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Author: Roy Hattersley
Publisher: Macmillan + ORM
ISBN: 1250096227
Category : History
Languages : en
Pages : 548
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Book Description
"A convincing account of a watershed epoch, Hattersley's concise yet comprehensive history casts new light on a much-misunderstood era." - Publishers Weekly Edwardian Britain has often been described as a golden sunlit afternoon---personified by its genial and self-indulgent King. In fact, modern Britain was born during the reign of Edward VII, when politics, science, literature, and the arts were turned upside down. In Parliament, the peers were crushed for the first time since Magna Carta. Irish nationalists and suffragettes took politics out on to the streets. Home Rule and Votes for Women were delayed, not precipitated, by the First World War. Great parliamentary stars such as Lloyd George and Winston Churchill typified an era in which personalities dominated the headlines of the new tabloid newspapers. It was the age of Rolls and Royce, Scott and Shackleton, Edward Elgar, Shaw, the Pankhursts, and Mrs. Alice Keppel, whose social life was reported without mention of her relationship with the King. The theater of ideas superseded drawing room dramas. Novelists of genius---from Henry James to D. H. Lawrence---produced a masterpiece each year. A London gallery caused a sensation with an exhibition of "Postimpressionists." Edward Elgar was the first English composer for two hundred years to stand comparison with the continental European masters. In sport, Victorian chivalry was replaced with unashamed professionalism. Man flew for the first time and the motorcar became a common sight on city streets. Physicists examined the structure of the atom and philosophers disputed the traditional definition of virtue. The churches tried, without success, to confront and confound a new skepticism. Explorers sought to prove that men could live, and die, like gods. Drawing on previously unpublished diaries and letters, Roy Hattersley's The Edwardians is a beguiling account of a turbulent and frequently misunderstood period. It is a full and often humorous portrait of an era that he elevates to its rightful place in British history.
Author: Roy Hattersley
Publisher: Macmillan + ORM
ISBN: 1250096227
Category : History
Languages : en
Pages : 548
Get Book Here
Book Description
"A convincing account of a watershed epoch, Hattersley's concise yet comprehensive history casts new light on a much-misunderstood era." - Publishers Weekly Edwardian Britain has often been described as a golden sunlit afternoon---personified by its genial and self-indulgent King. In fact, modern Britain was born during the reign of Edward VII, when politics, science, literature, and the arts were turned upside down. In Parliament, the peers were crushed for the first time since Magna Carta. Irish nationalists and suffragettes took politics out on to the streets. Home Rule and Votes for Women were delayed, not precipitated, by the First World War. Great parliamentary stars such as Lloyd George and Winston Churchill typified an era in which personalities dominated the headlines of the new tabloid newspapers. It was the age of Rolls and Royce, Scott and Shackleton, Edward Elgar, Shaw, the Pankhursts, and Mrs. Alice Keppel, whose social life was reported without mention of her relationship with the King. The theater of ideas superseded drawing room dramas. Novelists of genius---from Henry James to D. H. Lawrence---produced a masterpiece each year. A London gallery caused a sensation with an exhibition of "Postimpressionists." Edward Elgar was the first English composer for two hundred years to stand comparison with the continental European masters. In sport, Victorian chivalry was replaced with unashamed professionalism. Man flew for the first time and the motorcar became a common sight on city streets. Physicists examined the structure of the atom and philosophers disputed the traditional definition of virtue. The churches tried, without success, to confront and confound a new skepticism. Explorers sought to prove that men could live, and die, like gods. Drawing on previously unpublished diaries and letters, Roy Hattersley's The Edwardians is a beguiling account of a turbulent and frequently misunderstood period. It is a full and often humorous portrait of an era that he elevates to its rightful place in British history.
Author: Piers Brendon
Publisher: Trafalgar Square Publishing
ISBN: 9780233989990
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
Eminent Edwardians is a classic biography which will now find, particularly with the renewed interest in Strachey and his work and the recent biographical esays in the same style by Andrew Roberts, a new and large audience.
