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Author: Harry Mathias
Publisher: Createspace Independent Publishing Platform
ISBN: 9781453623107
Category : Cinematography
Languages : en
Pages : 0
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Book Description
ELECTRONIC CINEMATOGRAPHY, Achieving Photographic Control over the Video Image is newly back in print for the first time in years. This pioneering book was ahead of its time. This is the book that caused a new generation of filmmakers to think of creating digital cinema and video in creative and cinematic terms. A very popular Cinema Industry reference book and college text book, this book went through several re-printings. ELECTRONIC CINEMATOGRAPHY went out of print when its original publisher left the publishing business. It, never the less, enjoyed vigorous used book sales, commanding high prices and sales volumes as a used collector's book. ELECTRONIC CINEMATOGRAPHY, Achieving Photographic Control over the Video Image is a book that uniquely demystifies video and reveals its real creative potential. Harry Mathias, who has worked successfully in both film and digital cinema, approaches digital cinema cinematography from the point of view of the cinematographer, rather than that of the video engineer. This book shows you how video theory can be applied to creative ends. They relate the image characteristics of video to those of film and demonstrate how those characteristics can be applied to tell dramatic visual stories. ELECTRONIC CINEMATOGRAPHY is filled withe exciting ideas and practical knowledge that, for the first time, provide the hows and whys of realizing both the filmic and special electronic potentials of video equipment. The book requires no previous electronic experience. Included in its detailed tone reproduction in a video image... determining exposure indexes for video cameras... lighting for video... and dealing with the limitations of digital image quality. The future demands a new analysis of the visual techniques that will be required by the improved picture quality of high-definition video and its application to dramatic cinema subjects. This book takes you toward that goal, and teaches you the necessary skills."
Author: Harry Mathias
Publisher: Createspace Independent Publishing Platform
ISBN: 9781453623107
Category : Cinematography
Languages : en
Pages : 0
Get Book Here
Book Description
ELECTRONIC CINEMATOGRAPHY, Achieving Photographic Control over the Video Image is newly back in print for the first time in years. This pioneering book was ahead of its time. This is the book that caused a new generation of filmmakers to think of creating digital cinema and video in creative and cinematic terms. A very popular Cinema Industry reference book and college text book, this book went through several re-printings. ELECTRONIC CINEMATOGRAPHY went out of print when its original publisher left the publishing business. It, never the less, enjoyed vigorous used book sales, commanding high prices and sales volumes as a used collector's book. ELECTRONIC CINEMATOGRAPHY, Achieving Photographic Control over the Video Image is a book that uniquely demystifies video and reveals its real creative potential. Harry Mathias, who has worked successfully in both film and digital cinema, approaches digital cinema cinematography from the point of view of the cinematographer, rather than that of the video engineer. This book shows you how video theory can be applied to creative ends. They relate the image characteristics of video to those of film and demonstrate how those characteristics can be applied to tell dramatic visual stories. ELECTRONIC CINEMATOGRAPHY is filled withe exciting ideas and practical knowledge that, for the first time, provide the hows and whys of realizing both the filmic and special electronic potentials of video equipment. The book requires no previous electronic experience. Included in its detailed tone reproduction in a video image... determining exposure indexes for video cameras... lighting for video... and dealing with the limitations of digital image quality. The future demands a new analysis of the visual techniques that will be required by the improved picture quality of high-definition video and its application to dramatic cinema subjects. This book takes you toward that goal, and teaches you the necessary skills."
Author: Dan Ablan
Publisher: New Riders
ISBN: 0132798204
Category : Computers
Languages : en
Pages : 400
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Book Description
digital Cinematography and Directing is unlike any other cinematography or directing book you've seen. This book was written entirely for 3D animators. Based on real-world photographic and cinematic principles, it teaches you essential skills and concepts that you can apply to any industry 3D application, such as LightWave 3D, Softimage XSI, 3ds max, CINEMA 4D, Maya, and other leading programs. This book does not focus on using software but rather teaches you how to understand and use the camera within your 3D application. Master focal lengths, f-stops, and apertures within your 3D aplication. Learn how pre-production planning can guide and enhance your project by applying essential storyboarding techniques. Use light as not only an illumination source, but as a tool for cinematic storytelling. Learn how to direct your digital cast with proper staging techniques "Dan Ablan's years of innovating digital production techniques and his undeniable expertise at teaching CGI, FX, and Film, makes digitalCinematography and Directing a must-have!" -Dave Adams, Dreamworks.
