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Author: Muriel Clara Bradbrook
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 168
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Book Description
Author: Edmund Kerchever Chambers
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 444
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Book Description
Author: Alan C. Dessen
Publisher: Cambridge University Press
ISBN: 9780521311618
Category : Drama
Languages : en
Pages : 212
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Book Description
Alan Dessen reconstructs the stage in the Elizabethan era from scrutinising four hundred manuscripts.
Author: Scott McMillin
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 184
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Book Description
"Pursued across the globe by ruthless National Security Agency operatives, David and Rachel struggle to piece together the truth behind Project Trinity and the enormous power it could unleash upon the world. As constant danger deepens their intimacy, Rachel realizes the key to Trinity lies buried in David's disturbed mind. But Trinity's clock is ticking ..." "Mankind is being held hostage by a machine that cannot be destroyed. Its only hope - a terrifying chess game between David and the Trinity computer, with the cities of the world as pawns. But what are the rules? How human is the machine? Can one man and woman change the course of history? Man's future hangs in the balance, and the price of failure is extinction."--BOOK JACKET.
Author: Diane Yancey
Publisher: Greenhaven Press, Incorporated
ISBN: 9781560063261
Category : Bosnia and Hercegovina
Languages : en
Pages : 0
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Book Description
Examines life in Bosnia before communism, under Tito's rule, and under present conditions of war.
Author: Andrew Gurr
Publisher: Oxford Shakespeare Topics
ISBN: 9780198711582
Category : Drama
Languages : en
Pages : 192
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Book Description
By bringing together evidence from different sources--documentary, archaeological, and the play-texts themselves--Staging Shakespeare's Theatres reconstructs the ways in which the plays were originally staged in the theaters of Shakespeare's own time, and shows how the physical possibilities and limitations of these theaters affected both the writing and the performances. The book explains the conditions under which the early playwrights and players worked, their preparation of the plays for the stage, and their rehearsal practices. It looks at the quality of evidence supplied by the surviving play-texts, and the extant to which audiences of the time differed from modern audiences; and it gives vivid examples of how Elizabethan actors made use of gestures, costumes, props, and the theater's specific design features. Stage movement is analyzed through a careful study of how exits and entrances worked on such stages. The final chapter offers a thorough examination of Hamlet as a text for performance, excitingly returning the play to its original staging at the Globe.
Author: Andrew Gurr
Publisher: Cambridge University Press
ISBN: 1316284166
Category : Drama
Languages : en
Pages : 559
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Book Description
For almost forty years The Shakespearean Stage has been considered the liveliest, most reliable and most entertaining overview of Shakespearean theatre in its own time. It is the only authoritative book that describes all the main features of the original staging of Shakespearean drama in one volume: the acting companies and their practices, the playhouses, the staging and the audiences. Thoroughly revised and updated, this fourth edition contains fresh materials about how specific plays by Shakespeare were first staged, and provides new information about the companies that staged them and their playhouses. The book incorporates everything that has been discovered in recent years about the early modern stage, including the archaeology of the Rose and the Globe. Also included is an invaluable appendix, listing all the plays known to have been performed at particular playhouses and by specific companies.
Author: Bradbrook
Publisher: Foundation Books
ISBN: 9788175963276
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintsev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are realted to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middleton. For this second edition, Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performance and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters.
Author: Steven Mullaney
Publisher: University of Michigan Press
ISBN: 9780472083466
Category : History
Languages : en
Pages : 196
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Book Description
Probes English society in the age of Shakespeare
Author: Cécile de Banke
Publisher: Routledge
ISBN: 1317652800
Category : Performing Arts
Languages : en
Pages : 327
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Book Description
An absorbing and original addition to Shakespeareana, this handbook of production is for all lovers of Shakespeare whether producer, player, scholar or spectator. In four sections, Staging, Actors and Acting, Costume, Music and Dance, it traces Shakespearean production from Elizabethan times to the 1950s when the book was originally published. This book suggests that Shakespeare should be performed today on the type of stage for which his plays were written. It analyses the development of the Elizabethan stage, from crude inn-yard performances to the building and use of the famous Globe. Since the Globe saw the enactment of some of the Bard’s greatest dramas, its construction, properties, stage devices, and sound effects are reviewed in detail with suggestions on how a producer can create the same effects on a modern or reconstructed Elizabethan stage. Shakespeare’s plays were written to fit particular groups of actors. The book gives descriptions of the men who formed the acting companies of Elizabethan London and of the actors of Shakespeare’s own company, giving insights into the training and acting that Shakespeare advocated. With full descriptions and pages of reproductions, the costume section shows the types of dress necessary for each play, along with accessories and trimmings. A table of Elizabethan fabrics and colours is included. The final section explores the little-known and interesting story of the integral part of music and dance in Shakespeare’s works. Scene by scene the section discusses appropriate music or song for each play and supplies substitute ideas for Elizabethan instruments. Various dances are described – among them the pavan, gailliard, canary and courante. This book is an invaluable wealth of research, with extensive bibliographies and extra information.
Author: Andrew Gurr
Publisher: Cambridge University Press
ISBN: 9780521543224
Category : Drama
Languages : en
Pages : 364
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Book Description
This is a newly revised edition of Andrew Gurr's classic account of the people for whom Shakespeare wrote his plays. Gurr assembles evidence from the writings of the time to describe the physical, social and mental conditions of playgoing. For this edition, as well as revising and adding new material which has emerged since the second edition, Gurr develops new sections about points of special interest. Fifty new entries have been added to the list of playgoers and there are a dozen fresh quotations about the experience of playgoing.
