Author: Tabatha Dallas
Publisher: Tabatha Dallas
ISBN:
Category : Fiction
Languages : en
Pages : 141

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Author: Tabatha Dallas
Publisher: Tabatha Dallas
ISBN:
Category : Fiction
Languages : en
Pages : 190

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Book Description

Author: Tabatha Dallas
Publisher: Tabatha Dallas
ISBN:
Category : Fiction
Languages : en
Pages : 109

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Book Description
Genre: TG Scifi I could never go back now, and I wouldn’t want to... When the Plex arrived, they transformed men into women for their feminization and repopulation program. Jason joined up, turned into Jayna and learned all about the pleasures of the female body. Now it’s time for her biological duty: getting pregnant and giving birth. Jayna thinks she knows what it means to be a girl, but pregnancy will make her a woman. Big boobs, an enormous stomach, extra sensitivity and she’s with a muscled alien man that knows how to pleasure his woman. What could be better? Note: This transgender novella contains detailed descriptions of pregnancy sex with a muscled alien and a former male exploring her new fertile and round body. It is told with dual perspectives from Jayna and her husband’s point of view. This is a sequel to Feminized by Aliens where the feminization happened but this book can be read on its own. It's intended for those who love steamy sci-fi stories involving men who turned into women with a touch of sweetness. Each story in the Plexian Feminization Collection is self-contained. IF YOU LIKED THIS BOOK You may want to have more fun with these stories set in the same universe below: Listed in Chronological Order. *FREE* Taken by Aliens Feminized by Aliens Emasculated By Aliens

Author: Ellen Wiley Todd
Publisher: Univ of California Press
ISBN: 9780520074712
Category : Art
Languages : en
Pages : 464

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In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.

Author: Tabatha Dallas
Publisher: Tabatha Dallas
ISBN:
Category : Fiction
Languages : en
Pages : 75

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Author: Clare Birchall
Publisher: Berg
ISBN: 1845201434
Category : Social Science
Languages : en
Pages : 202

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A voice on late night radio tells you that a fast food restaurant injects its food with drugs that make men impotent. A colleague asks if you think the FBI was in on 9/11. An alien abductee on the Internet claims extra-terrestrials have planted a microchip in her body. "Julia Roberts in Porn Scandal" shouts the front page of a gossip mag. A spiritual healer claims he can cure chronic fatigue syndrome with the energizing power of crystals . . . What do you believe? Knowledge Goes Pop examines the popular knowledges that saturate our everyday experience. We make this information and then it shapes the way we see the world. How valid is it when compared to official knowledge and why does such (mis)information cause so much institutional anxiety? This book examines the range of knowledge, from conspiracy theory to plain gossip, and its role and impact in our culture.

Author: Sue Thornham
Publisher: NYU Press
ISBN: 0814782442
Category : Performing Arts
Languages : en
Pages : 367

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For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation, and identity have been fought. This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. Feminist Film Theory maps the impact of major theoretical developments on this growing field-from structuralism and psychoanalysis in the 1970s, to post-colonial theory, queer theory, and postmodernism in the 1990s. Covering a wide range of topics, including oppressive images, "woman" as fetishized object of desire, female spectatorship, and the cinematic pleasures of black women and lesbian women, Feminist Film Theory is an indispensable reference for scholars and students in the field. Contributors include Judith Butler, Carol J. Clover, Barbara Creed, Michelle Citron, Mary Ann Doane, Teresa De Lauretis, Jane Gaines, Christine Gledhill, Molly Haskell, bell hooks, Claire Johnston, Annette Kuhn, Julia Lesage, Judith Mayne, Tania Modleski, Laura Mulvey, B. Ruby Rich, Kaja Silverman, Sharon Smith, Jackie Stacey, Janet Staiger, Anna Marie Taylor, Valerie Walkerdine, and Linda Williams.

Author: Tabatha Dallas
Publisher: Tabatha Dallas
ISBN:
Category : Fiction
Languages : en
Pages : 71

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Author: Miriam Cooke
Publisher: Univ of California Press
ISBN: 0520918096
Category : Literary Criticism
Languages : en
Pages : 379

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In a book that radically and fundamentally revises the way we think about war, Miriam Cooke charts the emerging tradition of women's contributions to what she calls the "War Story," a genre formerly reserved for men. Concentrating on the contemporary literature of the Arab world, Cooke looks at how alternatives to the master narrative challenge the authority of experience and the permission to write. She shows how women who write themselves and their experiences into the War Story undo the masculine contract with violence, sexuality, and glory. There is no single War Story, Cooke concludes; the standard narrative—and with it the way we think about and conduct war—can be changed. As the traditional time, space, organization, and representation of war have shifted, so have ways of describing it. As drug wars, civil wars, gang wars, and ideological wars have moved into neighborhoods and homes, the line between combat zones and safe zones has blurred. Cooke shows how women's stories contest the acceptance of a dyadically structured world and break down the easy oppositions—home vs. front, civilian vs. combatant, war vs. peace, victory vs. defeat—that have framed, and ultimately promoted, war.

Author: Elizabeth Carolyn Miller
Publisher: University of Michigan Press
ISBN: 0472050443
Category : Literary Criticism
Languages : en
Pages : 297

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Framed uses fin de siècle British crime narrative to pose a highly interesting question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? In this elegantly argued study, Elizabeth Carolyn Miller addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres. "This is a truly extraordinary argument, one that will forever alter our view of turn-of-the-century literary culture, and Miller has demonstrated it with an enrapturing series of readings of fictional and filmic criminal figures. In the process, she has filled a gap between feminist studies of the New Woman of the 1890s and more gender-neutral studies of early twentieth-century literary and social change. Her book offers an extraordinarily important new way to think about the changing shape of political culture at the turn of the century." ---John Kucich, Professor of English, Rutgers University "Given the intellectual adventurousness of these chapters, the rich material that the author has brought to bear, and its combination of archival depth and disciplinary range, any reader of this remarkable book will be amply rewarded." ---Jonathan Freedman, Professor of English and American Culture, University of Michigan Elizabeth Carolyn Miller is Assistant Professor of English at the University of California, Davis. digitalculturebooks is an imprint of the University of Michigan and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.