American Art Directory PDF Download
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Author: Florence Nightingale Levy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 600
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Book Description
Author: Florence Nightingale Levy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 600
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 674
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Book Description
The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-
Author: Museum of Modern Art (New York, N.Y.). International Program
Publisher:
ISBN:
Category : Abstract expressionism
Languages : en
Pages : 108
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Book Description
Author: Stephanie L. Herdrich
Publisher: Metropolitan Museum of Art
ISBN: 0870999524
Category : Art
Languages : en
Pages : 444
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Book Description
"The Museum's collection illuminates all aspects of Sargent's career. The drawings and watercolors in particular reflect his activity outside the portrait studio: his sojourns in Spain, Morocco and elsewhere in North Africa, and in the Middle East; his enduring fascination with Venice; his holidays in the Italian lake district and the Alps; his tours of North America, including Florida and the Rocky Mountains; his visit as an official war artist to the western front in 1918; and his work as a muralist at the Boston Public Library, the Museum of Fine Arts, Boston, and Harvard University's Widener Library."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 688
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Book Description
Author: City Art Museum of St. Louis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 610
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Book Description
Author: Art Institute of Chicago
Publisher:
ISBN:
Category :
Languages : en
Pages : 90
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 538
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Book Description
Author: Rachel Berenson Perry
Publisher: Indiana University Press
ISBN: 0253011779
Category : Biography & Autobiography
Languages : en
Pages : 173
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Book Description
Closely associated with artists such as T. C. Steele and J. Ottis Adams, William J. Forsyth studied at the Royal Academy in Munich then returned home to paint what he knew best—the Indiana landscape. It proved a rewarding subject. His paintings were exhibited nationally and received major awards. With full-color reproductions of Forsyth's most important paintings and previously unpublished photographs of the artist and his work, this book showcases Forsyth's fearless experiments with artistic styles and subjects. Drawing on his personal letters and other sources, Rachel Berenson Perry discusses Forsyth and his art and offers fascinating insights into his personality, his relationships with his students, and his lifelong devotion to teaching and educating the public about the importance of art.
Author: Stan Cuba
Publisher: University Press of Colorado
ISBN: 0942576594
Category : History
Languages : en
Pages : 261
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Book Description
In 1928, the newly organized Denver Artists Guild held its inaugural exhibition in downtown Denver. Little did the participants realize that their initial effort would survive the Great Depression and World War II—and then outlive all of the group’s fifty-two charter members. The guild’s founders worked in many media and pursued a variety of styles. In addition to the oils and watercolors one would expect were masterful pastels by Elsie Haddon Haynes, photographs by Laura Gilpin, sculpture by Gladys Caldwell Fisher and Arnold Rönnebeck, ceramics by Anne Van Briggle Ritter and Paul St. Gaudens, and collages by Pansy Stockton. Styles included realism, impressionism, regionalism, surrealism, and abstraction. Murals by Allen True, Vance Kirkland, John E. Thompson, Louise Ronnebeck, and others graced public and private buildings—secular and religious—in Colorado and throughout the United States. The guild’s artists didn’t just contribute to the fine and decorative arts of Colorado; they enhanced the national reputation of the state. Then, in 1948, the Denver Artists Guild became the stage for a great public debate pitting traditional against modern. The twenty-year-old guild split apart as modernists bolted to form their own group, the Fifteen Colorado Artists. It was a seminal moment: some of the guild’s artists became great modernists, while others remained great traditionalists. Enhanced by period photographs and reproductions of the founding members’ works, The Denver Artists Guild chronicles a vibrant yet overlooked chapter of Colorado’s cultural history. The book includes a walking tour of guild members’ paintings and sculptures viewable in Denver and elsewhere in Colorado, by Leah Naess and author Stan Cuba. In honor of the book’s release, the Byers-Evans House Gallery will showcase a collection of founding guild members’ works starting June 26, 2015. The exhibit, also titled The Denver Artists Guild: Its Founding Members, contains paintings from artists such as the famed Paschal Quackenbush, Louise Ronnebeck, Albert Byron Olson, Elisabeth Spalding, Waldo Love and Vance Kirkland. The show will be on display through September 26, 2015.
