Elise ou la Vraie Vie PDF Download
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Author: Claire Etcherelli
Publisher: Routledge
ISBN: 1134964846
Category : Literary Criticism
Languages : en
Pages : 354
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Book Description
First published in 1985. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Claire Etcherelli
Publisher: Routledge
ISBN: 1134964846
Category : Literary Criticism
Languages : en
Pages : 354
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Book Description
First published in 1985. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Alexandra Hughes
Publisher: Routledge
ISBN: 1134788657
Category : History
Languages : en
Pages : 641
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Book Description
More than 700 alphabetically organized entries by an international team of contributors provide a fascinating survey of French culture post 1945. Entries include: * advertising * Beur cinema * Coco Chanel * decolonization * écriture feminine * football * francophone press * gay activism * Seuil * youth culture Entries range from short factual/biographical pieces to longer overview articles. All are extensively cross-referenced and longer entries are 'facts-fronted' so important information is clear at a glance. It includes a thematic contents list, extensive index and suggestions for further reading. The Encyclopedia will provide hours of enjoyable browsing for all francophiles, and essential cultural context for students of French, Modern History, Comparative European Studies and Cultural Studies.
Author: Kristin Ross
Publisher: MIT Press
ISBN: 9780262680912
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Fast Cars, Clean Bodies examines the crucial decade from Dien Bien Phu to the mid-1960s when France shifted rapidly from an agrarian, insular, and empire-oriented society to a decolonized, Americanized, and fully industrial one. In this analysis of a startling cultural transformation Kristin Ross finds the contradictions of the period embedded in its various commodities and cultural artifacts—automobiles, washing machines, women's magazines, film, popular fiction, even structuralism—as well as in the practices that shape, determine, and delimit their uses. In each of the book's four chapters, a central object of mythical image is refracted across a range of discursive and material spaces: social and private, textual and cinematic, national and international. The automobile, the new cult of cleanliness in the capital and the colonies, the waning of Sartre and de Beauvoir as the couple of national attention, and the emergence of reshaped, functionalist masculinities (revolutionary, corporate, and structural) become the key elements in this prehistory of postmodernism in France. Modernization ideology, Ross argues, offered the promise of limitless, even timeless, development. By situating the rise of "end of history" ideologies within the context of France's transition into mass culture and consumption, Ross returns the touted timelessness of modernization to history. She shows how the realist fiction and film of the period, as well as the work of social theorists such as Barthes, Lefebvre, and Morin who began at the time to conceptualize "everyday life," laid bare the disruptions and the social costs of events. And she argues that the logic of the racism prevalent in France today, focused on the figure of the immigrant worker, is itself the outcome of the French state's embrace of capitalist modernization ideology in the 1950s and 1960s.
Author: Arthur Marwick
Publisher:
ISBN: 9780192892669
Category : Art
Languages : en
Pages : 388
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Book Description
The 'Arts' hold a revered and respected place within modern Western society - but what exactly defines 'culture'; what gives it this enigmatic status; what influences its composition and propagation; what controls and limitations is it subject to; and what can it achieve within our world? Arthur Marwick tackles these issues head on, with a both detailed and eclectic account of the 'Arts' in the West since the Second World War. He looks at the full range of possible candidates for the category of 'Art', from both elite and popular cultures: from high literature to pulp fiction, fromart-house cinema to soap-opera, Art Music to Rock and Pop. This book looks at the fascinating diversity of twentieth-century art in the context of the social, technological, and political events, movements, and developments that have shaped our history - such as the holocaust, the television, feminism. Marwick examines how these factors have affected thecultural output of Western society since 1945, and in turn how art has fed back its own agenda and priorities into this society.
Author: Claire Etcherelli
Publisher:
ISBN:
Category : Algerians
Languages : en
Pages : 410
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Book Description
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1510
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Book Description
Author: Nicole Beth Wallenbrock
Publisher: Bloomsbury Publishing
ISBN: 1474262821
Category : History
Languages : en
Pages : 320
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Book Description
The Franco-Algerian War (1954–62) remains a powerful international symbol of Third Worldism and the finality of Empire. Through its nuanced analysis of the war's depiction in film, The Franco-Algerian War through a Twenty-First Century Lens locates an international reckoning with history that both condemns and exonerates past generations. Algerian and French production partnerships-such as Hors-la-loi, (Outside the Law, Rachid Bouchareb, 2010) and Loubia Hamra (Bloody Beans, Narimane Mari, 2013)-are one of several ways citizens collaborate to unearth a shared history and its legacy. Nicole Beth Wallenbrock probes cinematic discourse to shed new light on topics including: the media revelation of torture and atomic bomb tests; immigration's role in the evolution of the war's meaning; and the complex relationship of the intertwined film cultures. The first chapter summarizes the Franco-Algerian War in 20th-century film, thus grounding subsequent queries with Algeria's moudjahid or freedom-fighter films and the French new wave's perceived disinterest in the conflict. This book is an invaluable resource for scholars seeking to understand cinema's role in re-evaluating war and reconstructing international memory.
Author: Helena Forsas-Scott
Publisher: Routledge
ISBN: 1317578155
Category : Literary Criticism
Languages : en
Pages : 355
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Book Description
Feminist writing has emerged in recent years as a major influence of twentieth-century European literature. Textual Liberation, first published in 1991, provides a timely and wide-ranging survey of twentieth-century feminist writing in Europe, presenting texts from a number of countries and highlighting some of the transnational parallels and contrasts. The contributors emphasize the wider contexts- political, social, economic- in which the texts were produced. They cover feminist literature in Britain, Scandinavia, Germany, Eastern Europe, Russia, France, Spain, Italy, and Turkey, and consider a range of genres, including the novel, poetry, drama, essays, and journalism. Each chapter contains an extensive bibliography with special emphasis on material available in English. A stimulating introduction to the development of European feminist writing, Textual Liberation will be an invaluable resource for students of women’s literature, women’s studies, and feminism.
Author: Alison Smith
Publisher: Manchester University Press
ISBN: 1526141426
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
A new look at the debates which shook the world of French cinema in the aftermath of May 1968, and throughout the 1970s
Author: Peter Gatrell
Publisher: Basic Books
ISBN: 0465093639
Category : History
Languages : en
Pages : 582
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Book Description
An acclaimed historian examines postwar migration's fundamental role in shaping modern Europe Migration is perhaps the most pressing issue of our time, and it has completely decentered European politics in recent years. But as we consider the current refugee crisis, acclaimed historian Peter Gatrell reminds us that the history of Europe has always been one of people on the move. The end of World War II left Europe in a state of confusion with many Europeans virtually stateless. Later, as former colonial states gained national independence, colonists and their supporters migrated to often-unwelcoming metropoles. The collapse of communism in 1989 marked another fundamental turning point. Gatrell places migration at the center of post-war European history, and the aspirations of migrants themselves at the center of the story of migration. This is an urgent history that will reshape our understanding of modern Europe.