Author: Jeremy Paxman
Publisher: Penguin UK
ISBN: 0670919608
Category : Political Science
Languages : en
Pages : 437
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Book Description
From the bestselling author of The English comes Empire, Jeremy Paxman's history of the British Empire accompanied by a flagship 5-part BBC TV series, for readers of Simon Schama and Andrew Marr. The influence of the British Empire is everywhere, from the very existence of the United Kingdom to the ethnic composition of our cities. It affects everything, from Prime Ministers' decisions to send troops to war to the adventurers we admire. From the sports we think we're good at to the architecture of our buildings; the way we travel to the way we trade; the hopeless losers we will on, and the food we hunger for, the empire is never very far away. In this acute and witty analysis, Jeremy Paxman goes to the very heart of empire. As he describes the selection process for colonial officers ('intended to weed out the cad, the feeble and the too clever') the importance of sport, the sweating domestic life of the colonial officer's wife ('the challenge with cooking meat was "to grasp the fleeting moment between toughness and putrefaction when the joint may possibly prove eatable"') and the crazed end for General Gordon of Khartoum, Paxman brings brilliantly to life the tragedy and comedy of Empire and reveals its profound and lasting effect on our nation and ourselves. 'Paxman is witty, incisive, acerbic and opinionated . . . In short, he carries the whole thing off with panache bordering on effrontery' Piers Brendon, Sunday Times 'Paxman is a magnificent historian, and Empire may be remembered as his finest work' Independent on Sunday Jeremy Paxman was born in Yorkshire and educated at Cambridge. He is an award-winning journalist who spent ten years reporting from overseas, notably for Panorama. He is the author of five books including The English. He is the presenter of Newsnight and University Challenge and has presented BBC documentaries on various subjects including Victorian art and Wilfred Owen.
Author: James Curran
Publisher: Routledge
ISBN: 1351212265
Category : Language Arts & Disciplines
Languages : en
Pages : 617
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Book Description
This book attacks the conventional history of the press as a story of progress; offers a critical defence and history of public service broadcasting; provides a myth-busting account of the internet; a subtle account of the impact of social media and explores key debates about the role and politics of the media. It has become a standard book on media and other courses: but it has also gone beyond an academic audience to reach a wider public. Hailed as ‘a classic of media history and analysis’ by the Irish Times and a book that has ‘cracked the canon’ by the Times Higher, it has been translated into five languages. This edition contains six new chapters. These include the press and the remaking of Britain, the rise of the neo-liberal Establishment, the moral decline of journalism, the impact of social media and a history of attempts to reform the press. It contains new research on the relationship between programmes, institutions and society. It places key UK institutions in the wider context of international affairs and their impact. The book has been updated to take account of new developments like Brexit and the rise of Jeremy Corbyn and the shift in authority and legitimacy prompted by social media. It does this with a clear explanation of how policy can shape media outcomes.
Author: Samuel Shaw
Publisher: Routledge
ISBN: 1351378457
Category : Literary Criticism
Languages : en
Pages : 489
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Book Description
Edwardian Culture: Beyond the Garden Party is the first truly interdisciplinary collection of essays dealing with culture in Britain c.1895-1914. Bringing together essays on literature, art, politics, religion, architecture, marketing, and imperial history, the study highlights the extent to which the culture and politics of Edwardian period were closely intertwined. The book builds upon recent scholarship that seeks to reclaim the term ‘Edwardian’ from prevalent, restrictive usages by venturing beyond the garden party – and the political rally – to uncover some of the terrain that lies between. The essays in the volume – which deal with both famous writers such as J. M. Barrie and Arnold Bennett, as well as many lesser-known figures – draw attention to the nuanced multiplicity of experience and cultural forms that existed during the period, and highlight the ways in which a closer examination of Edwardian culture complicates our definitions of ‘Victorian’ and ‘Modern’. The book argues that the Edwardian era, rather than constituting a coda to the Victorian period or a languid pause before modernism shook things up, possessed a compelling and creative tenor of its own.
Author: Anne Gray
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 266
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Book Description
This catalogue accompanies the exhibition opening at the National Gallery of Australia in March 2004 that aims to reassess the art of the Edwardian period, focusing in particular on the art of Australia. Among Australia's most loved artists are those who went to Europe at the turn of the 19th century to study and live. Many of them stayed abroad for two decades and, like Australian film stars of today, became absorbed onto the world stage. This book places the work of these artists in the context of the British, Irish and American artists with whom they exhibited and associated, and demonstrates their parallel concerns in painterly approach and subject. Opening with paintings by Whistler, which were so influential on the artists of this period, the exhibition focuses on figurative paintings by select British, Irish, American and Australian artists from 1900 to 1914. It also includes George Lambert's King Edward VII (1910), completed shortly before Edward's death and now held in the Commonwealth of Australia Collection. In total the exhibition comprises approximately 140 paintings, sculptures, costumes and fan designs drawn from national and international collections.
