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Author: Ronald Paulson
Publisher: Cambridge, Mass. : Harvard University Press
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Author: Ronald Paulson
Publisher: Cambridge, Mass. : Harvard University Press
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Author: John Dixon Hunt
Publisher: MIT Press
ISBN: 9780262581318
Category : Architecture
Languages : en
Pages : 414
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Book Description
A collection of Hunt's essays, many previously unpublished, dealing with the ways in which men and women have given meaning to gardens and landscapes, especially with the ways in which gardens have represented the world of nature "picturesquely".
Author: Ronald Paulson
Publisher: JHU Press
ISBN: 9780801873911
Category : Art
Languages : en
Pages : 460
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Book Description
In 1732, a blasphemous burlesque of the Christian Atonement was published in England without comment from the government or Church of England. The author explains this absence of censure through a detailed examination of the parameters of blasphemy in 18th century England.
Author: Paul Ekman
Publisher: ISHK
ISBN: 188353688X
Category : Biography & Autobiography
Languages : en
Pages : 290
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Book Description
In Darwin and Facial Expression, Paul Ekman and a cast of other notable scholars and scientists reconsider the central concepts and key sources of information in Darwin's work on emotional expression. First published in 1972 to celebrate the centennial of the publication of Darwin's The Expression of the Emotions in Man and Animals, Darwin and Facial Expression is the first of three works edited by Dr. Ekman and others on the subject. This Malor edition contains new and updated references. Darwin claimed that we cannot understand human emotional expression without understanding the emotional expressions of animals, as our emotional expressions are in large part determined by our evolution. Not only are there similarities in the appearance of some emotional expressions between man and certain other animals, but the principles that explain why a particular emotional expression occurs with a particular emotion also apply across species.
Author: Helen Ryan-Ranson
Publisher: Popular Press
ISBN: 9780879725815
Category : Literary Collections
Languages : en
Pages : 390
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Book Description
Twenty-four essays take diverse approaches (thematic, feminist, historicist, cultural materialist, etc.) to the theme of culture (including its expression in literature, art, mass media, etc.) and identity (self, regional, or national) in Latin America (five essays), the Caribbean (ten essays) and Europe (nine essays). Paper edition (unseen), $16.95. Annotation copyright by Book News, Inc., Portland, OR
Author: Karl A.E. Enenkel
Publisher: BRILL
ISBN: 9004387250
Category : Art
Languages : en
Pages : 499
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Book Description
This study reexamines the invention of the emblem book and discusses the novel textual and pictorial means that applied to the task of transmitting knowledge. It offers a fresh analysis of Alciato’s Emblematum liber, focusing on his poetics of the emblem, and on how he actually construed emblems. It demonstrates that the “father of emblematics” had vernacular forebears, most importantly Johann von Schwarzenberg who composed two illustrated emblem books between 1510 and 1520. The study sheds light on the early development of the Latin emblem book 1531–1610, with special emphasis on the invention of the emblematic commentary, on natural history, and on advanced methods of conveying emblematic knowledge, from Junius to Vaenius.
Author: Alison Adams
Publisher: Librairie Droz
ISBN: 9780852615744
Category : Art
Languages : en
Pages : 212
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Book Description
Author: Preston Cook
Publisher: Goff Books
ISBN: 9781941806289
Category : Art
Languages : en
Pages : 272
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Book Description
A bold expression of a fledgling republic's aspirations and bravado, the American bald eagle has been designed, drawn, illustrated, stamped, engraved, painted, sculpted, carved, photographed, and etched by thousands of artists and artisans since 1782, when it first appeared as the central figure on the Great Seal of the United States. As America's most versatile emblem, the eagle emanates confidence during peace and prosperity, and strength during crisis and war; as a North American native species it exemplifies nature's grandeur and the advance of conservation. In all, the bald eagle is a stirring national symbol made all the more vibrant by its indisputable dominion in the sky. American Eagle: A Visual History of Our National Emblem is a visual survey that explores the eagle in American life. A remarkable book that represents American culture, politics, and history, American Eagle will be the definitive source of this national icon for generations to come.
Author: Peter Maurice Daly
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656
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Book Description
Scholars in multiple disciplines now recognize the emblem as a significant expression of the cultural life of the Renaissance and the Baroque, reflecting a panoply of interests ranging from war to love, from religion to philosophy to politics, from the sciences to the occult, from social mores to encyclopedic knowledge, and from serious speculation to entertainment. Following Andrea Alciato's publication of the first emblem book in 1531, the form enjoyed its heyday in the seventeenth-century, appearing in speeches, sermons, and printed texts, but also in wall and ceiling decorations, jewelry, carvings, paintings, and other material expressions. Beyond this early boom, the emblem was again present in eighteenth-century title pages and frontispieces, and experienced twentieth-century manifestations during the ideological battles of both world wars and Quebec's attempt at secession from Canada. The Companion to Emblem Studies introduces the multiple forms that the emblem has taken through nearly five centuries of production, and offers an interdisciplinary and international assessment of the long history of this pervasive symbolic device. use those vernacular languages; on Alciato, the father and prince of emblems; on bibliography and theory; on the Jesuit and Neo Latin emblems, which cut across national groupings; on flags and tournaments; and on emblems in recent material culture, logos, and advertisements. The Companion features 130 illustrations and concludes with a Selective Bibliography for Further Reading, which includes works written in western European languages and expands the volume's usefulness for researchers and students in the field.
Author: Sarah Betzer
Publisher: Penn State Press
ISBN: 0271096691
Category : Art
Languages : en
Pages : 272
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Book Description
Framed by tensions between figural sculpture experienced in the round and its translation into two-dimensional representations, Animating the Antique explores enthralling episodes in a history of artistic and aesthetic encounters. Moving across varied locations—among them Rome, Florence, Naples, London, Dresden, and Paris—Sarah Betzer explores a history that has yet to be written: that of the Janus-faced nature of interactions with the antique by which sculptures and beholders alike were caught between the promise of animation and the threat of mortification. Examining the traces of affective and transformative sculptural encounters, the book takes off from the decades marked by the archaeological, art-historical, and art-philosophical developments of the mid-eighteenth century and culminantes in fin de siècle anthropological, psychological, and empathic frameworks. It turns on two fundamental and interconnected arguments: that an eighteenth-century ontology of ancient sculpture continued to inform encounters with the antique well into the nineteenth century, and that by attending to the enduring power of this model, we can newly appreciate the distinctively modern terms of antique sculpture’s allure. As Betzer shows, these eighteenth-century developments had far-reaching ramifications for the making and beholding of modern art, the articulations of art theory, the writing of art history, and a significantly queer Nachleben of the antique. Bold and wide-ranging, Animating the Antique sheds light upon the work of myriad artists, in addition to that of writers ranging from Goethe and Winckelmann to Hegel, Walter Pater, and Vernon Lee. It will be especially welcomed by scholars and students working in eighteenth- and nineteenth-century art history, art writing, and art historiography.
