Some Examples of the New World Auto de Los Reyes Magos PDF Download
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Author: Michael John Doudoroff
Publisher:
ISBN:
Category : Magi
Languages : en
Pages : 224
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Book Description
Author: Michael John Doudoroff
Publisher:
ISBN:
Category : Magi
Languages : en
Pages : 224
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Book Description
Author: Angel Flores
Publisher: Courier Corporation
ISBN: 9780486268989
Category : Literary Collections
Languages : en
Pages : 500
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Book Description
Richly varied collection of 10 plays from 16th through 20th centuries. The Vigilant Sentinel by Miguel de Cervantes; Fuente Ovejuna by Lope de Vega; Life Is a Dream by Pedro Calderon de la Barca; Blood Wedding by Federico García Lorca, 6 more. Preface by John Gassner. Introduction and notes on each play.
Author: James F. Burke
Publisher: Stanford University Press
ISBN: 9780804729369
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
The churches and manuscripts of medieval Europe incessantly juxtapose imagery depicting sacred themes with likenesses of the crudest and basest nature. Drawing on the contrast between Bakhtin's concepts of the carnivalesque and the domain of the law, this book examines such opposites in six major works of pre-1350 Spanish literature.
Author: David T. Gies
Publisher: Cambridge University Press
ISBN: 9780521806183
Category : Literary Criticism
Languages : en
Pages : 906
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Book Description
Publisher Description
Author: Richard Beadle
Publisher: Cambridge University Press
ISBN: 9780521459167
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
A comprehensive, illustrated companion to the perennially popular drama of the English Middle Ages.
Author: Ronald W. Vince
Publisher: Bloomsbury Publishing USA
ISBN: 1440808058
Category : Performing Arts
Languages : en
Pages : 458
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Book Description
Vince has provided a useful and, for the most part, usable reference work. His introduction should be required reading for anyone approaching medieval theater. Choice Scholars increasingly see medieval theatre as a complex and vital performance medium related more closely to political, religious, and social life than to literature as we know it. Reflecting the current interest in performance, A Companion to the Medieval Theatre presents 250 alphabetically arranged entries offering a panoramic view of European and British theatrical productions between the years 900 and 1550. The volume features 30 essays contributed by an international group of specialists and includes many shorter entries as well as systematic cross-referencing, a chronology, a bibliography, and a full complement of indexes. Major entries focus on the theatres of the principal linguistic areas (the British Isles, France, Germany, Iberia, Italy, Scandinavia, the Low Countries, and Eastern Europe), and on dramatic forms and genres such as liturgical drama, Passion and saint plays, morality plays, folk drama, and Humanist drama. Other articles examine costume, acting, pageantry, and music, and explore the theatrical dimension of courtly entertainment, the dance, and the tournament. Short entries supply information on over one hundred playwrights, directors, actors and antiquarians whose contributions to the theatre have been documented. This informative guide brings new depth to our appreciation of the richness and color of medieval public entertainments and the symbolism and pageantry that were a part of daily life in the Middle Ages. Designed to appeal to general reader, this volume is also an attractive choice for libraries serving students and scholars of theatre history, English and European literatures, medieval history, cultural history, drama, and performance.
Author: Rhian Davies
Publisher: Tamesis Books
ISBN: 9781855661523
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Essays in honour of Nicholas Round, one of the most significant figures of contemporary Hispanism. Nicholas Round is among international Hispanisms's most prodigiously gifted scholars. These essays in his honour embrace the three areas to which he has most memorably contributed. Within Medieval studies, Alan Deyermond illuminates the tradition of the true king and the usurper; David Pattison challenges conventional interpretations of women's place in the Spanish epic; David Hook uncovers the surprising 'afterlife' of medieval documents; John England examines Juan Manuel's views on money. Within Nineteenth-century studies, Geoffrey Ribbans analyses unexpected continuities between Galdós's Marianelaand El doctor Centeno, Eamonn Rodgers discovers mythic dimensions inEl caballero encantado, Rhian Davies explores regeneración in the Torquemada novels and the late Arthur Terry reflects on the non-realist bases of El amigo Manso, while Harriet Turner traces parallels between Alas'sLa Regenta and the trial of Martha Stewart. Within Translation studies and pedagogy, Jeremy Lawrance analyses sixteenth-century translation's contribution to the prestige of vernacular languages; Philip Deacon evaluates theItalian translation of Moratín's El viejo y la niña; Robin Warner explores the translation of cartoon humour; Patricia Odber contrasts ten translations of a poem by Gil Vicente; and Anthony Trippett and Paul Jordan reflecton the purpose and practices of higher education. RHIAN DAVIES is Senior Lecturer, and ANNY BROOKSBANK JONES is Hughes Professor of Spanish, in the Department of Hispanic Studies at the University of Sheffield. OTHER CONTRIBUTORS: Philip Deacon, Alan Deyermond, John England, David Hook, Paul R. Jordan, Jeremy Lawrance, Pat Odber, D. G. Pattison, G. W. Ribbans, E. J. Rodgers, Arthur Terry, Anthony Trippett, Harriet Turner, Robin Warner.
