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Author: Fernandez Ortiz (Fernando)
Publisher:
ISBN:
Category :
Languages : en
Pages : 698
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Book Description
Author: Fernandez Ortiz (Fernando)
Publisher:
ISBN:
Category :
Languages : en
Pages : 698
Get Book Here
Book Description
Author: Fernando Ortiz
Publisher: Fondo de Cultura Economica USA
ISBN: 9789681615963
Category : Hurakan (Deity)
Languages : es
Pages : 686
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Book Description
Libro pionero y cl sico de la antropolog a social y la etnograf a americanas, que tiene su origen en las primeras interpretaciones de un conjunto de figuras ideogr ficas muy singulares que crearon los habitantes de la Cuba prehisp nica. el autor expone la funci n que el arte, el mito y la religi n tienen en la sociedad y establece su relaci n con el meteoro m s significativo de las Antillas: el sorpresivo viento que se convierte en hurac n, elevado a deidad desde tiempos antiguos.
Author: Gustavo Pérez Firmat
Publisher: Cambridge University Press
ISBN: 9780521027328
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Firmat explores the process of assimilation or transculturation in the case of Cuba, and proposes a new understanding of the issue of Cuban national identity through revisionary readings dating from the early decades of the twentieth century, a time of intense self-reflection in the nation's history. He argues that Cuban identity is translational rather than foundational and that cubanía emerges from a nuanced, self-conscious recasting of foreign models.
Author: Lanie Millar
Publisher: SUNY Press
ISBN: 1438475918
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Analyzes parallel developments in post–Cold War literature and film from Cuba and Angola to trace a shared history of revolutionary enthusiasm, disappointment, and solidarity. In Forms of Disappointment, Lanie Millar traces the legacies of anti-imperial solidarity in Cuban and Angolan novels and films after 1989. Cuba’s intervention in Angola’s post-independence civil war from 1976 to 1991 was its longest and most engaged internationalist project and left a profound mark on the culture of both nations. After the fall of the Berlin Wall, Millar argues, Cuban and Angolan writers and filmmakers responded to this collective history and adapted to new postsocialist realities in analogous ways, developing what she characterizes as works of disappointment. Revamping and riffing on earlier texts and forms of revolutionary enthusiasm, works of disappointment lay bare the aesthetic and political fragmentation of the public sphere while continuing to register the promise of leftist political projects. Pushing past the binaries that tend to dominate histories of the Cold War and its aftermath, Millar gives priority to the perspectives of artists in the Global South, illuminating networks of anticolonial and racial solidarity and showing how their works not only reflect shared feelings of disappointment but also call for ethical gestures of empathy and reconciliation. “Forms of Disappointment offers an insightful and unique comparative analysis of a body of works produced in the post–Cold War period. By focusing on the Global South, instead of the customary north-south relationship favored by Cuba experts, the book contributes significantly to the fields of Cuban, African, and Latin American Studies; and more broadly to ‘affect theory’ and postcolonial studies. It is remarkably well written with elegant and clear prose.” — Marta Hernández Salván, author of Mínima Cuba: Heretical Poetics and Power in Post-Soviet Cuba
Author: Robert Wauchope
Publisher: University of Texas Press
ISBN: 1477306609
Category : Social Science
Languages : en
Pages : 378
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Book Description
Archaeological Frontiers and External Connections is the fourth volume in the Handbook of Middle American Indians, published in cooperation with the Middle American Research Institute of Tulane University under the general editorship of Robert Wauchope (1909–1979). Volume editors are Gordon R. Willey (1913–2002), Bowditch Professor of Mexican and Central American Archaeology and Ethnology at Harvard University, and Gordon F. Ekholm (1909–1987), Associate Curator of Mexican Archaeology of the American Museum of Natural History in New York. This volume presents an intensive study of matters of significance in various areas: archaeology and ethnohistory of the Northern Sierra, Sonora, Lower California, and northeastern Mexico; external relations between Mesoamerica and the southwestern United States and eastern United States; archaeology and ethnohistory of El Salvador, western Honduras, and lower Central America; external relations between Mesoamerica and the Caribbean area, Ecuador, and the Andes; and the case for and against Old World pre-Columbian contacts via the Pacific. Many photographs accompany the text. The Handbook of Middle American Indians was assembled and edited at the Middle American Research Institute of Tulane University with the assistance of grants from the National Science Foundation and under the sponsorship of the National Research Council Committee on Latin American Anthropology.
