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Author: Todd Gannon
Publisher: Princeton Architectural Press
ISBN: 9781568987200
Category : Architecture
Languages : en
Pages : 164
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Book Description
The basic form of the American sports stadium has not changed much in the last century. But in an unexpected and controversial act of daring, the Arizona Cardinals football team selected awarding-winning architect and intellectual provocateur Peter Eisenman to design their stadium in Glendale, Arizona. Opened in the summer of 2006, Eisenman's latest work rejects all traditional and staid notions of the sports stadium. Inspired by and sectioned like a barrel cactus, its shell is composed of huge, steel paraboloid sections. The domed stadium boasts a steel-and-fabric retractable roof that allows lightto penetrate when closed while maintaining an airy feel inside. The most ground-breaking feature of the design is its grass roll-out field, which remains outside the stadium until game time, when it is rolled in on steel wheel sets powered by small electric motors. Eisenman Architects, the eighth volume in the Source Books in Architecture series, provides a comprehensive look at a contemporary masterpiece and a landmark of excellence in civic and sports architecture.
Author: Peter Eisenman
Publisher: Books Nippan
ISBN:
Category : Architecture
Languages : en
Pages : 264
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Book Description
In both these respects, Peter Eisenman differs not only from other architechts of his own generation, but from nearly all other architects working today.
Author: Todd Gannon
Publisher: Princeton Architectural Press
ISBN: 9781568987200
Category : Architecture
Languages : en
Pages : 164
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Book Description
The basic form of the American sports stadium has not changed much in the last century. But in an unexpected and controversial act of daring, the Arizona Cardinals football team selected awarding-winning architect and intellectual provocateur Peter Eisenman to design their stadium in Glendale, Arizona. Opened in the summer of 2006, Eisenman's latest work rejects all traditional and staid notions of the sports stadium. Inspired by and sectioned like a barrel cactus, its shell is composed of huge, steel paraboloid sections. The domed stadium boasts a steel-and-fabric retractable roof that allows lightto penetrate when closed while maintaining an airy feel inside. The most ground-breaking feature of the design is its grass roll-out field, which remains outside the stadium until game time, when it is rolled in on steel wheel sets powered by small electric motors. Eisenman Architects, the eighth volume in the Source Books in Architecture series, provides a comprehensive look at a contemporary masterpiece and a landmark of excellence in civic and sports architecture.
Author: Museum of Modern Art (New York, N.Y.)
Publisher: New York : Oxford University Press
ISBN:
Category : Architecture
Languages : en
Pages : 160
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Book Description
Five Architects, originally published in 1975, grew out of a meeting of the CASE group (Conference of Architects for the Study of the Environment) held at the Museum of Modern Art in 1969. The purpose of this gathering was to exhibit and criticize the work of five architects -- Eisenman, Graves, Gwathmey, Hejduk, and Meier -- who constituted a New York school, and who are now among the most influential architects working today.The buildings shown here have more diversity than one might expect from a school, but share certain properties of form, scale, and treatment of material. Collectively, their work makes a modest claim: it is only architecture, not the salvation of man and the redemption of the earth.Providing complete drawings and photographic documentation, this collection also includes a comparative critique by Kenneth Frampton, an Introduction by Colin Rowe that suggests a still broader context for the work as a whole, and two short texts in which individual positions are outlined. Now back in,print, Five Architects serves as a reference to the early work of some of America's most important architects and provides us with a glimpse back at the direction of architecture as they saw it over twenty years ago.
Author: Peter Eisenman
Publisher: Princeton University Press
ISBN: 0691203911
Category : Architecture
Languages : en
Pages : 120
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Book Description
A provocative case for historical ambiguity in architecture by one of the field's leading theorists Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or "spirit of the age," an attitude toward architectural form that is embedded in a belief in progressive time. Lateness explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be "of the times"—lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs: Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven's final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment. Bringing together architecture, music, and philosophy, and drawing on illuminating examples from the Renaissance and Baroque periods, Lateness demonstrates how today's architecture can use the concept of lateness to break free of stylistic limitations, expand architecture's critical capacity, and provide a new mode of analysis.
