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Author: Dylan Jones
Publisher: ABRAMS
ISBN: 1468310429
Category : Biography & Autobiography
Languages : en
Pages : 210
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Book Description
“An interesting look at how 1977 marked the explosion of punk alongside this heartbreaking (though not altogether surprising) loss of a legend” (USA Today). In the late 1970s, punk music was setting out to destroy everything Elvis Presley had come to represent. But punk couldn’t destroy The King himself—he had already done that, succumbing to his excesses at Graceland on August 16, 1977. Ever since, Elvis has permeated the world in ways that are bizarre and inexplicable: a pop icon while alive, he has become almost a religious icon in death, a modern-day martyr crucified on the wheel of drugs, celebrity culture, junk food, and sex. In Elvis Has Left the Building, Dylan Jones takes us back to those heady days around the time of his death and the simultaneous rise of punk. Evoking the hysteria and devotion of The King’s numerous disciples and imitators, Jones offers a uniquely insightful commentary on Elvis’s life, times, and outrageous demise. Recounting how the artist single-handedly changed the course of popular music and culture, he also delves deep into the cult of The King and reveals what Elvis’s death meant—and still means to us today. “I’m not sure punk would have existed without [Elvis]. In fact I’m not sure a lot of things would have existed without him. Dylan Jones is the right man to ponder such questions.” —Bono “A gripping tale of impossible success and terrible waste and lost beauty that veers from Memphis to Las Vegas and all the way to the broken backstreets of London.” —Tony Parsons, author of The Hanging Club
Author: Dylan Jones
Publisher: ABRAMS
ISBN: 1468310429
Category : Biography & Autobiography
Languages : en
Pages : 210
Get Book Here
Book Description
“An interesting look at how 1977 marked the explosion of punk alongside this heartbreaking (though not altogether surprising) loss of a legend” (USA Today). In the late 1970s, punk music was setting out to destroy everything Elvis Presley had come to represent. But punk couldn’t destroy The King himself—he had already done that, succumbing to his excesses at Graceland on August 16, 1977. Ever since, Elvis has permeated the world in ways that are bizarre and inexplicable: a pop icon while alive, he has become almost a religious icon in death, a modern-day martyr crucified on the wheel of drugs, celebrity culture, junk food, and sex. In Elvis Has Left the Building, Dylan Jones takes us back to those heady days around the time of his death and the simultaneous rise of punk. Evoking the hysteria and devotion of The King’s numerous disciples and imitators, Jones offers a uniquely insightful commentary on Elvis’s life, times, and outrageous demise. Recounting how the artist single-handedly changed the course of popular music and culture, he also delves deep into the cult of The King and reveals what Elvis’s death meant—and still means to us today. “I’m not sure punk would have existed without [Elvis]. In fact I’m not sure a lot of things would have existed without him. Dylan Jones is the right man to ponder such questions.” —Bono “A gripping tale of impossible success and terrible waste and lost beauty that veers from Memphis to Las Vegas and all the way to the broken backstreets of London.” —Tony Parsons, author of The Hanging Club
Author: Charity Tahmaseb
Publisher: Untreed Reads
ISBN: 161187632X
Category : Fiction
Languages : en
Pages : 11
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Book Description
Second generation Elvis impersonator, Elliot, is content with his small-town circuit and regular gigs at the Holiday Inn, until he attracts a fan who has never heard of the King. But stepping free of the shadow cast by both his father and Elvis may prove to be impossible. A short story.
Author: Ted Harrison
Publisher: Reaktion Books
ISBN: 1780236832
Category : Music
Languages : en
Pages : 270
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Book Description
There is no other way to put it: Elvis is the King. Note the present tense: even though Elvis (supposedly) died nearly forty years ago, he has lived on in our hearts, as a sound, as an image, and as an especially vigorous personality. In fact, it’s safe to say no other celebrity has done so quite as well. The Death and Resurrection of Elvis Presley is the story of that afterlife, of Elvis after he left the building. Walking the eccentrically carpeted rooms of Graceland, bidding into stratospheric sums on his auctioned relics, and mingling among the some 200,000 impersonators of his likeness, Ted Harrison offers nothing less than the ultimate Elvis tribute. Harrison begins, of course, in pilgrimage: to Graceland. He shows how Elvis’s estate was pillaged nearly to ruin by his manager but was saved through the deft business acumen and financial vision of his divorced wife, one Priscilla Presley. If Graceland seems holy, that’s because it is: Harrison unveils in Elvis’s allure a deeply spiritual dimension, showing how Elvis fans, over the decades, have anointed their idol with Christ-like qualities. Through Elvis’s extravagance, Harrison raises fascinating links between money and faith, and through Elvis’s life, he shows how the King actually fulfilled a host of roles ranging from hero to martyr to saint. Underpinning the whole story is Elvis’s extraordinary charisma and—lest we forget—his astonishing musical genius. Fascinating, colorful, and deeply informative, this book is a must-have for any fan, anyone who was ever lucky enough to see Elvis alive or who hopes they might still be able to.