Author: Paul Wheeler
Publisher: Taylor & Francis
ISBN: 1136055851
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
High end digital cinematography can truly challenge the film camera in many of the technical, artistic and emotional aspects of what we think of as 'cinematography'. This book is a guide for practising and aspiring cinematographers and DOPs to digital cinematography essentials - from how to use the cameras to the rapidly emerging world of High Definition cinematography and 24p technology. This book covers the `on-the-set' knowledge you need to know - its emphasis lies in practical application, rather than descriptions of technologies, so that in this book you will find usable `tools' and information to help you get the job done. From `getting the look' to lighting styles and ratios, what is needed for different types of shoots and the technical preparation required, this is a complete reference to the knowledge and skills required to shoot high end digital films. The book also features a guide to the Sony DVW in-camera menus - showing how to set them up and how they work - a device to save you time and frustration on set. Paul Wheeler is a renowned cinematographer/director of photography and trainer, he runs courses on Digital Cinematography at the National Film & Television School and has lectured on the Royal College of Art's MA course and at The London International Film School. He has been twice nominated by BAFTA for a Best Cinematography award and also twice been the winner of the INDIE award for Best Digital Cinematography.
Author: David Stump, ASC
Publisher: Routledge
ISBN: 0429889011
Category : Performing Arts
Languages : en
Pages : 648
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Book Description
Today’s successful cinematographer must be equal parts artist, technician, and business-person. The cinematographer needs to master the arts of lighting, composition, framing and other aesthetic considerations, as well as the technology of digital cameras, recorders, and workflows, and must know how to choose the right tools (within their budget) to get the job done. David Stump’s Digital Cinematography focuses on the tools and technology of the trade, looking at how digital cameras work, the ramifications of choosing one camera versus another, and how those choices help creative cinematographers to tell a story. This book empowers the reader to correctly choose the appropriate camera and workflow for their project from today’s incredibly varied options, as well as understand the ins and outs of implementing those options. Veteran ASC cinematographer David Stump has updated this edition with the latest technology for cameras, lenses, and recorders, as well as included a new section on future cinematographic trends. Ideal for advanced cinematography students as well as working professionals looking for a resource to stay on top of the latest trends, this book is a must read.
Author: Paul Wheeler
Publisher: Taylor & Francis
ISBN: 113605586X
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
High end digital cinematography can truly challenge the film camera in many of the technical, artistic and emotional aspects of what we think of as 'cinematography'. This book is a guide for practising and aspiring cinematographers and DOPs to digital cinematography essentials - from how to use the cameras to the rapidly emerging world of High Definition cinematography and 24p technology. This book covers the `on-the-set' knowledge you need to know - its emphasis lies in practical application, rather than descriptions of technologies, so that in this book you will find usable `tools' and information to help you get the job done. From `getting the look' to lighting styles and ratios, what is needed for different types of shoots and the technical preparation required, this is a complete reference to the knowledge and skills required to shoot high end digital films. The book also features a guide to the Sony DVW in-camera menus - showing how to set them up and how they work - a device to save you time and frustration on set. Paul Wheeler is a renowned cinematographer/director of photography and trainer, he runs courses on Digital Cinematography at the National Film & Television School and has lectured on the Royal College of Art's MA course and at The London International Film School. He has been twice nominated by BAFTA for a Best Cinematography award and also twice been the winner of the INDIE award for Best Digital Cinematography.
Author: Harry Mathias
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 280
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Book Description
Author: Thomas Ohanian
Publisher: Taylor & Francis
ISBN: 1136053530
Category : Performing Arts
Languages : en
Pages : 668
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Book Description
Digital Filmmaking has been called the bible for professional filmmakers in the digital age. It details all of the procedural, creative, and technical aspects of pre-production, production, and post-production within a digital filmmaking environment. It examines the new digital methods and techniques that are redefining the filmmaking process, and how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. The second edition includes updates and new information, including four new chapters that examine key topics like digital television and high definition television,making films using digital video, 24 P and universal mastering, and digital film projection. Digital Filmmaking provides a clear overview of the traditional filmmaking process, then goes on to illuminate the ways in which new methods can accomplish old tasks. It explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques. Various filmmakers discuss their use of digital techniques to enhance the creative process in the "Industry Viewpoints" sections in each chapter .
