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Author:
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Category : Temperance
Languages : en
Pages : 812
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Author:
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ISBN:
Category : Temperance
Languages : en
Pages : 812
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Category : Antislavery movements
Languages : en
Pages : 206
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Author: Mary Wollstonecraft
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Category : France
Languages : en
Pages : 550
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Author:
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Category : Temperance
Languages : en
Pages : 864
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Author: Catharine Esther Beecher
Publisher:
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Category : Abolitionists
Languages : en
Pages : 164
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Although Beecher takes issue with the call for women's active involvement in the abolition movement, her discussion reveals the inter-relationship between 19th century abolitionism and 19th century feminism.
Author: Ralph Waldo Emerson
Publisher:
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Category : Enslaved persons
Languages : en
Pages : 52
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Category : Society of Friends
Languages : en
Pages : 430
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Author: Elizabeth Hafkin Pleck
Publisher: University of Illinois Press
ISBN: 9780252071751
Category : Family & Relationships
Languages : en
Pages : 324
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Elizabeth Pleck's Domestic Tyranny chronicles the rise and demise of legal, political, and medical campaigns against domestic violence from colonial times to the present. Based on in-depth research into court records, newspaper accounts, and autobiographies, this book argues that the single most consistent barrier to reform against domestic violence has been the Family Ideal--that is, ideas about family privacy, conjugal and parental rights, and family stability. This edition features a new introduction surveying the multinational and cultural themes now present in recent historical writing about family violence.
Author: David Kunzle
Publisher: Univ. Press of Mississippi
ISBN: 1496834003
Category : Literary Criticism
Languages : en
Pages : 650
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Rebirth of the English Comic Strip: A Kaleidoscope, 1847–1870 enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a “rebirth” because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780–c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe’s first female professional cartoonist.
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Category :
Languages : en
Pages : 828
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