Author: Barbara Taylor Bradford
Publisher: Macmillan
ISBN: 9780312354688
Category : Fiction
Languages : en
Pages : 564
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Book Description
The second novel in the Ravenscar trilogy continues the saga of the Deravenel family, from 1918 through 1975.
Author: A. Gavin
Publisher: Springer
ISBN: 0230595138
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
The first book-length look at childhood in Edwardian fiction, this book challenges assumptions that the Edwardian period was simply a continuation of the Victorian or the start of the Modern. Exploring both classics and popular fiction, the authors provide a a compelling picture of the Edwardian fictional cult of childhood.
Author: Barbara Taylor Bradford
Publisher: St. Martin's Press
ISBN: 1429916885
Category : Fiction
Languages : en
Pages : 576
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Book Description
Barbara Taylor Bradford introduced the illustrious Harte family in her blockbuster A Woman of Substance. Now she has created an unforgettable new dynasty: the Deravenels. On a bitterly cold day in 1904, the Deravenel family's future changes forever. When Cecily Deravenel tells her eighteen-year-old son Edward of the death of his father, brother, uncle, and cousin in a fire, a part of him dies as well. Edward and his cousin Neville Watkins are suspicious of the deaths. They vow to seek the truth, avenge the deaths, and retake control of their family's business empire. As he grows into a handsome, charismatic man, Edward is torn between duty and desire. There are women in his life for whom he'll risk everything—and one woman who might destroy him. But madness and secrecy lie at the heart of the family, and Edward's enemies are far more ruthless than he knows. He will need his strength more than ever when the house of Deravenel is fatally rocked by betrayal from within. Who will become the ultimate ruler of the Deravenels? Power and money, passion and adultery, ambition and treachery all illuminate a dramatic epic saga that brings to life the glittering Edwardian Era. The Ravenscar Dynasty is based on the familial factions of England's Wars of the Roses, brought to life by the magical, memorable storytelling power that is Barbara Taylor Bradford.
Author: Lindy van Rooyen
Publisher: Diplomica Verlag
ISBN: 3842878559
Category : Language Arts & Disciplines
Languages : en
Pages : 129
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Book Description
In this study the author conducts a close reading of Virginia Woolf’s first ‘experimental’ novel, Jacob’s Room (1922). Her reading is based on the fundamental premise that the novel is an exploration of fictional form, rather than an exposition of any preconceived idea. Jacob’s Room is an essentially modernist text, and is characterised by extensive genre-mixing typical of the art of fiction in the early 20th century. Throughout her study the author analyses the extent to which the novel transgress the ‘boundaries’ of the novelistic genre. She explores the generic interface between the novel and those genres which are deemed to be innate to Virginia Woolf’s sensibility, i.e. the journalistic essay, biography and impressionist painting. The premise of this study leads the author to read the novel on two levels of significance: On the narrative, ‘surface’ level of the novel, Woolf constructs the tragic life of a promising young Englishman, Jacob Flanders, who dies in the First World War. Simultaneously, on the metafictional level of significance, Woolf, through her garrulous narrator, mocks and evaluates the actions of her characters, experimenting with various points of view in an attempt to define the character of her protagonist. Jacob’s ‘room’ is thus conceived as a ‘mental space’ in which a modern writer’s mind is ‘mapped’. The central aesthetic question which is debated in this room or forum relates to the essential art of modern fiction in general and the efficiency of characterisation in fiction in particular. It is argued that Virginia Woolf probes into the epistemic question of the essence of modern man and, in an attempt to capture the essence of her protagonist, speculates on the corresponding literary question how, and to what extent, the ‘soul’ of man can to be represented in fiction. The author uses this generic approach to the novel as a broad structuring principle for her study of Jacob’s Room. After discussing the socio-political context of modernism in the early 20th century, including the impact of the First World War on modernist writing, she focuses her study on those aspects of Woolf’s fiction which are deemed fundamental to the narrative strategy in Jacob’s Room, i.e. the role and nature of Woolf’s humour within the context of modernism; the ‘nodes’ or clusters of metaphors and symbols recurring in the text; the role of the narrator as ‘toastmaster’ of the debate on character and fiction in Jacob’s Forum; the extent to which the novel parodies the ‘new biography’ of the early twentieth century; and the extent to which Woolf transvaluates the tools of impressionist painting into modernist fiction.