Author: C. Love
Publisher: Spirit Blizzard Press
ISBN:
Category : Fiction
Languages : en
Pages : 372
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Book Description
Welcome to Yesteryear, the small tourist town where every day is still 1950 or 1960-something. Poodle skirts are in, the sounds of Elvis Presley and The Supremes fill the air, everyone is kind, and bad things never happen... or at least that's what the brochure says. I wasn't looking for trouble when I returned to Yesteryear for my great-aunt's funeral, but I certainly came to the right place. My first surprise was that I'd inherited Aunt Della's beloved cat, Elvis Purrsley. My second surprise was that she left Yesteryear to the cat... but only if her murder is solved within thirty days, which brings me to the third surprise: Aunt Della was murdered, or at least that's what she claimed in the video she left behind. Most of the family thinks Della was crazy to believe the psychic who foretold her death, not to mention leaving the town she founded and most of her estate to a cat and threatening to sell off the town if her murderer wasn't caught before the month was out, but then someone tried to kill again... If no one else is going to take the case seriously, it's up to me and Elvis Purrsley to find the murderer and save the town.
Author: Tracey E. W. Laird
Publisher: Oxford University Press
ISBN: 019029051X
Category : Music
Languages : en
Pages : 224
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Book Description
On a Saturday night in 1948, Hank Williams stepped onto the stage of the Louisiana Hayride and sang "Lovesick Blues." Up to that point, Williams's yodeling style had been pigeon-holed as hillbilly music, cutting him off from the mainstream of popular music. Taking a chance on this untried artist, the Hayride--a radio "barn dance" or country music variety show like the Grand Ole Opry--not only launched Williams's career, but went on to launch the careers of well-known performers such as Jim Reeves, Webb Pierce, Kitty Wells, Johnny Cash, and Slim Whitman. Broadcast from Shreveport, Louisiana, the local station KWKH's 50,000-watt signal reached listeners in over 28 states and lured them to packed performances of the Hayride's road show. By tracing the dynamic history of the Hayride and its sponsoring station, ethnomusicologist Tracey Laird reveals the critical role that this part of northwestern Louisiana played in the development of both country music and rock and roll. Delving into the past of this Red River city, she probes the vibrant historical, cultural, and social backdrop for its dynamic musical scene. Sitting between the Old South and the West, this one-time frontier town provided an ideal setting for the cross-fertilization of musical styles. The scene was shaped by the region's easy mobility, the presence of a legal "red-light" district from 1903-17, and musical interchanges between blacks and whites, who lived in close proximity and in nearly equal numbers. The region nurtured such varied talents as Huddie Ledbetter, the "king of the twelve-string guitar," and Jimmie Davis, the two term "singing governor" of Louisiana who penned "You Are My Sunshine." Against the backdrop of the colorful history of Shreveport, the unique contribution of this radio barn dance is revealed. Radio shaped musical tastes, and the Hayride's frontier-spirit producers took risks with artists whose reputations may have been shaky or whose styles did not neatly fit musical categories (both Hank Williams and Elvis Presley were rejected by the Opry before they came to Shreveport). The Hayride also served as a training ground for a generation of studio sidemen and producers who steered popular music for decades after the Hayride's final broadcast. While only a few years separated the Hayride appearances of Hank Williams and Elvis Presley--who made his national radio debut on the show in 1954--those years encompassed seismic shifts in the tastes, perceptions, and self-consciousness of American youth. Though the Hayride is often overshadowed by the Grand Ole Opry in country music scholarship, Laird balances the record and reveals how this remarkable show both documented and contributed to a powerful transformation in American popular music.
Author: Michael Plekon
Publisher: Wipf and Stock Publishers
ISBN: 1498239560
Category : Religion
Languages : en
Pages : 163
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Book Description
The origin of the phrase "the church has left the building" lies with Elvis. In order to clear halls of his riotous fans after concerts, it was announced that "Elvis has left the building." Here, the expression highlights intense change within the church. Not only does the church change for its own existence, it also does so for the life of the world. The church cannot avoid the many past and future changes of our constantly transforming society, demographic changes long in process. What you have before you is a gathering of first-hand reflections--stories really--from a diverse group of Christians, lay as well as ordained. While each has a distinctive experience of the church in our time, all of them have something to say about the many changes in our society and how these are affecting our faith, the parish, and pastoral work. Contributors: Mary Breton Nicholas Denysenko Adam A. J. DeVille John C. Frazier David Frost Carol Fryer Kenneth J. Guest Brett Hoover Abbie Huff Wongee Joh Justin Mathews Maria Gwyn McDowell William C. Mills Robert Corin Morris Sarah Hinlicky Wilson Michael Plekon
Author: Paul Vieira
Publisher: Karis Pub Incorporated
ISBN: 9780971804081
Category : Religion
Languages : en
Pages : 276
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Book Description
As a journey guide, this book delivers compelling answers to some difficult questions such as: what was Jesus' original church like and how is God reshaping Christianity today?
