La historia del cine PDF Download
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Author: El pais
Publisher:
ISBN:
Category :
Languages : es
Pages : 310
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Book Description
Author: El pais
Publisher:
ISBN:
Category :
Languages : es
Pages : 310
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : es
Pages : 309
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Book Description
Author: A. Davies
Publisher: Springer
ISBN: 023029474X
Category : Performing Arts
Languages : en
Pages : 166
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Book Description
A collection of original essays from leading scholars in the field exploring the contemporary debates, concerns and controversies ongoing in Spanish film industry, culture and scholarship. The essays reveal the far-reaching shifts that have occurred in the Spanish film scene, making essential reading for all interested in European cinema.
Author:
Publisher:
ISBN:
Category :
Languages : es
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : es
Pages : 0
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Book Description
Author: Marsha Kinder
Publisher: Univ of California Press
ISBN: 0520081579
Category : Performing Arts
Languages : en
Pages : 567
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Book Description
"This is the most complete, in-depth, sophisticated study of Spanish cinema available in any language."—Marvin D'Lugo, author of The Films of Carlos Saura
Author: Sally Faulkner
Publisher: Manchester University Press
ISBN: 1526169703
Category : Performing Arts
Languages : en
Pages : 161
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Book Description
Were it not for authoritarian state censorship, Cecilia Bartolomé’s name would figure alongside those of her contemporaries Agnès Varda and Claire Denis as a pioneering feminist filmmaker of the twentieth century. With this bold claim, this book seeks both to write the history of Bartolomé’s extant filmography, and speculate about censored and un-filmed work, thereby fashioning a new way of writing a feminist creative life in film. The first volume on this director to be written in English, The Cinema of Cecilia Bartolomé is also the first volume on the director published in any language for over twenty years. By focusing on Spanish-language cinema of the 1960s-90s, the period when feminism, like democracy, was re-born and seemingly consolidated in Spain, the study brings historical depth and transnational reach to current debates in the wake of #MeToo.
Author: Barry Jordan
Publisher: Manchester University Press
ISBN: 1526141302
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
Contemporary focus, right up to date with material from 1980s and 90s. Wide-ranging analyses of major directors, themes, genres and issues, including historical film, genre cinema, women in film and autonomies.
Author: Paul Julian Smith
Publisher: Routledge
ISBN: 135119285X
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
"This book is the first to explore the interaction of three media in contemporary Spain. Focusing on some of the best known and most important books, feature films, and television series in the country (including novelist Antonio Munoz Molina, director Pedro Almodovar, and the Spanish version of telenovela Ugly Betty), it addresses three pairs of linked issues central to Hispanic studies and beyond: history and memory, authority and society, and genre and transitivity. Much of the material is very recent and thus as yet unstudied. The book also focuses on the representation of gender, sexuality, and transnationalism in these texts. Drawing on approaches from both the humanities and social sciences it combines close readings of key texts with the analysis of production processes, media institutions, audiences, and reception."
Author: Andy Willis
Publisher: Manchester University Press
ISBN: 184779629X
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
Álex de la Iglesia, initially championed by Pedro Almodóvar, and at one time the enfant terrible of Spanish film, still makes film critics nervous. The director of some of the most important films of the Post-Franco era – Acción mutante, El día de la bestia, Muertos de risa – receives here the first full length study of his work. Breaking away from the pious tradition of acclaiming art-house auteurs, The cinema of Álex de la Iglesia tackles a new sort of beast: the popular auteur, who brings the provocation of the avant-garde to popular genres such as horror and comedy. This book brings together Anglo-American film theory, an exploration of the legal and economic history of Spanish audio-visual culture, a comprehensive knowledge of Spanish cultural forms and traditions (esperpento, sainete costumbrista) with a detailed textual analysis of all of Álex de la Iglesia’s seven feature films.
