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Author: T. S. Eliot
Publisher: Houghton Mifflin Harcourt
ISBN: 0544358546
Category : Drama
Languages : en
Pages : 91
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Book Description
The Nobel Prize–winning author created the words for this unique play about religion in the twentieth century. The choruses in this pageant play represent a new verse experiment on Mr. Eliot’s part; and taken together make a sequence of verses about twice the length of “The Waste Land.” Mr. Eliot has written the words; the scenario and design of the play were provided by a collaborator, and the purpose was to provide a pageant of the Church of England for presentation on a particular occasion. The action turns upon the efforts and difficulties of a group of London masons in building a church. Incidentally, a number of historical scenes, illustrative of church-building, are introduced. The play, enthusiastically greeted, was first presented in England, at Sadler’s Wells; the production included much pageantry, mimetic action, and ballet, with music by Dr. Martin Shaw. Immediately after the production of this play in England, Francis Birrell wrote in The New Statesman: “The magnificent verse, the crashing Hebraic choruses which Mr. Eliot has written had best be studied in the book. The Rock is certainly one of the most interesting artistic experiments to be given in recent times.” The Times Literary Supplement also spoke with high praise: “The choruses exceed in length any of his previous poetry; and on the stage they prove the most vital part of the performance. They combine the sweep of psalmody with the exact employment of colloquial words. They are lightly written, as though whispered to the paper, yet are forcible to enunciate . . . . There is exhibited here a command of novel and musical dramatic speech which, considered alone, is an exceptional achievement.”
Author: T. S. Eliot
Publisher: Houghton Mifflin Harcourt
ISBN: 0544358546
Category : Drama
Languages : en
Pages : 91
Get Book Here
Book Description
The Nobel Prize–winning author created the words for this unique play about religion in the twentieth century. The choruses in this pageant play represent a new verse experiment on Mr. Eliot’s part; and taken together make a sequence of verses about twice the length of “The Waste Land.” Mr. Eliot has written the words; the scenario and design of the play were provided by a collaborator, and the purpose was to provide a pageant of the Church of England for presentation on a particular occasion. The action turns upon the efforts and difficulties of a group of London masons in building a church. Incidentally, a number of historical scenes, illustrative of church-building, are introduced. The play, enthusiastically greeted, was first presented in England, at Sadler’s Wells; the production included much pageantry, mimetic action, and ballet, with music by Dr. Martin Shaw. Immediately after the production of this play in England, Francis Birrell wrote in The New Statesman: “The magnificent verse, the crashing Hebraic choruses which Mr. Eliot has written had best be studied in the book. The Rock is certainly one of the most interesting artistic experiments to be given in recent times.” The Times Literary Supplement also spoke with high praise: “The choruses exceed in length any of his previous poetry; and on the stage they prove the most vital part of the performance. They combine the sweep of psalmody with the exact employment of colloquial words. They are lightly written, as though whispered to the paper, yet are forcible to enunciate . . . . There is exhibited here a command of novel and musical dramatic speech which, considered alone, is an exceptional achievement.”
Author: Terry Shumaker
Publisher: iUniverse
ISBN: 0595177166
Category : Fiction
Languages : en
Pages : 126
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Book Description
Despondent over a great personal loss, geologist John Bowen wanders the deserts of the American Southwest. When he is recruited to work on the Manhattan Project during World War Two, he finds himself faced with a moral decision that could end his life. He must decide where his greatest obligation lies; with those closest to him, or with the entire human family. Eliot's Rock is a sweeping tale that takes the reader from the deserts of New Mexico to the lonely white expanses of Antarctica, and ultimately to wartime Japan. This is a story of love, loss, terror, betrayal, and eventual reunion. It is an exploration of a lost culture, and an examination of what must be a man's final responsibility.
Author: Hannah Eliot
Publisher: Simon and Schuster
ISBN: 1534468765
Category : Juvenile Fiction
Languages : en
Pages : 18
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Book Description
A classic lullaby gets a fresh twist as adorable forest animals get ready for bedtime in this oversized board book that has a shiny touch-and-feel cover! Written to the familiar tune of “Rock-a-Bye, Baby,” this sweet lullaby visits adorable forest animals as they settle down for the night. Little ones will love seeing the sweet and sleepy creatures in this tender story perfect for bedtime!
Author: Hannah Eliot
Publisher: Little Simon
ISBN: 1534456406
Category : Juvenile Fiction
Languages : en
Pages : 9
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Book Description
The classic lullaby, “Rock-a-Bye, Baby” gets a prehistoric twist as different dinosaurs get ready for bedtime in this board book with soft touch-and-feels on the cover! Rock-a-bye, T. rex, in the tree top When your feet stomp, the mountains do rock You give a big yawn, that means it’s nightfall So home you come, dino—claws, teeth, and all Written to the beloved tune of “Rock-a-Bye, Baby,” this adorable board book with soft touch-and-feels on the cover is a sweet bedtime lullaby that’s sure to put all sorts of dinosaurs—and children—to bed!