Author: Lauren H. Derby
Publisher: Duke University Press
ISBN: 0822390868
Category : History
Languages : en
Pages : 430
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Book Description
The dictatorship of Rafael Trujillo, who ruled the Dominican Republic from 1930 until his assassination in 1961, was one of the longest and bloodiest in Latin American history. The Dictator’s Seduction is a cultural history of the Trujillo regime as it was experienced in the capital city of Santo Domingo. Focusing on everyday forms of state domination, Lauren Derby describes how the regime infiltrated civil society by fashioning a “vernacular politics” based on popular idioms of masculinity and fantasies of race and class mobility. Derby argues that the most pernicious aspect of the dictatorship was how it appropriated quotidian practices such as gossip and gift exchange, leaving almost no place for Dominicans to hide or resist. Drawing on previously untapped documents in the Trujillo National Archives and interviews with Dominicans who recall life under the dictator, Derby emphasizes the role that public ritual played in Trujillo’s exercise of power. His regime included the people in affairs of state on a massive scale as never before. Derby pays particular attention to how events and projects were received by the public as she analyzes parades and rallies, the rebuilding of Santo Domingo following a major hurricane, and the staging of a year-long celebration marking the twenty-fifth year of Trujillo’s regime. She looks at representations of Trujillo, exploring how claims that he embodied the popular barrio antihero the tíguere (tiger) stoked a fantasy of upward mobility and how a rumor that he had a personal guardian angel suggested he was uniquely protected from his enemies. The Dictator’s Seduction sheds new light on the cultural contrivances of autocratic power.
Author: Roberto González Echevarría
Publisher: University of Texas Press
ISBN: 0292768826
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
Alejo Carpentier was one of the greatest Latin American novelists of the twentieth century, as well as a musicologist, journalist, cultural promoter, and diplomat. His fictional world issues from an encyclopedic knowledge of the history, art, music, and literature of Latin America and Europe. Carpentier’s novels and stories are the enabling discourse of today’s Latin American narrative, and his interpretation of Latin American history has been among the most influential. Carpentier was the first to provide a comprehensive view of Caribbean history that centered on the contribution of Africans, above and beyond the differences created by European cultures and languages. Alejo Carpentier: The Pilgrim at Home, first published in 1977 and updated for this edition, covers the life and works of the great Cuban novelist, offering a new perspective on the relationship between the two. González Echevarría offers detailed readings of the works La música en Cuba, The Kingdom of This World, The Lost Steps, and Explosion in a Cathedral. In a new concluding chapter, he takes up Carpentier’s last years, his relationship with the Cuban revolutionary regime, and his last two novels, El arpa y la sombra and La consagración de la primavera, in which Carpentier reviewed his life and career.
Author: Eduardo González
Publisher: Univ of North Carolina Press
ISBN: 0807830151
Category : History
Languages : en
Pages : 265
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Book Description
In a unique analysis of Cuban literature inside and outside the country's borders, Eduardo Gonzalez looks closely at the work of three of the most important contemporary Cuban authors to write in the post-1959 diaspora: Guillermo Cabrera Infante (1929@-2005), who left Cuba for good in 1965 and established himself in London; Antonio Benitez-Rojo (1931@-2005), who settled in the United States; and Leonardo Padura Fuentes (b. 1955), who still lives and writes in Cuba. Through the positive experiences of exile and wandering that appear in their work, these three writers exhibit what Gonzalez calls "Romantic authorship," a deep connection to the Romantic spirit of irony and complex sublimity crafted in literature by Lord Byron, Thomas De Quincey, and Samuel Taylor Coleridge. In Gonzalez's view, a writer becomes a belated Romantic by dint of exile adopted creatively with comic or tragic irony. Gonzalez weaves into his analysis related cinematic elements of myth, folktale, and the grotesque that appear in the work of filmmakers such as Alfred Hitchcock and Pedro Almodovar. Placing the three Cuban writers in conversation with artists and thinkers from British and American literature, anthropology, philosophy, psychoanalysis, and cinema, Gonzlez ultimately provides a space in which Cuba and its literature, inside and outside its borders, are deprovincialized.
Author: Julia Cuervo Hewitt
Publisher: Bucknell University Press
ISBN: 0838757294
Category : History
Languages : en
Pages : 403
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Book Description
Hewitt (Spanish and Portuguese, Pennsylvania State U.) explores the representation of Africa and "Afro-Caribbean-ness" in Spanish Caribbean literature of the 20th century. Her main argument "is that the literary representation of Africa and "Africanness," meaning practices, belief systems, music, art, myths, popular knowledge, in Spanish-speaking Caribbean societies, constructs a self-referential discourse in which Africa and African "things" shift to a Caribbean landscape as the site of the (M)Other." Or, in other words, these representations imaginatively rescue and simultaneously construct a "Caribbean cultural imaginary conceived as the Other within that associates Africa with a cultural womb." Among the texts she explores are Fernando Ortiz's interpretations of the "Black Carnival" in Cuba, the early Afro-Cuban poems of Alejo Carpentier, the Afro-Cuban stories of Lydia Cabrera, a number of literary representations of the figure of the runaway slave, and two works by Puerto Rican novelist Edgardo Rodiguez Julia.
Author: Philip D. Morgan
Publisher: Oxford University Press
ISBN: 0197555454
Category : History
Languages : en
Pages : 465
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Book Description
The first comprehensive environmental synthesis of the Caribbean region, written by eminent scholars of the topic.
