Author: Mrs. Inchbald
Publisher: BoD – Books on Demand
ISBN: 3732691381
Category : Fiction
Languages : en
Pages : 345

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Book Description
Reproduction of the original: A Simple Story by Mrs. Inchbald

Author: Mary Anne Schofield
Publisher: University of Delaware Press
ISBN: 9780874133653
Category : Fiction
Languages : en
Pages : 236

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Book Description
This work concentrates on how eighteenth-century feminine novelists articulate the concerns important to women's lives and fates, and argues that these novelists used their romances to combat the controlling ideologies of the age.

Author: Geremy Carnes
Publisher: Rowman & Littlefield
ISBN: 1611496535
Category : Literary Criticism
Languages : en
Pages : 263

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Book Description
The Papist Represented situates eighteenth-century literature within the history and culture of the English Catholic community and its interactions with the nation’s Protestant majority. It demonstrates Catholic influence on some of the period’s most popular and experimental literary works, challenging the assumption that eighteenth-century literature was a fundamentally Protestant enterprise.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 12

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Book Description

Author: S. Hay
Publisher: Springer
ISBN: 0230316832
Category : Literary Criticism
Languages : en
Pages : 260

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Book Description
Ghost stories are always in conversation with novelistic modes with which they are contemporary. This book examines examples from Sir Walter Scott, Charles Dickens, Henry James and Rudyard Kipling, amongst others, to the end of the twentieth century, looking at how they address empire, class, property, history and trauma.

Author: Patricia Meyer Spacks
Publisher: Yale University Press
ISBN: 0300128339
Category : Literary Criticism
Languages : en
Pages : 320

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Book Description
In this study intended for general readers, eminent critic Patricia Meyer Spacks provides a fresh, engaging account of the early history of the English novel. Novel Beginnings departs from the traditional, narrow focus on the development of the realistic novel to emphasize the many kinds of experimentation that marked the genre in the eighteenth century before its conventions were firmly established in the nineteenth. Treating well-known works like Tom Jones and Tristram Shandy in conjunction with less familiar texts such as Sarah Fielding’s The Cry (a kind of hybrid novel and play) and Jane Barker’s A Patch-Work Screen for the Ladies (a novel of adventure replete with sentimental verse and numerous subnarratives), the book evokes the excitement of a multifaceted and unpredictable process of growth and change. Investigating fiction throughout the 1700s, Spacks delineates the individuality of specific texts while suggesting connections among novels. She sketches a wide range of forms and themes, including Providential narratives, psychological thrillers, romans à clef, sentimental parables, political allegories, Gothic romances, and many others. These multiple narrative experiments show the impossibility of thinking of eighteenth-century fiction simply as a precursor to the nineteenth-century novel, Spacks shows. Instead, the vast variety of engagements with the problems of creating fiction demonstrates that literary history—by no means inexorable—might have taken quite a different course.

Author: Larry Peer
Publisher: Routledge
ISBN: 1317061594
Category : Literary Criticism
Languages : en
Pages : 265

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Book Description
Romantic Border Crossings participates in the important movement towards 'otherness' in Romanticism, by uncovering the intellectual and disciplinary anxieties that surround comparative studies of British, American, and European literature and culture. As this diverse group of essays demonstrates, we can now speak of a global Romanticism that encompasses emerging critical categories such as Romantic pedagogy, transatlantic studies, and transnationalism, with the result that 'new' works by writers marginalized by class, gender, race, or geography are invited into the canon at the same time that fresh readings of traditional texts emerge. Exemplifying these developments, the authors and topics examined include Elizabeth Inchbald, Lord Byron, Gérard de Nerval, English Jacobinism, Goethe, the Gothic, Orientalism, Emily Dickinson, Walt Whitman, Anglo-American conflicts, manifest destiny, and teaching romanticism. The collection constitutes a powerful rethinking of the divisions that continue to haunt Romantic studies.

Author: Christina Lupton
Publisher: JHU Press
ISBN: 1421425777
Category : Literary Criticism
Languages : en
Pages : 338

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Book Description
How did eighteenth-century readers find and make time to read? Books have always posed a problem of time for readers. Becoming widely available in the eighteenth century—when working hours increased and lighter and quicker forms of reading (newspapers, magazines, broadsheets) surged in popularity—the material form of the codex book invited readers to situate themselves creatively in time. Drawing on letters, diaries, reading logs, and a range of eighteenth- and early nineteenth-century novels, Christina Lupton’s Reading and the Making of Time in the Eighteenth Century concretely describes how book-readers of the past carved up, expanded, and anticipated time. Placing canonical works by Elizabeth Inchbald, Henry Fielding, Amelia Opie, and Samuel Richardson alongside those of lesser-known authors and readers, Lupton approaches books as objects that are good at attracting particular forms of attention and paths of return. In contrast to the digital interfaces of our own moment and the ephemeral newspapers and pamphlets read in the 1700s, books are rarely seen as shaping or keeping modern time. However, as Lupton demonstrates, books are often put down and picked up, they are leafed through as well as read sequentially, and they are handed on as objects designed to bridge temporal distances. In showing how discourse itself engages with these material practices, Lupton argues that reading is something to be studied textually as well as historically. Applying modern theorists such as Niklas Luhmann, Bruno Latour, and Bernard Stiegler, Lupton offers a rare phenomenological approach to the study of a concrete historical field. This compelling book stands out for the combination of archival research, smart theoretical inquiry, and autobiographical reflection it brings into play.

Author: Anjana Sharma
Publisher: Macmillan
ISBN:
Category : English fiction
Languages : en
Pages : 288

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Book Description
This book explores the matrix of ideas and ideologies that paved the way for the intense intellectual, social and political ferment of post-revolutionary Europe. Its focus on the texts of Jacobin women novelists such as Elizabeth Inchbald, Mary Wollstonec

Author: Annibel Jenkins
Publisher: University Press of Kentucky
ISBN: 0813159644
Category : Biography & Autobiography
Languages : en
Pages : 624

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Book Description
Elizabeth Simpson Inchbald (1753–1821) was one of the leading literary figures of the late eighteenth century—an actress, a successful playwright and editor of several collections of plays, a popular novelist, and a drama critic. Considered a beautiful, independent woman, Inchbald was much involved in the theatrical, literary, and publishing life of London. Elizabeth Simpson ran away from home at age eighteen to seek fame as an actress in London and quickly married Joseph Inchbald, an actor twice her age. They toured the stage together until his sudden death in 1779. She made her London stage debut a year later, and her writing debut came in 1784 with the play The Mogul Tale; Or, The Descent of the Balloon. Over the next two decades she wrote or adapted twenty-one plays: comedies, farces, and works from French and German, including the version of Kotzebue's Lovers' Vows, later used in Jane Austen's Mansfield Park. Inchbald's acclaimed first novel, A Simple Story, prefigured the work of later women writers such as Austen. Using material from Inchbald's own pocket books detailing her daily life (she destroyed most of her letters and journals late in her life at the advice of her Catholic confessor) as well as a wealth of other sources, Annibel Jenkins tells for the first time not only the full story of Mrs. Inchbald's life but also provides a fascinating look at the society and politics, both public and private, of London in the late eighteenth and early nineteenth centuries.