Author: Sarah Tindal Kareem
Publisher:
ISBN: 0199689105
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
A footprint materializes mysteriously on a deserted shore; a giant helmet falls from the sky; a traveler awakens to find his horse dangling from a church steeple. Eighteenth-century British fiction brims with moments such as these, in which the prosaic rubs up against the marvelous. While it is a truism that the period's literature is distinguished by its realism and air of probability, Eighteenth-Century Fiction and the Reinvention of Wonder argues that wonder is integral to--rather than antithetical to--the developing techniques of novelistic fiction. Positioning its reader on the cusp between recognition and estrangement, between faith and doubt, modern fiction hinges upon wonder. Eighteenth-Century Fiction and the Reinvention of Wonder's chapters unfold its new account of British fiction's rise through surprising new readings of classic early novels-from Daniel Defoe's Robinson Crusoe to Jane Austen's Northanger Abbey--as well as bringing to attention lesser known works, most notably Rudolf Raspe's Baron Munchausen's Narrative of His Marvellous Travels. In this bold new account, the eighteenth century bears witness not to the world's disenchantment but rather to wonder's re-location from the supernatural realm to the empirical world, providing a re-evaluation not only of how we look back at the Enlightenment, but also of how we read today.
Eighteenth-century Fiction and the Reinvention of Wonder
Author: Sarah Tindal Kareem
Publisher:
ISBN: 0199689105
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
A footprint materializes mysteriously on a deserted shore; a giant helmet falls from the sky; a traveler awakens to find his horse dangling from a church steeple. Eighteenth-century British fiction brims with moments such as these, in which the prosaic rubs up against the marvelous. While it is a truism that the period's literature is distinguished by its realism and air of probability, Eighteenth-Century Fiction and the Reinvention of Wonder argues that wonder is integral to--rather than antithetical to--the developing techniques of novelistic fiction. Positioning its reader on the cusp between recognition and estrangement, between faith and doubt, modern fiction hinges upon wonder. Eighteenth-Century Fiction and the Reinvention of Wonder's chapters unfold its new account of British fiction's rise through surprising new readings of classic early novels-from Daniel Defoe's Robinson Crusoe to Jane Austen's Northanger Abbey--as well as bringing to attention lesser known works, most notably Rudolf Raspe's Baron Munchausen's Narrative of His Marvellous Travels. In this bold new account, the eighteenth century bears witness not to the world's disenchantment but rather to wonder's re-location from the supernatural realm to the empirical world, providing a re-evaluation not only of how we look back at the Enlightenment, but also of how we read today.
Publisher:
ISBN: 0199689105
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
A footprint materializes mysteriously on a deserted shore; a giant helmet falls from the sky; a traveler awakens to find his horse dangling from a church steeple. Eighteenth-century British fiction brims with moments such as these, in which the prosaic rubs up against the marvelous. While it is a truism that the period's literature is distinguished by its realism and air of probability, Eighteenth-Century Fiction and the Reinvention of Wonder argues that wonder is integral to--rather than antithetical to--the developing techniques of novelistic fiction. Positioning its reader on the cusp between recognition and estrangement, between faith and doubt, modern fiction hinges upon wonder. Eighteenth-Century Fiction and the Reinvention of Wonder's chapters unfold its new account of British fiction's rise through surprising new readings of classic early novels-from Daniel Defoe's Robinson Crusoe to Jane Austen's Northanger Abbey--as well as bringing to attention lesser known works, most notably Rudolf Raspe's Baron Munchausen's Narrative of His Marvellous Travels. In this bold new account, the eighteenth century bears witness not to the world's disenchantment but rather to wonder's re-location from the supernatural realm to the empirical world, providing a re-evaluation not only of how we look back at the Enlightenment, but also of how we read today.
