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Author: Hans Richter
Publisher: Prestel Verlag
ISBN: 3641117542
Category : Art
Languages : en
Pages : 258
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Book Description
In English for the first time: The pioneering Dadaist’s insights and remembrances of a lifetime working side-by-side with the leading modern artists of the twentieth century. Painter, filmmaker, writer, and teacher Hans Richter (1888–1976) was at the center of some of the most important movements in modernism, including Expressionism, Dadaism, Constructivism, and Surrealism. In contrast to the image of the lone artist creating in isolation, Richter’s long and prolific career was fueled by his encounters with others. With appearances by Calder, Cocteau, Duchamp, Eisenstein, Fellini, Höch, Kaprow, Malevich, Mondrian, Man Ray, and Tzara (to name just a few), Encounters from Dada till Today documents the collaborative aspirations of a generation of modern artists, as well as testifies to a lifetime of friendships forged in creativity. In Richter’s words, “the form, the content, and the occasion of each encounter commemorate the unrepeatable particular person, and give him the small eternity to which everyone is entitled.”
Author: Hans Richter
Publisher: Prestel Verlag
ISBN: 3641117542
Category : Art
Languages : en
Pages : 258
Get Book Here
Book Description
In English for the first time: The pioneering Dadaist’s insights and remembrances of a lifetime working side-by-side with the leading modern artists of the twentieth century. Painter, filmmaker, writer, and teacher Hans Richter (1888–1976) was at the center of some of the most important movements in modernism, including Expressionism, Dadaism, Constructivism, and Surrealism. In contrast to the image of the lone artist creating in isolation, Richter’s long and prolific career was fueled by his encounters with others. With appearances by Calder, Cocteau, Duchamp, Eisenstein, Fellini, Höch, Kaprow, Malevich, Mondrian, Man Ray, and Tzara (to name just a few), Encounters from Dada till Today documents the collaborative aspirations of a generation of modern artists, as well as testifies to a lifetime of friendships forged in creativity. In Richter’s words, “the form, the content, and the occasion of each encounter commemorate the unrepeatable particular person, and give him the small eternity to which everyone is entitled.”
Author: Jed Rasula
Publisher: Basic Books
ISBN: 0465066941
Category : Art
Languages : en
Pages : 384
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Book Description
In 1916, as World War I raged around them, a group of bohemians gathered at a small nightclub in Zurich, Switzerland for a series of bizarre performances. Three readers simultaneously recited a poem in three languages; a monocle-wearing teenager performed a spell from New Zealand; another young man flung bits of papier-mâché into the air and glued them into place where they landed. One of these artists called the sessions “both buffoonery and a requiem mass.” Soon they would be known by a more evocative name: Dada. In Destruction Was My Beatrice, modernist scholar Jed Rasula presents the first narrative history of the emergence, decline, and legacy of Dada, showing how this strange artistic phenomenon spread across Europe and then the world in the wake of the Great War, fundamentally reshaping modern culture in ways we’re still struggling to understand today.
Author: Nicholas Baer
Publisher: Univ of California Press
ISBN: 0520398831
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
Historical Turns reassesses Weimar cinema in light of the "crisis of historicism" widely diagnosed by German philosophers in the early twentieth century. Through bold new analyses of five legendary works of German silent cinema—The Cabinet of Dr. Caligari, Destiny, Rhythm 21, The Holy Mountain, and Metropolis—Nicholas Baer argues that films of the Weimar Republic lent vivid expression to the crisis of historical thinking. With their experiments in cinematic form and style, these modernist films revealed the capacity of the medium to engage with fundamental questions about the philosophy of history. Reconstructing the debates over historicism that unfolded during the initial decades of moving-image culture, Historical Turns proposes a more reflexive mode of historiography and expands the field of film and media philosophy. The book excavates a rich archive of ideas that illuminate our own moment of rapid media transformation and political, economic, and environmental crises around the globe.
Author: Stephen Forcer
Publisher: Routledge
ISBN: 1351570242
Category : Foreign Language Study
Languages : en
Pages : 319
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Book Description
The Dada movement, revered as perhaps the purest form of cultural subversion and provocation in 20th-century Europe, has been a victim of the readiness with which cultural historians have swallowed its own propaganda. Based on extensive close analysis of French-language Dada work in its original form, and offering English translations throughout, this major reappraisal looks at a broad range of media and topics - including poetry, film, philosophy, and quantum physics - in order to get beyond Dada's typecasting as avant-garde anti-hero. Work by women writers and other marginalized figures combines with that of canonical Dadaists to present Dada in a radically new set of guises: poetic and textually subtle; intellectually and philosophically meaningful; peaceable and quasi-Buddhist; and, perhaps most uncomfortably of all, conformist and reactionary.
Author: Hans Richter
Publisher: Prestel Publishing
ISBN: 9783791353227
Category : Artists
Languages : en
Pages : 0
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Book Description
In English for the first time, the pioneering Dadaist's insights and remembrances of a lifetime working side-by-side with the leading modern artists of the twentieth century. In contrast to the image of the lone artist creating in isolation, Richter's long and prolific career was fueled by his encounters with others. With appearances by Caler, Cocteau, Duchamp, Eisenstein, Fellini, Hoch, Kaprow, Malevich, Mondrian, Man Ray, and Tzara (to name just a few), Encounters from Dada till Today documents the collaborative aspirations of a generation of modern artists, as well as testifies to a lifetime of friendships forged in creativity.
