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Author: César González Sainz
Publisher: Ed. Universidad de Cantabria
ISBN: 9788481023442
Category : History
Languages : en
Pages : 202
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Book Description
Base de datos elaborada por el Departamento de Ciencias Históricas de la Universidad de Cantabria que recoge documentación gráfica sobre el arte paleolítico en el norte de España.
Author: César González Sainz
Publisher: Ed. Universidad de Cantabria
ISBN: 9788481023442
Category : History
Languages : en
Pages : 202
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Book Description
Base de datos elaborada por el Departamento de Ciencias Históricas de la Universidad de Cantabria que recoge documentación gráfica sobre el arte paleolítico en el norte de España.
Author: Magda Polo Pujadas
Publisher: Ed. Universidad de Cantabria
ISBN: 9788481029154
Category : Art
Languages : en
Pages : 372
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Book Description
One of the most difficult challenges a music theoretician faces, be it historically, philosophically or in other aspects, is that of correctly and precisely framing the meaning that music has in a specific moment: deducing the “why” and revealing the secret hidden within. The book Pure and Programme Music in the Romanticism, a rigorous and indispensable study to understand music in the period in which music as an expression of feelings, begins to reach the threshold of the sublime —primarily focusing attention on what pure and programme music represent. Both types of music are instrumental, but the difference between them is that the first one, pure music, exists on its own, and for its own sake, establishing an iron-clad alliance with the form. Programme music is inspired by other forms of artistic expression, especially literature, and is indelibly linked with the content. However, halfway between these two types of music, a new one is born: absolute music. This music is the result from the dialectic established between the pure and programme, exactly in the middle of two opposing philosophies, that of Idealism and that of Materialism. All of this context described in this book is what defines the essence of Romantic music but also what allows us to understand the music of the twentieth century and that of today, because the controversy between pure music and programme music has represented, in the history of western musical thought, the turning point that led to the creation of the Gesamtkunstwerk (Total Work of Art) and the relationship between music and film, for example, as well as other artistic expressions.
Author: Marta Camps
Publisher: Springer Science & Business Media
ISBN: 0387764879
Category : Social Science
Languages : en
Pages : 575
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Book Description
As the study of Palaeolithic technologies moves towards a more analytical approach, it is necessary to determine a consistent procedural framework. The contributions to this timely and comprehensive volume do just that. This volume incorporates a broad chronological and geographical range of Palaeolithic material from the Lower to Upper Palaeolithic. The focus of this volume is to provide an analysis of Palaeolithic technologies from a quantitative, empirical perspective. As new techniques, particularly quantitative methods, for analyzing Palaeolithic technologies gain popularity, this work provides case studies particularly showcasing these new techniques. Employing diverse case studies, and utilizing multivariate approaches, morphometrics, model-based approaches, phylogenetics, cultural transmission studies, and experimentation, this volume provides insights from international contributors at the forefront of recent methodological advances.
Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 430
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Book Description
Author: Heidi Knecht
Publisher: Springer Science & Business Media
ISBN: 1489918515
Category : Social Science
Languages : en
Pages : 438
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Book Description
Artifacts linked to projectile technologies traditionally have provided the foundations for time-space systematics and cultural-historic frameworks in archaeological research having to do with foragers. With the shift in archae ological research objectives to processual interpretations, projectile technolo gies continue to receive marked attention, but with an emphasis on the implications of variability in such areas as design, function, and material as they relate to the broader questions of human adaptation. The reason that this particular domain of foraging technology persists as an important focus of research, I think, comes in three parts. A projectile technology was a crucial part of most foragers' strategies for survival, it was functionally spe cific, and it generally was fabricated from durable materials likely to be detected archaeologically. Being fundamental to meat acquisition and the principal source of calo ries, projectile technologies were typically afforded greater time-investment, formal modification, and elaboration of attributes than others. Moreover, such technologies tend to display greater standardization because of con straints on size, morphology, and weight that are inherent to the delivery system. The elaboration of attributes and standardization of form gives pro jectile technologies time-and space-sensitivity that is greater than most other foraging technologies. And such sensitivity is immensely valuable in archae ological research.