Eighteenth-Century Fiction and the Reinvention of Wonder
Author: Sarah Tindal Kareem
Publisher: OUP Oxford
ISBN: 0191003123
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
A footprint materializes mysteriously on a deserted shore; a giant helmet falls from the sky; a traveler awakens to find his horse dangling from a church steeple. Eighteenth-century fiction brims with moments such as these, in which the prosaic rubs up against the marvelous. While it is a truism that the period's literature is distinguished by its realism and air of probability, Eighteenth-Century Fiction and the Reinvention of Wonder argues that wonder is integral to—rather than antithetical to—the developing techniques of novelistic fiction. Positioning its reader on the cusp between recognition and estrangement, between faith and doubt, modern fiction hinges upon wonder. Eighteenth-Century Fiction and the Reinvention of Wonder unfolds its new account of fiction's rise through surprising readings of classic early novels—from Daniel Defoe's Robinson Crusoe to Jane Austen's Northanger Abbey—and brings to attention lesser-known works, most notably Rudolf Raspe's Baron Munchausen's Narrative of His Marvellous Travels. In this bold new account, the eighteenth century bears witness not to the world's disenchantment but rather to wonder's relocation from the supernatural realm to the empirical world, providing a reevaluation not only of how we look back at the Enlightenment, but also of how we read today.
Publisher: OUP Oxford
ISBN: 0191003123
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
A footprint materializes mysteriously on a deserted shore; a giant helmet falls from the sky; a traveler awakens to find his horse dangling from a church steeple. Eighteenth-century fiction brims with moments such as these, in which the prosaic rubs up against the marvelous. While it is a truism that the period's literature is distinguished by its realism and air of probability, Eighteenth-Century Fiction and the Reinvention of Wonder argues that wonder is integral to—rather than antithetical to—the developing techniques of novelistic fiction. Positioning its reader on the cusp between recognition and estrangement, between faith and doubt, modern fiction hinges upon wonder. Eighteenth-Century Fiction and the Reinvention of Wonder unfolds its new account of fiction's rise through surprising readings of classic early novels—from Daniel Defoe's Robinson Crusoe to Jane Austen's Northanger Abbey—and brings to attention lesser-known works, most notably Rudolf Raspe's Baron Munchausen's Narrative of His Marvellous Travels. In this bold new account, the eighteenth century bears witness not to the world's disenchantment but rather to wonder's relocation from the supernatural realm to the empirical world, providing a reevaluation not only of how we look back at the Enlightenment, but also of how we read today.
Godless Fictions in the Eighteenth Century
Author: James Bryant Reeves
Publisher: Cambridge University Press
ISBN: 1108874819
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
Although there were no self-avowed British atheists before the 1780s, authors including Jonathan Swift, Alexander Pope, Sarah Fielding, Phebe Gibbes, and William Cowper worried extensively about atheism's dystopian possibilities, and routinely represented atheists as being beyond the pale of human sympathy. Challenging traditional formulations of secularization that equate modernity with unbelief, Reeves reveals how reactions against atheism rather helped sustain various forms of religious belief throughout the Age of Enlightenment. He demonstrates that hostility to unbelief likewise produced various forms of religious ecumenicalism, with authors depicting non-Christian theists from around Britain's emerging empire as sympathetic allies in the fight against irreligion. Godless Fictions in the Eighteenth Century traces a literary history of atheism in eighteenth-century Britain for the first time, revealing a relationship between atheism and secularization far more fraught than has previously been supposed.
Publisher: Cambridge University Press
ISBN: 1108874819
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
Although there were no self-avowed British atheists before the 1780s, authors including Jonathan Swift, Alexander Pope, Sarah Fielding, Phebe Gibbes, and William Cowper worried extensively about atheism's dystopian possibilities, and routinely represented atheists as being beyond the pale of human sympathy. Challenging traditional formulations of secularization that equate modernity with unbelief, Reeves reveals how reactions against atheism rather helped sustain various forms of religious belief throughout the Age of Enlightenment. He demonstrates that hostility to unbelief likewise produced various forms of religious ecumenicalism, with authors depicting non-Christian theists from around Britain's emerging empire as sympathetic allies in the fight against irreligion. Godless Fictions in the Eighteenth Century traces a literary history of atheism in eighteenth-century Britain for the first time, revealing a relationship between atheism and secularization far more fraught than has previously been supposed.