Author: Richard Zoglin
Publisher: Simon & Schuster
ISBN: 1501151207
Category : Biography & Autobiography
Languages : en
Pages : 304
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Book Description
*The inspiration for the CNN original series Vegas: The Story of Sin City* “Outstanding pop-culture history.” —Newsday The “smart and zippy account” (The Wall Street Journal) of how Las Vegas saved Elvis and Elvis saved Las Vegas in the greatest musical comeback of all time. Elvis’s 1969 opening night in Vegas was his first time back on a live stage in more than eight years. His career had gone sour—bad movies, mediocre pop songs that no longer made the charts—and he’d been dismissed by most critics as over-the-hill. But in Vegas he played the biggest showroom in the biggest hotel in the city, drawing more people for his four-week engagement than any other show in Vegas history. His performance got rave reviews; “Suspicious Minds,” the song he introduced there, gave him his first number-one hit in seven years; and Elvis became Vegas’s biggest star. Over the next seven years, he performed more than 600 shows there, and sold out every one. Las Vegas was changed, too. By the end of the ‘60s, Vegas’ golden age—when the Rat Pack led a glittering array of stars who made it the nation’s premier live-entertainment center—was losing its luster. Elvis created a new kind of Vegas show: an over-the-top, rock-concert extravaganza. He set a new bar for Vegas performers, with the biggest salary, the biggest musical production, and the biggest promotion campaign the city had ever seen. He opened the door to a new generation of pop/rock artists and brought a new audience to Vegas—not the traditional well-heeled older gamblers, but a mass audience from Middle America that Vegas depends on for its success to this day. At once “a fascinating history of Vegas as gambling capital, celebrity playground, mob hangout, [and] entertainment Valhalla” (Rolling Stone) and the incredible “tale of how the King got his groove back” (Associated Press), Elvis in Vegas is a classic feel-good story for the ages.
Author: Darryl W Bullock
Publisher: Bristol Green Publishing
ISBN: 148262446X
Category : Music
Languages : en
Pages : 260
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Book Description
An affectionate look at some of the worst recordings ever made, The World’s Worst Records tells the extraordinary but true stories behind some of the most appalling audio crimes ever committed. Extensively researched, and featuring music by major stars, ‘outsider’ artists and almost forgotten singers and songwriters, read about how Elvis Presley came to record a rock ‘n’ roll version of the nursery rhyme Old Macdonald; discover the truth behind actor Peter Wyngarde’s one attempt at pop immortality; meet the beautifully bonkers Florence Foster Jenkins – possibly the most deluded singer in history; fi nd out which Paul McCartney record is most hated world over. Puzzle over why 60’s flower-power icon Donovan would record a song about the toilet habits of astronauts.
Author: George Plasketes
Publisher: Psychology Press
ISBN: 9781560249108
Category : Biography & Autobiography
Languages : en
Pages : 362
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Book Description
Was Al Gore only half-kidding at the 1992 Democratic Convention when he compared Bill Clinton to "the King?" Why does Elvis's name and image still pop up in so many movies, television shows, and songs? From black velvet paintings, comic books, and postage stamps to impersonators, movie characters, and sports stars, Images of Elvis Presley in American Culture, 1977--1997 provides a surprisingly broad vista from which to view American popular culture. An insightful exploration of America's overwhelming and enduring cultural fascination with the expanding and elusive Elvis myth, this book combines historical, textual, and sociocultural analysis with a wide range of resource materials to examine the many images of Elvis in American culture. Focusing on the period following his death in 1977 up to the present, Elvis Presley in American Culture, 1977--1997 informs and entertains popular readers and academicians in American studies, popular culture, radio/television/film, sociology, music, and 20th-century American history. Elvis fans ("Elfans") and collectors of Elvis Presley materials and memorabilia also need to add this perspective-enhancing book to your personal libraries. Author George Plasketes shows us how representations, reflections, responses, and references to Elvis in art, artifacts, film, video, television, music, performance, literature, memorabilia, and alleged sightings, continue to make American culture a "mystery terrain" of endless "Elvistas." The repetition of these images is a link to our cultural identity. Elvis Presley in American Culture, 1977--1997 provides the necessary critical analysis and the resource guide to the various representations of Elvis during the past 20 years, to give readers an engaging and informative way to pursue and interpret the expansive and ever-evolving Elvis myth and its importance to American popular culture.
