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Author: Damian Ugwutikiri Opata
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 148
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Book Description
Author: Damian Ugwutikiri Opata
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 148
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Book Description
Author: Abba A. Abba
Publisher: Cambridge Scholars Publishing
ISBN: 152754043X
Category : Literary Criticism
Languages : en
Pages : 431
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Book Description
Beyond the critical examination of Isidore Diala’s award-winning poetry and drama, the essays in this collection offer fresh insights on the complex methodological and theoretical patterns underlying the readings of African literary landscapes. This is the first book to devote considerable attention to the study of Diala’s creative works The Pyre (drama) and The Lure of Ash (poetry). The majority of the contributors here are selected from among the finest of Diala’s former teachers, colleagues and students who know him very closely. The collection addresses fertile areas of African literary expression, such as the relationship between literature and national history, African ritual aesthetics; affirmation, denial and ambivalence as products of social constructions; and exile, migration and home-coming. Contributions also explore poetry and poetic truths; semiotics; anticolonial revolutions and postcolonial implosions; oil politics; discontent and militancy; and feminism and gender politics. The book stands out among its peers, and offers great insights to scholars, researchers and teachers working in the fields of African literature, cultures and aesthetics.
Author: George Benin Nkemnacho
Publisher: Page Publishing Inc
ISBN:
Category : History
Languages : en
Pages : 420
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Book Description
In a world that is increasingly being aware, in a political and cultural sense, of issues surrounding marginalised communities, this book gives a riveting account of the history, culture and politics of the Olukumi people, a marginalised Yoruba community unlike others that had hitherto been the subject of mainstream literature and debates. The Olukumi people are a bilingual (both Yoruba and Ibo) and sophisticated Black African community who were the first humans to inhabit their indigenous homeland but continue to be marginalised and discriminated by the majority newly arrived neighbours. The community practiced female to female marriages long before minority rights (like the LGBTQIA+ rights) came to be recognised even in so-called advanced Western countries like America and in Europe. It is because the Olukumis face appalling discrimination and deprivation at home that they continue to migrate. Yet, their culture of respect for minorities and tolerance for diverse opinions still survive. This book is about war and diplomacy. It is also about migration and settlement as well as a people's determination for survival and coexistence. It is told from an exclusively Olukumi perspective and written by an Olukumi indigene.
Author: Orabueze, Florence Onyebuchi
Publisher: M & J Grand Orbit Communications
ISBN: 9785412792
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
Society, Women and Literature in Africa explores the ideological, literary, political, cultural and ethical issues related to feminist writing. She discusses how contemporary African writers have tried to counteract men’s false assumptions about sex, love, society, fecundity and womanhood, and further details how African writers have responded to the demands of feminism. “Woman’s Cross Cultural Burden in the selected works of West African Female writers” explores the recurrent themes of motherhood, polygamy, abandonment and widowhood in the works of Nwapa, Emecheta, Alkali, Aidoo and Mariama Bâ. In “Prostitution: A Metaphor for the Degradation of Womanhood in Bode Osanyin’s the Noble Mistress”, the author approaches the subject of woman degradation in society from the perspectives of comprehensive research and an in-depth referencing. “Gendered Social Division of Labour in the African Novel” explores the theme of unfairness, of institutionalized differentiation in the African novel. It reveals the total emasculation of woman in patriarchy and her desire to be liberated from male-annexation. “The Prison World of Nigeria Woman: Female Reticence in Sefi Attah’s “Everything Good Will Come”, the author explores the dimensions of “gender silences”. She shows how woman’s voice has been stolen in patriarchy, thus rendering her a social and political mutant. “Womanhood as a Metaphor for Sexual Slavery in Nawal El Saddawi’s Woman at Point Zero” underscores that in patriarchy a woman is educated to make an object of herself for male pleasure. She is excluded from politics as a result of religion. “The Ugly Face of Ghana in the New Millennium: Alienation of Children in Amma Darko’s Faceless” is a stylistic study of the consequences of globalization in postindependent Ghana. In “The Theme of Dispossession in A.N Akwanya’s the Pilgrim Foot”, the author examines the myriad perspectives of dispossession and the dispossessor.