The Routledge Companion to Eighteenth-Century Literatures in English
Author: Sarah Eron
Publisher: Taylor & Francis
ISBN: 1003845266
Category : Literary Criticism
Languages : en
Pages : 905
Book Description
The Routledge Companion to Eighteenth-Century Literatures in English brings together essays that respond to consequential cultural and socio-economic changes that followed the expansion of the British Empire from the British Isles across the Atlantic. Scholars track the cumulative power of the slave trade, settlements and plantations, and the continual warfare that reshaped lives in the Americas, Africa, and Asia. Importantly, they also analyze the ways these histories reshaped class and social relations, scientific inquiry and invention, philosophies of personhood, and cultural and intellectual production. As European nations fought each other for territories and trade routes, dispossessing and enslaving Indigenous and Black people, the observations of travellers, naturalists, and colonists helped consolidate racism and racial differentiation, as well as the philosophical justifications of “civilizational” differences that became the hallmarks of intellectual life. Essays in this volume address key shifts in disciplinary practices even as they examine the past, looking forward to and modeling a rethinking of our scholarly and pedagogic practices. This volume is an essential text for academics, researchers, and students researching eighteenth-century literature, history, and culture.
Publisher: Taylor & Francis
ISBN: 1003845266
Category : Literary Criticism
Languages : en
Pages : 905
Book Description
The Routledge Companion to Eighteenth-Century Literatures in English brings together essays that respond to consequential cultural and socio-economic changes that followed the expansion of the British Empire from the British Isles across the Atlantic. Scholars track the cumulative power of the slave trade, settlements and plantations, and the continual warfare that reshaped lives in the Americas, Africa, and Asia. Importantly, they also analyze the ways these histories reshaped class and social relations, scientific inquiry and invention, philosophies of personhood, and cultural and intellectual production. As European nations fought each other for territories and trade routes, dispossessing and enslaving Indigenous and Black people, the observations of travellers, naturalists, and colonists helped consolidate racism and racial differentiation, as well as the philosophical justifications of “civilizational” differences that became the hallmarks of intellectual life. Essays in this volume address key shifts in disciplinary practices even as they examine the past, looking forward to and modeling a rethinking of our scholarly and pedagogic practices. This volume is an essential text for academics, researchers, and students researching eighteenth-century literature, history, and culture.
Interest and Connection in the Eighteenth Century
Author: Jacob Sider Jost
Publisher: University of Virginia Press
ISBN: 0813945062
Category : History
Languages : en
Pages : 268
Book Description
Can a single word explain the world? In the British eighteenth century, interest comes close: it lies at the foundation of the period’s thinking about finance, economics, politics, psychology, and aesthetics. Interest and Connection in the Eighteenth Century provides the first comprehensive account of interest in an era when a growing national debt created a new class of rentiers who lived off of interest, the emerging discipline of economics made self-interest an axiom of human behavior, and booksellers began for the first time to market books by calling them "interesting." Sider Jost reveals how the multiple meanings of interest allowed writers to make connections—from witty puns to deep structural analogies—among different spheres of eighteenth-century life. Challenging a long and influential tradition that reads the eighteenth century in terms of individualism, atomization, abstraction, and the hegemony of market-based thinking, this innovative study emphasizes the importance of interest as an idiom for thinking about concrete social ties, at court and in families, universities, theaters, boroughs, churches, and beyond. To "be in the interest of" or "have an interest with" another was a crucial relationship, one that supplied metaphors and habits of thought across the culture. Interest and Connection in the Eighteenth Century recovers the small, densely networked world of Hanoverian Britain and its self-consciously inventive language for talking about human connection.
Publisher: University of Virginia Press
ISBN: 0813945062
Category : History
Languages : en
Pages : 268
Book Description
Can a single word explain the world? In the British eighteenth century, interest comes close: it lies at the foundation of the period’s thinking about finance, economics, politics, psychology, and aesthetics. Interest and Connection in the Eighteenth Century provides the first comprehensive account of interest in an era when a growing national debt created a new class of rentiers who lived off of interest, the emerging discipline of economics made self-interest an axiom of human behavior, and booksellers began for the first time to market books by calling them "interesting." Sider Jost reveals how the multiple meanings of interest allowed writers to make connections—from witty puns to deep structural analogies—among different spheres of eighteenth-century life. Challenging a long and influential tradition that reads the eighteenth century in terms of individualism, atomization, abstraction, and the hegemony of market-based thinking, this innovative study emphasizes the importance of interest as an idiom for thinking about concrete social ties, at court and in families, universities, theaters, boroughs, churches, and beyond. To "be in the interest of" or "have an interest with" another was a crucial relationship, one that supplied metaphors and habits of thought across the culture. Interest and Connection in the Eighteenth Century recovers the small, densely networked world of Hanoverian Britain and its self-consciously inventive language for talking about human connection.