Author: T. S. Eliot
Publisher:
ISBN: 9780571213856
Category :
Languages : en
Pages :
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Book Description
Author: Jolly Das
Publisher: Atlantic Publishers & Dist
ISBN: 9788126907700
Category :
Languages : en
Pages : 320
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Book Description
The Book Studies The Theme Of Quest In T.S. Eliot S Drama, Showing How Religious And Symbolic Implications, Both Oriental And Occidental, Have A Direct Bearing On His Personal Life.Eliot Used Various Symbols In His Quest Because He Believed In The Idea Of The Objective Correlative, About Which He Speaks In His Essay Hamlet And His Problems. In Order To Express His Theme, Eliot Used Christian Symbols Like The Quest Of The Holy Grail And The Idea Of The Incarnation On The One Hand, And Non-Christian Elements Like The Teachings And Life Of The Buddha, Along With References To The Gita And The Upanishad On The Other. In His Quest For Form And Articulation Eliot Was Influenced By French Symbolist Poetry, The Metaphysical Poets, The Plays Of Shakespeare And His Contemporaries, The Poems Of John Davidson, Conrad S Fiction, Music-Hall Performances And Jazz Music To Name Only A Few.Eliot Wanted To Project Dramatization As The Ideal Form Of Poetic Articulation On Various Levels Of Significance Drama As A Diversified Multifarious Intensified Medium Of Audio-Visual-Intellectual Expression. His Search Seems To Have Led Him To A Kind Of Consummation As An Experimenter, In His Plays, In Communication Through Diverse Verse Forms, Themes, Characters And Situations, Exposing A Multiplicity Of Experiences Both Physical And Spiritual. In All His Plays There Is A Distinct Development Towards More Precise Articulation Of The Innermost Feelings And Emotions Of Modern Urban Man. But, More Important, The Book Traces Eliot S Personal Quest For Understanding The Meaning Of Existence His Own Life And Its Meaning Of Which His Poetry And Plays Are A Sort Of Autobiography.
Author: Richard W. Cogley
Publisher: Harvard University Press
ISBN: 0674029631
Category : History
Languages : en
Pages : 346
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Book Description
No previous work on John Eliot's mission to the Indians has told such a comprehensive and engaging story. Richard Cogley takes a dual approach: he delves deeply into Eliot's theological writings and describes the historical development of Eliot's missionary work. By relating the two, he presents fresh perspectives that challenge widely accepted assessments of the Puritan mission. Cogley incorporates Eliot's eschatology into the history of the mission, takes into account the biographies of the proselytes (the "praying Indians") and the individual histories of the Christian Indian settlements (the "praying towns"), and corrects misperceptions about the mission's role in English expansion. He also addresses other interpretive problems in Eliot's mission, such as why the Puritans postponed their evangelizing mission until 1646, why Indians accepted or rejected the mission, and whether the mission played a role in causing King Philip's War. This book makes signal contributions to New England history, Native American history, and religious studies.
Author: Joshua Esty
Publisher: Princeton University Press
ISBN: 1400825741
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
This book describes a major literary culture caught in the act of becoming minor. In 1939, Virginia Woolf wrote in her diary, "Civilisation has shrunk." Her words captured not only the onset of World War II, but also a longer-term reversal of national fortune. The first comprehensive account of modernism and imperialism in England, A Shrinking Island tracks the joint eclipse of modernist aesthetics and British power from the literary experiments of the 1930s through the rise of cultural studies in the 1950s. Jed Esty explores the effects of declining empire on modernist form--and on the very meaning of Englishness. He ranges from canonical figures (T. S. Eliot and Virginia Woolf) to influential midcentury intellectuals (J. M. Keynes and J.R.R. Tolkien), from cultural studies pioneers (Raymond Williams and E. P. Thompson) to postwar migrant writers (George Lamming and Doris Lessing). Focusing on writing that converts the potential energy of the contracting British state into the language of insular integrity, he argues that an anthropological ethos of cultural holism came home to roost in late-imperial England. Esty's interpretation challenges popular myths about the death of English literature. It portrays the survivors of the modernist generation not as aesthetic dinosaurs, but as participants in the transition from empire to welfare state, from metropolitan art to national culture. Mixing literary criticism with postcolonial theory, his account of London modernism's end-stages and after-lives provides a fresh take on major works while redrawing the lines between modernism and postmodernism.
Author: Carol H. Smith
Publisher: Princeton University Press
ISBN: 140087940X
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Although there have been innumerable studies of T. S. Eliot, this is the first to examine closely the changes in his dramatic practice and to relate them to his artistic and intellectual development. Professor Smith finds Eliot's dramatic theory rooted in his conception of the need for order in religion and art; she traces this concept as it evolved from the overtly religious The Rock and Murder in the Cathedral through such symbolic drawing-room plays as The Family Reunion, The Cocktail Party, and The Confidential Clerk, to Eliot’s latest study of human and divine love in The Elder Statesman. Carol H. Smith explores Eliot’s interest in the jazz rhythms of the English music hall, in the mythical method of Yeats and Joyce, and in the work of the Cambridge School of Classical Anthropology. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Michael Grant
Publisher: Routledge
ISBN: 1134723067
Category : Literary Criticism
Languages : en
Pages : 453
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Book Description
This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
