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Author: Francis Thynne
Publisher:
ISBN:
Category : English epigrams
Languages : en
Pages : 140
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Book Description
Author: Francis Thynne
Publisher:
ISBN:
Category : English epigrams
Languages : en
Pages : 140
Get Book Here
Book Description
Author: Francis Thynne
Publisher:
ISBN:
Category :
Languages : en
Pages : 236
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Book Description
Author: Francis Thynne
Publisher:
ISBN:
Category : Epigrams, English
Languages : en
Pages : 160
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Book Description
Author: Francis Thynne
Publisher:
ISBN:
Category : Emblems
Languages : en
Pages : 0
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Book Description
Author: Westerweel
Publisher: BRILL
ISBN: 9004617191
Category : History
Languages : en
Pages : 336
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Book Description
This publication is the first of its kind. It approaches Anglo-Dutch relations from the angle of the production of the highly popular emblem book and its influence on important cultural and political events, mainly in the sixteenth and seventeenth centuries.
Author: James Doelman
Publisher: Manchester University Press
ISBN: 1784998028
Category : Literary Criticism
Languages : en
Pages : 501
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Book Description
James Doelman's book is the first major study on the Renaissance English epigram since 1947. It combines thorough description of the genre's history and conventions with consideration of the rootedness of individual epigrams within specific social, political and religious contexts.
Author:
Publisher: Trafford Publishing
ISBN: 1412233976
Category :
Languages : en
Pages : 790
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Book Description
Author: Francis Thynne
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
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Book Description
Author: John Peacock
Publisher: Routledge
ISBN: 1351542850
Category : Art
Languages : en
Pages : 313
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Book Description
Based on a close study of Van Dyck's Self-portrait with a Sunflower, this book examines the picture's context in the symbolic discourses of the period and in the artist's oeuvre. The portrait is interpreted as a programmatic statement, made in the ambience of the Caroline court after Van Dyck's appointment as 'Principal Painter', of his view of the art of painting. This statement, formulated in appropriately visual terms, characterizes painting as a way of looking and seeing, a mode of vision. In making such a claim, the artist steps aside from the familiar debate about whether painting was a manual or an intellectual discipline, and moves beyond any idea of it as simply a means of representing the external world: the painter's definitive faculty of vision can reach further than those realities which present themselves to the eye. John Peacock analyses the motif of looking - the ways in which figures regard or disregard each other - throughout Van Dyck's work, and the images of the sunflower and the gold chain in this particular portrait, to reveal what is essentially an idealist conception of pictorial art. He contradicts previous opinions that the artist was pedestrian in his thinking, by showing him to be familiar with a range of ideas current in contemporary Europe about painting and the role of the painter.
Author: Sandra Sider
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773515505
Category : Language Arts & Disciplines
Languages : en
Pages : 248
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Book Description
This bibliography provides descriptions of 432 manuscripts from Europe and the United States, of which 341 contain visual imagery in various media. The manuscripts feature tripartite emblems proper, as well as festivity books, hieroglyphic texts, proto-emblematic material, allegories, triumphs, symbolic source books, schemata, devotional handbooks, and libri amicorum with emblematic imagery.
