Author: Hans Richter
Publisher: Prestel Verlag
ISBN: 3641117542
Category : Art
Languages : en
Pages : 258
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Book Description
In English for the first time: The pioneering Dadaist’s insights and remembrances of a lifetime working side-by-side with the leading modern artists of the twentieth century. Painter, filmmaker, writer, and teacher Hans Richter (1888–1976) was at the center of some of the most important movements in modernism, including Expressionism, Dadaism, Constructivism, and Surrealism. In contrast to the image of the lone artist creating in isolation, Richter’s long and prolific career was fueled by his encounters with others. With appearances by Calder, Cocteau, Duchamp, Eisenstein, Fellini, Höch, Kaprow, Malevich, Mondrian, Man Ray, and Tzara (to name just a few), Encounters from Dada till Today documents the collaborative aspirations of a generation of modern artists, as well as testifies to a lifetime of friendships forged in creativity. In Richter’s words, “the form, the content, and the occasion of each encounter commemorate the unrepeatable particular person, and give him the small eternity to which everyone is entitled.”
Author: Nicholas Baer
Publisher: Univ of California Press
ISBN: 0520398831
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
Historical Turns reassesses Weimar cinema in light of the "crisis of historicism" widely diagnosed by German philosophers in the early twentieth century. Through bold new analyses of five legendary works of German silent cinema—The Cabinet of Dr. Caligari, Destiny, Rhythm 21, The Holy Mountain, and Metropolis—Nicholas Baer argues that films of the Weimar Republic lent vivid expression to the crisis of historical thinking. With their experiments in cinematic form and style, these modernist films revealed the capacity of the medium to engage with fundamental questions about the philosophy of history. Reconstructing the debates over historicism that unfolded during the initial decades of moving-image culture, Historical Turns proposes a more reflexive mode of historiography and expands the field of film and media philosophy. The book excavates a rich archive of ideas that illuminate our own moment of rapid media transformation and political, economic, and environmental crises around the globe.
Author: Jed Rasula
Publisher: Basic Books
ISBN: 0465066941
Category : Art
Languages : en
Pages : 384
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Book Description
In 1916, as World War I raged around them, a group of bohemians gathered at a small nightclub in Zurich, Switzerland for a series of bizarre performances. Three readers simultaneously recited a poem in three languages; a monocle-wearing teenager performed a spell from New Zealand; another young man flung bits of papier-mâché into the air and glued them into place where they landed. One of these artists called the sessions “both buffoonery and a requiem mass.” Soon they would be known by a more evocative name: Dada. In Destruction Was My Beatrice, modernist scholar Jed Rasula presents the first narrative history of the emergence, decline, and legacy of Dada, showing how this strange artistic phenomenon spread across Europe and then the world in the wake of the Great War, fundamentally reshaping modern culture in ways we’re still struggling to understand today.
Author: S. Eckmann
Publisher: Springer
ISBN: 1137080329
Category : Political Science
Languages : en
Pages : 270
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Book Description
This book explores German and European exile visual artists, designers and film practitioners in the United States such as Max Beckmann, George Grosz, Hans Richter, Peter Lorre, and Edgar Ulmer and examines how American artists including Walter Quirt, Jackson Pollock, and Robert Motherwell responded to the Europeanization of American culture.
Author: Mark Bevir
Publisher: BRILL
ISBN: 9004513558
Category : Philosophy
Languages : en
Pages : 274
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Book Description
In this volume, Mark Bevir argues that postfoundationalism is compatible with humanism and historicism. He engages leading postmodernists such as Derrida and Foucault, exploring the role of human agency and historical context in philosophy, social science, and ethics.
Author: Hal Foster
Publisher: MIT Press
ISBN: 9780262062428
Category : Architecture
Languages : en
Pages : 506
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Book Description
How to imagine not only a new art or architecture but a new self or subject equal to them? In Prosthetic Gods, Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, F. T. Marinetti and Wyndham Lewis, Adolf Loos and Max Ernst. These diverse figures were all fascinated by fictions of origin, either primordial and tribal or futuristic and technological. In this way, Foster argues, two forms came to dominate modernist art above all others: the primitive and the machine. Foster begins with the primitivist fantasies of Gauguin and Picasso, which he examines through the Freudian lens of the primal scene. He then turns to the purist obsessions of the Viennese architect Loos, who abhorred all things primitive. Next Foster considers the technophilic subjects propounded by the futurist Marinetti and the vorticist Lewis. These "new egos" are further contrasted with the "bachelor machines" proposed by the dadaist Ernst. Foster also explores extrapolations from the art of the mentally ill in the aesthetic models of Ernst, Paul Klee, and Jean Dubuffet, as well as manipulations of the female body in the surrealist photography of Brassai, Man Ray, and Hans Bellmer. Finally, he examines the impulse to dissolve the conventions of art altogether in the drip paintings of Jackson Pollock, the scatter pieces of Robert Morris, and the earthworks of Robert Smithson, and traces the evocation of lost objects of desire in sculptural work from Marcel Duchamp and Alberto Giacometti to Robert Gober. Although its title is drawn from Freud, Prosthetic Godsdoes not impose psychoanalytic theory on modernist art; rather, it sets the two into critical relation and scans the greater historical field that they share.
Author: Stephen Forcer
Publisher: Routledge
ISBN: 1351570250
Category : Foreign Language Study
Languages : en
Pages : 172
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Book Description
The Dada movement, revered as perhaps the purest form of cultural subversion and provocation in 20th-century Europe, has been a victim of the readiness with which cultural historians have swallowed its own propaganda. Based on extensive close analysis of French-language Dada work in its original form, and offering English translations throughout, this major reappraisal looks at a broad range of media and topics - including poetry, film, philosophy, and quantum physics - in order to get beyond Dada's typecasting as avant-garde anti-hero. Work by women writers and other marginalized figures combines with that of canonical Dadaists to present Dada in a radically new set of guises: poetic and textually subtle; intellectually and philosophically meaningful; peaceable and quasi-Buddhist; and, perhaps most uncomfortably of all, conformist and reactionary.
Author: Dafydd Jones
Publisher: Liverpool University Press
ISBN: 1781386005
Category : Art
Languages : en
Pages : 265
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Book Description
This book presents theoretical engagements with Dada – the cultural formation routinely characterised as ‘revolutionary’ – in order to contest perpetuated assumptions that underlie the popular myth.
Author: Makoto Ueda
Publisher: Stanford University Press
ISBN: 9780804711661
Category : Literary Criticism
Languages : en
Pages : 480
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Book Description
A Stanford University Press classic.
Author: John Melillo
Publisher: Bloomsbury Publishing USA
ISBN: 1501359932
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
By reinterpreting 20th-century poetry as a listening to and writing through noise, The Poetics of Noise from Dada to Punk constructs a literary history of noise through poetic sound and performance. This book traces how poets figure noise in the disfiguration of poetic voice. Materializing in the threshold between the heard and the unheard, noise emerges in the differentiation and otherness of sound. It arises in the folding of an “outside” into the “inside” of poetic performance both on and off the page. Through a series of case studies ranging from verse by ear-witnesses to the First World War, Dadaist provocations, jazz modernist song and poetry, early New York City punk rock, contemporary sound poetry, and noise music, The Poetics of Noise from Dada to Punk describes productive failures of communication that theorize listening against the grain of sound's sense.