Author: Howard Pollack
Publisher: Oxford University Press
ISBN: 0190458313
Category : Music
Languages : en
Pages : 609
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Book Description
Born into a poor Virginian family, John Treville Latouche (1914-56), in his short life, made a profound mark on America's musical theater as a lyricist, book writer, and librettist. The wit and skill of his lyrics elicited comparisons with the likes of Ira Gershwin, Lorenz Hart, and Cole Porter, but he had too, noted Stephen Sondheim, "a large vision of what musical theater could be," and he proved especially venturesome in helping to develop a lyric theater that innovatively combined music, word, dance, and costume and set design. Many of his pieces, even if not commonly known today, remain high points in the history of American musical theater. "A great American genius" in the words of Duke Ellington, Latouche initially came to wide public attention in his early twenties with his cantata for soloist and chorus, Ballad for Americans (1939), with music by Earl Robinson-a work that swept the nation during the Second World War. Other milestones in his career included the all-black musical fable, Cabin in the Sky (1940), with Vernon Duke; an interracial updating of John Gay's classic, The Beggar's Opera, as Beggar's Holiday (1946), with Duke Ellington; two acclaimed Broadway operas with Jerome Moross: Ballet Ballads (1948) and The Golden Apple (1954); one of the most enduring operas in the American canon, The Ballad of Baby Doe (1956), with Douglas Moore; and the operetta Candide (1956), with Leonard Bernstein and Lillian Hellman. Extremely versatile, he also wrote cabaret songs, participated in documentary and avant-garde film, translated poetry, adapted plays, and much else. Meanwhile, as one of Manhattan's most celebrated raconteurs and hosts, he developed a wide range of friends in the arts, including, to name only a few, Paul and Jane Bowles (whom he introduced to each other), Yul Brynner, John Cage, Jack Kerouac, Frederick Kiesler, Carson McCullers, Frank O'Hara, Dawn Powell, Ned Rorem, Virgil Thomson, Gore Vidal, and Tennessee Williams-a dazzling constellation of diverse artists working in sundry fields, all attracted to Latouche's brilliance and joie de vivre, not to mention his support for their work. This book draws widely on archival collections both at home and abroad, including Latouche's diaries and the papers of Bernstein, Ellington, Moore, Moross, and many others, to tell for the first time, the story of this fascinating man and his work.
Author:
Publisher: BRILL
ISBN: 900438829X
Category : Art
Languages : en
Pages : 992
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Book Description
A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war.
Author: Willard Bohn
Publisher: Bucknell University Press
ISBN: 9780838756119
Category : Art
Languages : en
Pages : 274
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Book Description
The concept of poesie critique - poetry that possesses both a poetic and a critical function - has an extensive history in modern literature. Written in response to another work of art, be it a painting, a film, a poem, or a piece of music, the critical poem comments on the latter in various ways but refuses to abandon its poetic mission. Marvelous Encounters examines surrealist poets writing in French, Spanish, and Catalan who experimented with this intriguing genre. The first three chapters are concerned with the French surrealists, who began to cultivate critical poetry toward the end of World War I. Chapter 2 considers how Louis Aragon and Philippe Soupault appropriated the critical poem, as they reviewed books of poetry and films starring Charlie Chaplin. Chapter 3, which examines how Benjamin Peret and Paul Eluard conceived of critical poetry, analyzes their response to poems by Tristan Tzara and paintings by Giorgio de Chirico and Joan Miro. Chapter 4 is devoted entirely to Andre Breton.
Author: Jed Rasula
Publisher: Oxford University Press
ISBN: 0192570722
Category : Music
Languages : en
Pages : 479
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Book Description
This is a book about artistic modernism contending with the historical transfigurations of modernity. As a conscientious engagement with modernity's restructuring of the lifeworld, the modernist avant-garde raised the stakes of this engagement to programmatic explicitness. But even beyond the vanguard, the global phenomenon of jazz combined somatic assault with sensory tutelage. Jazz, like the new technologies of modernity, re-calibrated sensory ratios. The criterion of the new as self-making also extended to names: pseudonyms and heteronyms. The protocols of modernism solicited a pragmatic arousal of bodily sensation as artistic resource, validating an acrobatic sensibility ranging from slapstick and laughter to the pathos of bereavement. Expressivity trumped representation. The artwork was a diagram of perception, not a mimetic rendering. For artists, the historical pressures of altered perception provoked new models, and Ezra Pound's slogan 'Make It New' became the generic rallying cry of renovation. The paradigmatic stance of the avant-garde was established by Futurism, but the discovery of prehistoric art added another provocation to artists. Paleolithic caves validated the spirit of all-over composition, unframed and dynamic. Geometric abstraction, Constructivism and Purism, and Surrealism were all in quest of a new mythology. Making it new yielded a new pathos in the sensation of radical discrepancy between futurist striving and remotest antiquity. The Paleolithic cave and the USSR emitted comparable siren calls on behalf of the remote past and the desired future. As such, the present was suffused with the pathos of being neither, but subject to both.
Author: Matthew Israel
Publisher: Prestel Verlag
ISBN: 3641225205
Category : Art
Languages : en
Pages : 189
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Book Description
Discover the compelling story of the evolution of contemporary art, its state today, and where it’s headed, through a sample of ten artworks created by ten artists over a span of fifteen years. Written in an engaging, straightforward style by prominent art historian Matthew Israel, this book presents ten outstanding examples of contemporary art, each with significant historical or cultural relevance to contemporary art’s big picture. Drawn from the fields of photography, painting, performance, installation, video, film, and public art, the works featured here combine to create a bigger picture of the state of contemporary art today. From Andreas Gurskys large-scale color photograph “Rhine II” to Kara Walkers acclaimed installation in the Domino Sugar Factory in Brooklyn, each work is carefully explored within the larger perspective of its social and artistic milieu. Articulate and insightful, this book offers readers the ability to consider each work in-depth, while also providing an easily digestible foundation from which to study the often challenging but continually fascinating world of 21st-century art.