Author: Paul Pettitt
Publisher: OUP Oxford
ISBN: 019153840X
Category : Art
Languages : en
Pages : 312
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Book Description
Cave art is a subject of perennial interest among archaeologists. Until recently it was assumed that it was largely restricted to southern France and northern Iberia, although in recent years new discoveries have demonstrated that it originally had a much wider distribution. The discovery in 2003 of the UK's first examples of cave art, in two caves at Creswell Crags on the Derbyshire/Nottinghamshire border, was the most surprising illustration of this. The discoverers (the editors of the book) brought together in 2004 a number of Palaeolithic archaeologists and rock art specialists from across the world to study the Creswell art and debate its significance, and its similarities and contrasts with contemporary Late Pleistocene ('Ice Age') art on the Continent. This comprehensively illustrated book presents the Creswell art itself, the archaeology of the caves and the region, and the wider context of the Upper Palaeolithic era in Britain, as well as a number of up-to-date studies of Palaeolithic cave art in Spain, Portugal, France, and Italy which serve to contextualize the British examples.
Author: George Nash
Publisher: Taylor & Francis
ISBN: 1000955338
Category : Art
Languages : en
Pages : 457
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Book Description
The Prehistoric Rock Art of Portugal presents significant interpretive perspectives in Portuguese rock art research and offers an excellent representation of core rock art areas, along with current thinking and interpretations. The various chapters deliver a personal approach to the many issues, themes and approaches that are embedded within the rock art of the outpost of western Atlantic Europe. Ethnographical perspectives have often dominated the study of rock art but unlike other well-studied regions, the western Iberian Peninsula is absent of an ethnographical or ethno-historical past and therefore the production of rock art can only be archaeologically assessed. Thus, the work promotes interpretive perspectives on Portuguese rock art, illustrating the richness, chronology and context of these unique artistic expressions and explores the variability of rock art imagery and the diversity of landscapes and social contexts in which it was produced. Although focusing on Portuguese rock art the book includes a number of universal themes that will appeal to a broad range of scholars researching in archaeology and anthropology, history of art, as well as professionals engaged in rock art heritage and conservation.
Author: Peabody Museum of Archaeology and Ethnology. Library
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 554
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Book Description
Author: Günter Berghaus
Publisher: Bloomsbury Publishing USA
ISBN: 0313059578
Category : Social Science
Languages : en
Pages : 278
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Book Description
Following the discovery of Franco-Caribbean cave art in the nineteenth century, standard interpretations of these works usually revolved around hunting, magic, and fertility cults. Orthodox positions such as these have weighed heavily on later generations of art historians, archaeologists, and anthropologists, even those whose views dissented from those of their predecessors. In the last few decades, however, new approaches to cave art, often based on discoveries made in Africa, Asia, Australia, North America, and the Arctic region, have produced new insights into possible meanings and functions of prehistoric paintings and sculptures. This new collection of essays explores these insights, gathering the observations of eight experts from a variety of disciplines, and examining some of the social and spiritual functions of a variety of artistic genres ranging from 40,000 B.C. to 5,000 B.C. These insights, which derive from evolutionary biology, feminist scholarship, ritual studies, and new modes of anthropology, argue collectively that prehistoric art was a culture-specific form of communication that should be interpreted in the social context of early hunger-gatherer societies and should not be measured with the criteria and paradigms of modern art. Essential reading for anyone interested in prehistoric art or its cultural implications, this volume represents a bold step forward in the research and analysis of the very first artists.
Author: Andrew J. Lawson
Publisher: Oxford University Press
ISBN: 0199698228
Category : Art
Languages : en
Pages : 490
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Book Description
Written from an archaeological perspective, Painted Caves is a beautifully illustrated introduction to the oldest art of Western Europe: the very ancient paintings found in caves. Lawson offers an up to date overview of the geographical distribution of the sites and their significance within the varied network of Palaeolithic art.
