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Author: D. N. Rodowick
Publisher: Harvard University Press
ISBN: 0674726081
Category : Philosophy
Languages : en
Pages : 298
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Book Description
Rhetorically charged debates over theory have divided scholars of the humanities for decades. In Elegy for Theory, D. N. Rodowick steps back from well-rehearsed arguments pro and con to assess why theory has become such a deeply contested concept. Far from lobbying for a return to the "high theory" of the 1970s and 1980s, he calls for a vigorous dialogue on what should constitute a new, ethically inflected philosophy of the humanities. Rodowick develops an ambitiously cross-disciplinary critique of theory as an academic discourse, tracing its historical displacements from ancient concepts of theoria through late modern concepts of the aesthetic and into the twentieth century. The genealogy of theory, he argues, is constituted by two main lines of descent--one that goes back to philosophy and the other rooted instead in the history of positivism and the rise of the empirical sciences. Giving literature, philosophy, and aesthetics their due, Rodowick asserts that the mid-twentieth-century rise of theory within the academy cannot be understood apart from the emergence of cinema and visual studies. To ask the question, "What is cinema?" is to also open up in new ways the broader question of what is art.
Author: D. N. Rodowick
Publisher: Harvard University Press
ISBN: 0674726081
Category : Philosophy
Languages : en
Pages : 298
Get Book Here
Book Description
Rhetorically charged debates over theory have divided scholars of the humanities for decades. In Elegy for Theory, D. N. Rodowick steps back from well-rehearsed arguments pro and con to assess why theory has become such a deeply contested concept. Far from lobbying for a return to the "high theory" of the 1970s and 1980s, he calls for a vigorous dialogue on what should constitute a new, ethically inflected philosophy of the humanities. Rodowick develops an ambitiously cross-disciplinary critique of theory as an academic discourse, tracing its historical displacements from ancient concepts of theoria through late modern concepts of the aesthetic and into the twentieth century. The genealogy of theory, he argues, is constituted by two main lines of descent--one that goes back to philosophy and the other rooted instead in the history of positivism and the rise of the empirical sciences. Giving literature, philosophy, and aesthetics their due, Rodowick asserts that the mid-twentieth-century rise of theory within the academy cannot be understood apart from the emergence of cinema and visual studies. To ask the question, "What is cinema?" is to also open up in new ways the broader question of what is art.
Author: D. N. Rodowick
Publisher: Univ of California Press
ISBN: 0520087712
Category : Performing Arts
Languages : en
Pages : 343
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Book Description
"Gives a superb critical and polemical overview of the '70s film theory. Rodowick is particularly good at showing both the political stakes of these influential theories and their blind spots."—Constance Penley, University of California, Santa Barbara
Author: D. N. RODOWICK
Publisher: Harvard University Press
ISBN: 0674042832
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
As almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and to cinema studies? In the first of two books exploring this question, Rodowick considers the fate of film and its role in the aesthetics and culture of the twenty-first century.
Author: Karen Weisman
Publisher: OUP Oxford
ISBN: 0199228132
Category : Literary Criticism
Languages : en
Pages : 736
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Book Description
The single most comprehensive study of elegy, this Handbook offers groundbreaking scholarship, historical breadth, and responds to recent exciting developments in elegy studies: the explosion in interest in elegies about AIDS, cancer, and war; the reconsideration of the role of women; and elegy's relation to ethics, philosophy, and theory.
Author: Max Cavitch
Publisher: U of Minnesota Press
ISBN: 1452909180
Category :
Languages : en
Pages : 363
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Book Description
The most widely practiced and read form of verse in America, “elegies are poems about being left behind,” writes Max Cavitch. American Elegy is the history of a diverse people’s poetic experience of mourning and of mortality’s profound challenge to creative living. By telling this history in political, psychological, and aesthetic terms, American Elegy powerfully reconnects the study of early American poetry to the broadest currents of literary and cultural criticism. Cavitch begins by considering eighteenth-century elegists such as Franklin, Bradstreet, Mather, Wheatley, Freneau, and Annis Stockton, highlighting their defiance of boundaries—between public and private, male and female, rational and sentimental—and demonstrating how closely intertwined the work of mourning and the work of nationalism were in the revolutionary era. He then turns to elegy’s adaptations during the market-driven Jacksonian age, including more obliquely elegiac poems like those of William Cullen Bryant and the popular child elegies of Emerson, Lydia Sigourney, and others. Devoting unprecedented attention to the early African-American elegy, Cavitch discusses poems written by free blacks and slaves, as well as white abolitionists, seeing in them the development of an African-American genealogical imagination. In addition to a major new reading of Whitman’s great elegy for Lincoln, “When Lilacs Last in the Dooryard Bloom’d,” Cavitch takes up less familiar passages from Whitman as well as Melville’s and Lazarus’s poems following Lincoln’s death. American Elegy offers critical and often poignant insights into the place of mourning in American culture. Cavitch examines literary responses to historical events—such as the American Revolution, Native American removal, African-American slavery, and the Civil War—and illuminates the states of loss, hope, desire, and love in American studies today. Max Cavitch is assistant professor of English at the University of Pennsylvania.