Literary Cultures and Eighteenth-Century Childhoods
Author: Andrew O'Malley
Publisher: Springer
ISBN: 3319947370
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
The essays in this volume offer fresh and innovative considerations both of how children interacted with the world of print, and of how childhood circulated in the literary cultures of the eighteenth century. They engage with not only the texts produced for the period’s newly established children’s book market, but also with the figure of the child as it was employed for a variety of purposes in literatures for adult readers. Embracing a wide range of methodological and disciplinary perspectives and considering a variety of contexts, these essays explore childhood as a trope that gained increasing cultural significance in the period, while also recognizing children as active agents in the worlds of familial and social interaction. Together, they demonstrate the varied experiences of the eighteenth-century child alongside the shifting, sometimes competing, meanings that attached themselves to childhood during a period in which it became the subject of intensified interest in literary culture.
Publisher: Springer
ISBN: 3319947370
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
The essays in this volume offer fresh and innovative considerations both of how children interacted with the world of print, and of how childhood circulated in the literary cultures of the eighteenth century. They engage with not only the texts produced for the period’s newly established children’s book market, but also with the figure of the child as it was employed for a variety of purposes in literatures for adult readers. Embracing a wide range of methodological and disciplinary perspectives and considering a variety of contexts, these essays explore childhood as a trope that gained increasing cultural significance in the period, while also recognizing children as active agents in the worlds of familial and social interaction. Together, they demonstrate the varied experiences of the eighteenth-century child alongside the shifting, sometimes competing, meanings that attached themselves to childhood during a period in which it became the subject of intensified interest in literary culture.
Modes of Play in Eighteenth-Century France
Author: Fayçal Falaky
Publisher: Rutgers University Press
ISBN: 1684483409
Category : History
Languages : en
Pages : 217
Book Description
This collection of essays brings together different critical perspectives on play in eighteenth-century France. From dolls, bilboquets, and lotteries to the ludic nature of narrative and theatrical performance, this volume offers a new outlook on how play was used to represent and reimagine the world.
Publisher: Rutgers University Press
ISBN: 1684483409
Category : History
Languages : en
Pages : 217
Book Description
This collection of essays brings together different critical perspectives on play in eighteenth-century France. From dolls, bilboquets, and lotteries to the ludic nature of narrative and theatrical performance, this volume offers a new outlook on how play was used to represent and reimagine the world.
Romanticism and Speculative Realism
Author: Chris Washington
Publisher: Bloomsbury Publishing USA
ISBN: 1501336401
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Romanticism and Speculative Realism features a range of scholars working at the intersection of literary poetics and philosophy. It considers how the writing of the Romantic era reconceptualizes the human imagination, the natural world, and the language that correlates them in radical ways that can advance current speculative debates concerning new ontologies and new materialisms. In their wide-ranging examinations of canonical and non-canonical romantic writers, the scholars gathered here rethink the connections between the human and non-human world to envision speculative modes of social being and ecological politics. Spanning historical and national frameworks-from historical romanticism to contemporary post-romantic ecology, and from British and German romanticism to global modernity-these essays examine life in all its varied forms in, and beyond, the Anthropocene.
Publisher: Bloomsbury Publishing USA
ISBN: 1501336401
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Romanticism and Speculative Realism features a range of scholars working at the intersection of literary poetics and philosophy. It considers how the writing of the Romantic era reconceptualizes the human imagination, the natural world, and the language that correlates them in radical ways that can advance current speculative debates concerning new ontologies and new materialisms. In their wide-ranging examinations of canonical and non-canonical romantic writers, the scholars gathered here rethink the connections between the human and non-human world to envision speculative modes of social being and ecological politics. Spanning historical and national frameworks-from historical romanticism to contemporary post-romantic ecology, and from British and German romanticism to global modernity-these essays examine life in all its varied forms in, and beyond, the Anthropocene.