Author: Hanno Rauterberg
Publisher: Lars Muller Publishers
ISBN: 9783037780565
Category : Architecture
Languages : en
Pages : 120
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Book Description
Author: Peter Eisenman
Publisher:
ISBN: 9781580930499
Category : Architecture
Languages : en
Pages : 0
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Book Description
Blurred Zones: Investigations of the Interstitial presents seventeen design projects, both built and unbuilt, and twelve essays that attempt to illuminate and illustrate the conceptual activity of blurring.
Author: Vladan Djokić
Publisher: Mimesis
ISBN: 886977113X
Category : Architecture
Languages : en
Pages : 202
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Book Description
Peter Eisenman discusses with architects and philosophers: Jörg H. Gleiter (Germany), Kim Förster (Switzerland), Preston Scott Cohen (USA), Emmanuel Petit (USA), Mario Carpo (USA), Sarah M. Whiting (USA), Manuel Orazi (Italy), John McMorrough (USA), Gabriele Mastrigli (Italy), Panayotis Pangalos (Greece), Cynthia Davidson (USA), Ingeborg M. Rocker (USA), Alejandro Zaera-Polo (USA), Djordje Stojanović (Serbia), Greg Lynn (USA) performing on the stage for two days in Belgrade. Through the structure of the monograph, the book represents a dynamic approach to the development of contemporary architectural thought. The dialogue between architects and philosophers with different social and cultural roots creates new agreements and reflections.
Author: Stefano Corbo
Publisher: Routledge
ISBN: 1317132319
Category : Architecture
Languages : en
Pages : 151
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Book Description
Peter Eisenman is one of the most controversial protagonists of the architectural scene, who is known as much for his theoretical essays as he is for his architecture. While much has been written about his built works and his philosophies, most books focus on one or the other aspect. By structuring this volume around the concept of form, Stefano Corbo links together Eisenman’s architecture with his theory. From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman argues that form is the sphere of mediation between our body, our inner world and the exterior world and, as such, it enables connections to be made between philosophy and architecture. From the start of his career on, Eisenman has been deeply interested in the problem of form in architecture and has constantly challenged the classical concept of it. For him, form is not simply a cognitive tool that determines a physical structure, which discriminates all that is active from what is passive, what is inside from what is outside. He has always tried to connect his own work with the cultural manifestations of the time: firstly under the influence of Colin Rowe and his formalist studies; secondly, by re-interpreting Chomsky’s linguistic theories; in the 80’s, by collaborating with Derrida and his de-constructivist approach; more recently,by discovering Henri Bergson's idea of Time. These different moments underline different phases, different projects, different programmatic manifestos; and above all, an evolving notion of form. Taking a multi-disciplinary approach based on the intersections between architecture and philosophy, this book investigates all these definitions and, in doing so, provides new insights into and a deeper understanding of the complexity of Eisenman’s work.
Author: Peter Eisenman
Publisher:
ISBN: 9780300213881
Category : Architectural drawing
Languages : en
Pages : 0
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Book Description
Featuring more than 300 new analytic drawings and models, this study explores the evolution of Palladio's villas from those that exhibit classical symmetrical volumetric bodies to others that exhibit no bodies at all, just fragments in a landscape.
Author: Michael Jasper
Publisher: Taylor & Francis
ISBN: 0429594682
Category : Architecture
Languages : en
Pages : 166
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Book Description
This book examines the central decades of Peter Eisenman’s work through a formal and thematic analysis of key architectural projects and writings, revealing underlying characteristics and arguing for their productive continuity and transformative role. The book explores Eisenman’s approach to architectural form generation and thinking. It does this through a thematic and formal analysis of projects and writings from the mid-1970s to the mid-1990s. Following an introductory chapter addressing the theme of potentialities, the book is organised in two parts. The first part focuses on key period writings of Eisenman, framing the close reading around a practice of resistance, the architect’s approach to history as analysis, and the transformative conceptualisation of time. In the second part, the book undertakes an analysis of select projects from the 1980s and 1990s. Three formal preoccupations and conceptual orientations – ground manipulations, figuration, and spatial events – organise this part of the book. Previously unpublished material from the Peter Eisenman fonds, Canadian Centre for Architecture, Montréal, provides primary source material. A concluding chapter addresses Eisenman’s teaching, its relation to his larger project, and possible legacies for educators, practitioners, scholars, and theorists.