Author: Bell Hooks
Publisher: University Press of Kentucky
ISBN: 0813136695
Category : Performing Arts
Languages : en
Pages : 98
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Book Description
A collection of poems centered around life in Appalachia addresses topics ranging from the marginalization of the region's people to the environmental degradation it has endured throughout history.
Author: Jahan Ramazani
Publisher: University of Chicago Press
ISBN: 0226703401
Category : Literary Criticism
Languages : en
Pages : 436
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Book Description
Through readings of elegies, self-elegies, war poems and the blues, this book covers a wide range of poets, including Thomas Hardy, Wilfred Owen, Wallace Stevens, Langston Hughes, W.H. Auden, Sylvia Plath and Seamus Heaney. It is grounded in genre theory and in the psychoanalysis of mourning.
Author: Josh Bell
Publisher: Copper Canyon Press
ISBN: 1619321580
Category : Poetry
Languages : en
Pages : 129
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Book Description
"Bell's work is a concoction of the surreal and the hyper-real, the hilarious and the devastating."—The New Yorker "One of the most tonally versatile young poets working today."—Boston Review "A contemporary knockout, Bell's poems run the gamut of good: they're seriously funny, bizarre, wry, ambitious, acrobatic, gorgeous. Sometimes they have zombies."—Flavorwire Joshua Bell's unnerving and darkly funny second collection of poems inhabits various personae—including a prominent series starring the garrulous and aging rock star Vince Neil from Mötley Crüe—through which he examines paranoid, misogynist, and murderous elements within contemporary American culture. Throughout are prose "movie poems" that feature zombies, a summer camp slasher, exorcism, and courtroom drama. From "The Creature": Like many humans, I enjoy lifting small, living things. Your wife qualifies, but doesn't like to be lifted. I guess it's probably because, as is true with many humans, your wife doesn't want to be eaten, and often we are lifted, by the bigger thing, right before it drops us on a rock and eats us. I understand, I say to your wife, lowering her body to the kitchen floor, her legs bending slowly as she takes back the weight I've returned to her, like an astronaut moving back into the gravity of the capsule… Josh Bell earned an MFA from the Iowa Writers' Workshop and a PhD from the University of Cincinnati. He was a member of the creative writing faculty at Columbia University and is currently Briggs Copeland Lecturer at Harvard.
Author: Harvard University Press
Publisher: Harvard University Press
ISBN: 0674251660
Category : History
Languages : en
Pages : 178
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Book Description
Racism in America has been the subject of serious scholarship for decades. At Harvard University Press, we’ve had the honor of publishing some of the most influential books on the subject. The excerpts in this volume—culled from works of history, law, sociology, medicine, economics, critical theory, philosophy, art, and literature—are an invitation to understand anti-Black racism through the eyes of our most incisive commentators. Readers will find such classic selections as Toni Morrison’s description of the Africanist presence in the White American literary imagination, Walter Johnson’s depiction of the nation’s largest slave market, and Stuart Hall’s theorization of the relationship between race and nationhood. More recent voices include Khalil Gibran Muhammad on the pernicious myth of Black criminality, Elizabeth Hinton on the link between mass incarceration and 1960s social welfare programs, Anthony Abraham Jack on how elite institutions continue to fail first-generation college students, Mehrsa Baradaran on the racial wealth gap, Nicole Fleetwood on carceral art, and Joshua Bennett on the anti-Black bias implicit in how we talk about animals and the environment. Because the experiences of non-White people are integral to the history of racism and often bound up in the story of Black Americans, we have included writers who focus on the struggles of Native Americans, Latinos, and Asians as well. Racism in America is for all curious readers, teachers, and students who wish to discover for themselves the complex and rewarding intellectual work that has sustained our national conversation on race and will continue to guide us in future years.
Author: Genevieve Liveley
Publisher:
ISBN: 9780814204061
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
In recent decades, literary studies have shown great interest in issues concerning the elements of narrative. Narratology, with its most vocal exponents in the writings of Bal, Genette, and Ricoeur, has also emerged as an increasingly important aspect of classical scholarship. However, studies have tended to focus on genres that are deemed straightforwardly narrative in form, such as epic, history, and the novel. This volume of heretofore unpublished essays explores how theories of narrative can promote further understandings and innovative readings of a genre that is not traditionally seen as narrative: Roman elegy. While elegy does not tell a continuous story, it does contain many embedded tales—narratives in their own right—located within and interacting with the primarily nonnarrative structure of the external frame-text. Latin Elegy and Narratology is the first volume entirely dedicated to the analysis of Latin elegy through the prism of theories of narrative. It brings together an international range of classicists whose specialties include Roman elegy, Augustan literature more generally, and critical theory. Among the questions explored in this volume are: Can the inset narratives of elegy, with their distinctive narrative strategies, provide the key to a poetics of elegiac story telling? In what ways does elegy renegotiate the linearity and teleology of narrative? Can formal theories of narratology help to make sense of the temporal contradictions and narrative incongruities that so often characterize elegiac stories? What can the reception of Roman elegy tell us about narratives of unity, identity, and authority? The essays contained in this volume provide provocative new readings and an enhanced understanding of Roman elegy using the tools of narratology.