Author: David Stump
Publisher: CRC Press
ISBN: 1136040420
Category : Performing Arts
Languages : en
Pages : 494
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Book Description
First published in 2014. With the shift from film to digital, a new view of the future of cinematography has emerged. Today's successful cinematographer must be equal parts artist, technician, and business-person. The cinematographer needs to master the arts of lighting, composition, framing and other aesthetic considerations, as well as the technology of digital cameras, recorders, and workflows, and must know how to choose the right tools (within their budget) to get the job done. David Stump's Digital Cinematography focusses primarily on the tools and technology of the trade, looking at how digital cameras work, the ramifications of choosing one camera versus another, and how those choices help creative cinematographers to tell a story. This book empowers you to both correctly choose the right camera and workflow for your project from today's incredibly varied options, as well as understand the ins and outs of implementing those options. Stump sheds a light on the confusing advantages and disadvantages of shooting theatrical features using digital technology and what it can or can't do. Topics covered include: * Detailed coverage of Arriflex, Blackmagic, Canon, Ikonoskop, Panasonic, Panavision, Phantom, Red, Silicon Imaging, Sony, and Weisscam digital motion picture cameras * Coverage of a wide variety of lenses, including Angenieux, Canon, Cooke, Fujinon, Hawk, Leica, Panavision, Red, Schneider, Sony, UniqOptics, Vantage, and Zeiss * Coverage of recorders, displays, and look management tools * Exposure theory tips - learn how to correctly expose digital cameras * Focusing tips - learn how to focus digital cameras correctly * Checklists to help design digital workflows * Practical tips on preparation - prepare for shooting a digital motion picture like a professional * Camera set-up and operation, color management, digital intermediates, 3D stereo cinematography, future trends, and much more If you aspire to be a successful cinematographer in this new digital age, or if you already are a working cinematographer in need of a resource to help you stay on top of your game, this is a must-read book.
Author: Brian McKernan
Publisher: McGraw Hill Professional
ISBN: 0071467009
Category : Technology & Engineering
Languages : en
Pages : 226
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Book Description
With its huge cost-saving potential, digital cinema is the biggest thing to happen to the movies since sound -- this book details how each phase of the digital movie-making process, shooting, postproduction, delivery, and exhibition -- differs from film and provides clear answers to the cost vs. quality controversy. * Nonlinear editing -- software, basic technique, cost savings * Digital video color correction * CGI -- changing the shot after the shoot * Digital composition for film * Universal mastering (film, DVD, TV, Internet) * Digital distribution and exhibition
Author: Michael S. Tooms
Publisher: John Wiley & Sons
ISBN: 1119021766
Category : Technology & Engineering
Languages : en
Pages : 740
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Book Description
With the move of cinema away from film, the adoption of electronic-based production throughout all media is now complete. In order to exploit its advantages, the accurate definition, measurement and reproduction of colour has become more important than ever to achieve the best fidelity of colour reproduction. This book is concerned with providing readers with all they need to know about colour: how it is perceived and described, how it is measured and generated and how it is reproduced in colour systems. It serves as both a tutorial and a reference book, defining what we mean by colour and providing an explanation of the proper derivation of chromaticity charts and through to the means of ensuring accurate colour management. Key Features: Addresses important theory and common misconceptions in colour science and reproduction, from the perception and characteristics of colour to the practicalities of its rendering in the fields of television, photography and cinematography Offers a clear treatment of the CIE chromaticity charts and their related calculations, supporting discussion on system primaries, their colour gamuts and the derivation of their contingent red, green and blue camera spectral sensitivities Reviews the next state-of-the-art developments in colour reproduction beyond current solutions, from Ultra-High Definition Television for the 2020s to laser projectors with unprecedented colour range for the digital cinema Includes a companion website hosting a workbook consisting of invaluable macro-enabled data worksheets; JPEG files containing images referred to in the book, including colour bars and grey scale charts to establish perceived contrast range under different environmental conditions; and, guides to both the workbook and JPEG files