Author: Willis Knapp Jones
Publisher: University of Texas Press
ISBN: 1477300155
Category : Performing Arts
Languages : en
Pages : 626
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Book Description
Across a five-hundred-year sweep of history, Willis Knapp Jones surveys the native drama and the Spanish influence upon it in nineteen South American countries, and traces the development of their national theatres to the 1960s. This volume, filled with a fascinating array of information, sparkles with wit while giving the reader a fact-filled course in the history of Spanish American drama that he can get nowhere else. This is the first book in English ever to consider the theatre of all the Spanish American countries. Even in Spanish, the pioneer study that covers the whole field was also written by Jones. Jones sees the history of a nation in the history of its drama. Pre-Columbian Indians, conquistadores, missionary priests, viceroys, dictators, and national heroes form a background of true drama for the main characters here—those who wrote and produced and acted in the make-believe drama of the times. The theatre mirrors the whole life of the community, Jones believes, and thus he offers information about geography, military events, and economics, and follows the politics of state and church through dramatists’ offerings. Examining the plays of a people down the centuries, he shows how the many cultural elements of both Old and New Worlds have been blended into the distinct national characteristics of each of the Spanish American countries. He does full justice to the subject he loves. A lively storyteller, he adds tidbits of spice and laughter, long-buried vignettes of history, tales of politics and drama, stories of high and low life, plots of plays, bits of verse, accounts of dalliance and of hard work, and sad and happy endings of rulers and peons, dramatists, actors, and clowns. A valuable appendix is a selected reading guide, listing the outstanding works of important Spanish American dramatists. A generous bibliography is a useful addition for scholars.
Author: Mario T. García
Publisher: University of Texas Press
ISBN: 0292779976
Category : Religion
Languages : en
Pages : 504
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Book Description
Chicano Catholicism—both as a popular religion and a foundation for community organizing—has, over the past century, inspired Chicano resistance to external forces of oppression and discrimination including from other non-Mexican Catholics and even the institutionalized church. Chicano Catholics have also used their faith to assert their particular identity and establish a kind of cultural citizenship. Based exclusively on original research and sources, Mario T. García here offers the first major historical study to explore the various dimensions of the role of Catholicism in Chicano history in the twentieth century. This is also one of the first significant studies in the still limited field of Chicano religious history. Topics range from how early Chicano Catholic intellectuals and civil rights leaders were influenced by Catholic Social Doctrine, to the role that popular religion has played in the lives of ordinary men and women in both rural and urban areas. García also examines faith-based Chicano community movements like Católicos Por La Raza in the 1960s and the Sanctuary movement in Los Angeles in the 1980s. While Latino/a history and culture has been, for the most part, inextricably linked with the tenets and practices of Catholicism, there has been very little written, until recently, about Chicano Catholic history. García helps to fill that void and explore the impact—both positive and negative—that the Catholic experience has had on the Chicano community.
Author: Melveena McKendrick
Publisher: CUP Archive
ISBN: 9780521429016
Category : Drama
Languages : en
Pages : 356
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Book Description
This is the first book to examine the rise of Spain's extraordinary national theatre in the sixteenth and seventeenth centuries in all its aspects - the commercial theatre, the court drama and the Corpus autos, the organisation of theatrical life, the playhouses themselves and their public, the literary and moral controversies, and the plays as literary texts. The book has been written for students of drama as well as Hispanists: Spanish theatre is set in its national and international context; Spanish titles and theatrical terms are translated. Considerable space has been devoted to the experimental drama of the sixteenth century before Lope de Vega. At the core of the book is a highly distinctive, successful national theatre which mirrored the energies, beliefs and anxieties of a great nation in crisis, yet at the same time granted full expression to the individual genius of its greatest exponents - Lope de Vega, Tirso de Molina and Calderon de la Barca.