Author: Emefie Ikenga Metuh
Publisher:
ISBN:
Category : Ethnology
Languages : en
Pages : 218
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Book Description
Author: Nnedi Okorafor
Publisher: Penguin
ISBN: 0142425850
Category : Young Adult Fiction
Languages : en
Pages : 514
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Book Description
The newest novel by the author of Akata Witch and the forthcoming Marvel comic book series about Shuri, Black Panther's sister! “The most imaginative, gripping, enchanting fantasy novels I have ever read!” —Laurie Halse Anderson, New York Times bestselling author of Speak A year ago, Sunny Nwazue, an American-born girl Nigerian girl, was inducted into the secret Leopard Society. As she began to develop her magical powers, Sunny learned that she had been chosen to lead a dangerous mission to avert an apocalypse, brought about by the terrifying masquerade, Ekwensu. Now, stronger, feistier, and a bit older, Sunny is studying with her mentor Sugar Cream and struggling to unlock the secrets in her strange Nsibidi book. Eventually, Sunny knows she must confront her destiny. With the support of her Leopard Society friends, Orlu, Chichi, and Sasha, and of her spirit face, Anyanwu, she will travel through worlds both visible and invisible to the mysteries town of Osisi, where she will fight a climactic battle to save humanity. Much-honored Nnedi Okorafor, winner of the Hugo, Nebula, and World Fantasy awards, merges today’s Nigeria with a unique world she creates. Akata Warrior blends mythology, fantasy, history and magic into a compelling tale that will keep readers spellbound.
Author: Sirius Ugo Art
Publisher: Sirius Ugo Art
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 274
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Book Description
The aim of the rebirth of the sacred arts of Igbo African spirituality by Sirius Ugo Art is to restore the glory of African methodology, and unveil the hidden African intelligence in our spiritual systems. As we are the ones witnessing the beginning of Uga Anwu, the age of enlightenment, it is our duty to lay the foundations of Anwu for the next generation. All the arts in this book were shot and digitally created by Sirius Ugo Art. They were all based on the fashion, designs, and decorations of the ancient Igbo people. Spirits are not human beings, however, spirits are manifested in human form because humans are spiritual beings experiencing materialism. The colors of the deities are also well-known in ancient Igbo. When a spirit is pure white, it represents purity, or the moon and sun. When a spirit is green, it represents life, health and Fertility. When a spirit is red, it represents blood, war, and power. When a spirit is dark in color, it represents dark energy. When a spirit is blue, it represents water, and air. All the deities work with one or two of the four elements. For example, Agunkwo works with Eke, while Nneono Oshimiri works with Orie. There are over seven hundred thousand Igbo deities. It would be impossible to create the arts of all Igbo deities, because that would be one claiming to understand all the energy forces in the universe, which is impossible. However, all the energy forces (Umu agbara nine) of the universe are different manifestations of Chukwu na Nnechukwu. Igbo people do not believe that humans created umu agbara. Igbo enlightens us that Umu Agbara (Energy forces) existed before humans. And that humans came to recognize them and work with them to become Agbara as well. A human being becomes Agbara through self Illumination.
Author: Joyce Moss
Publisher: Gale Research International, Limited
ISBN:
Category : Literary Criticism
Languages : en
Pages : 608
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Book Description
This volume focuses on major fiction, poetry and non-fiction from Africa. Organized by title, it discusses 50 works through detailed essays.
Author: Emmanuel Kaanaenechukwu Anizoba
Publisher:
ISBN: 9781425176112
Category :
Languages : en
Pages : 174
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Book Description
God in manifestation is, like the Army, a Host of fashioning Powers or Gods. Prayer to a God yields immediate results, while prayer to God yields nothing.
Author: Isidore Diala
Publisher: Rodopi
ISBN: 9401211809
Category : History
Languages : en
Pages : 381
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Book Description
This collection in part examines the legacy of the consummate Nigerian stage artist and scholar, Esiaba Irobi (1960–2010). Poems, tributes, and studies cele¬brate Irobi’s significance as actor, play¬wright, director, poet, and theatre theorist. Irobi’s life, temper, times, and career are inextricably linked to the history, devel¬opment, concerns, and uses of drama and theatre in Africa. The contributions high¬light the evolution of autochthonous thea¬trical practices: the interaction between Western and indigenous African perfor¬mance traditions; colonial/postcolonial government policies and the mutations of drama and theatre (and critical commen¬tary); the tensions inherent in postcolonial conceptions of history, identity, nation¬hood, and articulations of alternative aes¬thetics, pedagogies, and epistemologies for postcolonial African theatre; staging African plays in the West; and the con-stituencies of the contemporary African playwright and director. The strength of these studies derives primarily from nuanced examinations of the concerns and careers of particular African playwrights; the history, offerings, and fortunes of particular theatrical arenas, and close explorations of specific performances and texts. The foregrounding of correspon¬dences in the dramaturgies and intellec¬tual ferment of the continent critically accentuates equally privileged regional, historical, and other crucial specificities. Situated in time and place while under¬scoring the political and intellectual inter¬sections of a shared history of colonial-ism, the contributions to Syncretic Arenas, individually and collectively, reveal the transformations and growing strengths of postcolonialism as an analytical strategy. Isidore Diala is Professor of African literature in the Department of English and Literary Studies at Abia State University, Uturu, and author of Esiaba Irobi’s Drama and the Postcolony: Theory and Practice of Postcolonial Performance (2013).
