceives performance as a way of thinking immanence.
Author: Laura Cull Ó Maoilearca
Publisher: Springer
ISBN: 1137462728
Category : Performing Arts
Languages : en
Pages : 308
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Book Description
Encounters in Performance Philosophy is a collection of 14 essays by international researchers which demonstrates the vitality of the field of Performance Philosophy. The essays address a wide range of concerns common to performance and philosophy including: the body, language, performativity, mimesis and tragedy.
Author: Daniel Koczy
Publisher: Springer
ISBN: 3319956183
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
This book draws on the theatrical thinking of Samuel Beckett and the philosophy of Gilles Deleuze to propose a method for research undertaken at the borders of performance and philosophy. Exploring how Beckett fabricates encounters with the impossible and the unthinkable in performance, it asks how philosophy can approach what cannot be thought while honouring and preserving its alterity. Employing its method, it creates a series of encounters between aspects of Beckett’s theatrical practice and a range of concepts drawn from Deleuze’s philosophy. Through the force of these encounters, a new range of concepts is invented. These provide novel ways of thinking affect and the body in performance; the possibility of theatrical automation; and the importance of failure and invention in our attempts to respond to performance encounters. Further, this book includes new approaches to Beckett’s later theatrical work and provides an overview of Deleuze’s conception of philosophical practice as an ongoing struggle to think with immanence.
Author: Freddie Rokem
Publisher: Stanford University Press
ISBN: 080476350X
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
This book investigates the discursive practices of philosophy and theater/performance on the basis of actual encounters between representatives of these two fields.
Author: Laura Cull Ó Maoilearca
Publisher: Routledge
ISBN: 1000056899
Category : Performing Arts
Languages : en
Pages : 491
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Book Description
The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical essays, conversations, collaborative, creative and performative writing mapping the key contexts, debates, methods, discourses and practices in this developing field. Firstly, the collection offers new insights on the fundamental question of how thinking happens: where, when, how and by whom philosophy is performed. Secondly, it provides a plurality of new accounts of performance and performativity – as the production of ideas, bodies and knowledges – in the arts and beyond. Comprising texts written by international artists, philosophers and scholars from multiple disciplines, the essays engage with questions of how performance thinks and how thought is performed in a wide range of philosophies and performances, from the ancient to the contemporary. Concepts and practices from diverse geographical regions and cultural traditions are analysed to draw conclusions about how performance operates across art, philosophy and everyday life. The collection both contributes to and critiques the philosophy of music, dance, theatre and performance, exploring the idea of a philosophy from the arts. It is crucial reading material for those interested in the hierarchy of the relationship between philosophy and the arts, advancing debates on philosophical method, and the relation between Performance and Philosophy more broadly. Chapter 19 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author: Rajni Shah
Publisher: Rowman & Littlefield
ISBN: 1538144301
Category : Philosophy
Languages : en
Pages : 281
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Book Description
Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Rather than looking to the stage for a politics or ethics of performance, Rajni Shah asks what work needs to happen in order for the stage itself to appear, exploring some of the factors that might allow or prevent a group of individuals to gather together as an ‘audience’. Shah proposes that the theatrical encounter is a structure that prioritises the attentive over the declarative; each of the five chapters is an exploration of this proposition. The first two chapters propose readings for the terms ‘listening’ and ‘audience’, drawing primarily on Gemma Corradi Fiumara’s writing about the philosophy of listening and Stanley Cavell’s writing about being-in-audience. The third chapter reflects on the work of Lying Fallow, the first of two practice elements which were part of this research, asking whether and how this project aligns with the modes of listening that Shah has proposed thus far, and introducing Eve Kosofsky Sedgwick’s writing about the preposition ‘beside’ in relation to being-in-audience. In the fourth chapter, Shah examines the role of the invitation in setting up the parameters for being-in-audience, in relation to Sara Ahmed’s writing about arrival and encounter. And in the final chapter the second practice element, Experiments in Listening, operates to expand our thinking about where and how the work of being-in-audience takes place. Blending the boundaries of theoretical, creative and practice-based artistic work, this book is accompanied by a series of five zines. These describe an embodied experience of knowledge from a personal perspective, both playfully and seriously following a line of enquiry developed in each of the chapters.
Author: Matthew James Smith
Publisher: Edinburgh University Press
ISBN: 147443570X
Category : Acting
Languages : en
Pages : 304
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Book Description
This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare.
Author: Nic Fryer
Publisher: Rowman & Littlefield Publishers
ISBN: 9781538148419
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
This is the first collection on Rancière, a key thinker of political philosophy and aesthetics, which deals explicitly with the implications of his thought on theatre and performance studies.
Author: B. Chow
Publisher: Springer
ISBN: 1137403195
Category : Performing Arts
Languages : en
Pages : 282
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Book Description
The first edited volume to examine philosopher Slavoj Žižek's influence on, and his relevance for, theatre and performance studies. Featuring a brand new essay from Žižek himself, this is an indispensable contribution to the emerging field of Performance Philosophy.
Author: Pavel Gregoric
Publisher: Routledge
ISBN: 1000382966
Category : Philosophy
Languages : en
Pages : 403
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Book Description
This collection of essays engages with several topics in Aristotle’s philosophy of mind, some well-known and hotly debated, some new and yet to be explored. The contributors analyze Aristotle’s arguments and present their cases in ways that invite contemporary philosophers of mind to consider the potentials—and pitfalls—of an Aristotelian philosophy of mind. The volume brings together an international group of renowned Aristotelian scholars as well as rising stars to cover five main themes: method in the philosophy of mind, sense perception, mental representation, intellect, and the metaphysics of mind. The papers collected in this volume, with their choice of topics and quality of exposition, show why Aristotle is a philosopher of mind to be studied and reckoned with in contemporary discussions. Encounters with Aristotelian Philosophy of Mind will be of interest to scholars and advanced students of ancient philosophy and philosophy of mind.