Criticism, Performance, and the Passions in the Eighteenth Century
Author: James Harriman-Smith
Publisher: Cambridge University Press
ISBN: 1108875629
Category : Drama
Languages : en
Pages : 249
Book Description
Great art is about emotion. In the eighteenth century, and especially for the English stage, critics developed a sensitivity to both the passions of a performance and what they called the transitions between those passions. It was these pivotal transitions, scripted by authors and executed by actors, that could make King Lear beautiful, Hamlet terrifying, Archer hilarious and Zara electrifying. James Harriman-Smith recovers a lost way of appreciating theatre as a set of transitions that produce simultaneously iconic and dynamic spectacles; fascinating moments when anything seems possible. Offering fresh readings and interpretations of Shakespearean and eighteenth-century tragedy, historical acting theory and early character criticism, this volume demonstrates how a concern with transition binds drama to everything, from lyric poetry and Newtonian science, to fine art and sceptical enquiry into the nature of the self.
Publisher: Cambridge University Press
ISBN: 1108875629
Category : Drama
Languages : en
Pages : 249
Book Description
Great art is about emotion. In the eighteenth century, and especially for the English stage, critics developed a sensitivity to both the passions of a performance and what they called the transitions between those passions. It was these pivotal transitions, scripted by authors and executed by actors, that could make King Lear beautiful, Hamlet terrifying, Archer hilarious and Zara electrifying. James Harriman-Smith recovers a lost way of appreciating theatre as a set of transitions that produce simultaneously iconic and dynamic spectacles; fascinating moments when anything seems possible. Offering fresh readings and interpretations of Shakespearean and eighteenth-century tragedy, historical acting theory and early character criticism, this volume demonstrates how a concern with transition binds drama to everything, from lyric poetry and Newtonian science, to fine art and sceptical enquiry into the nature of the self.
Climate, God and Uncertainty
Author: Arthur C. Petersen
Publisher: UCL Press
ISBN: 180008594X
Category : Philosophy
Languages : en
Pages : 298
Book Description
Climate, God and Uncertainty moves beyond Bruno Latour’s thought to understand what climate change means for philosophical anthropology and wider culture. What are, for example, the philosophical implications of climate change and its associated uncertainties? Referring mainly to works by Latour, William James and Heinrich Rickert, Petersen develops ‘transcendental naturalism’ to reinterpret the interface between science and politics in the context of climate change. He highlights, for instance, issues such as the religious disenchantment of nature, the scientific disbelief in a plurality of value-laden perspectives, and the disregard for non-modern worldviews in politics. In developing its argument, the book makes a methodological intervention on the sort of naturalism that guides both Latour’s work and a large part of the academic field called ‘science and religion’. Praise for Climate, God and Uncertainty 'The challenges of a changing climate raise disturbing questions about being human in the world, ones that cannot adequately be answered through scientific inquiry. In this original interrogation and extension of the work of Bruno Latour, Petersen constructs a philosophical position that takes seriously the realities of a changing natural world, the human search to ground our sense of value, and the possibility of God. Climate, God and Uncertainty is an exciting new addition to the small, but growing, literature on climate change, religion and philosophy.' Mike Hulme, University of Cambridge ‘This innovative and exciting work explores the rich potential of “transcendental naturalism” as a bridge between science and religion. Drawing on the work of William James, Heinrich Rickert and Bruno Latour, Petersen maps out a fresh approach that goes beyond current accounts of naturalism, opening up a deeply satisfying account of our engagement with the natural world.’ Alister McGrath, Emeritus Andreos Idreos Professor of Science and Religion, University of Oxford ‘How to live with the pervasive reality of uncertainty and a plurality of perspectives in science, religion and politics without playing down the sciences and our responsibilities? The “transcendental naturalism” Arthur Petersen articulates in this book respects science while leaving room for other elements: wonder, judgements and values, and the way we construct provisional models of reality. These issues are especially acute in the context of climate change, when we face the interplay of science and policy. Petersen stresses the importance of imagination to articulate meaning and of recognising a plurality of value-laden perspectives, striving for responsible action and sensitivity to that which may escape planning and policy. This book can be read fruitfully in at least two ways, as a highly relevant reflection on religion and science in the face of climate change and as a profound philosophical analysis of pluralism and provisionality, and hence of living with uncertainty.’ Willem B. Drees, Professor Emeritus of Philosophy of Religion and Ethics, Leiden University and of Philosophy of the Humanities, Tilburg University
Publisher: UCL Press
ISBN: 180008594X
Category : Philosophy
Languages : en
Pages : 298
Book Description
Climate, God and Uncertainty moves beyond Bruno Latour’s thought to understand what climate change means for philosophical anthropology and wider culture. What are, for example, the philosophical implications of climate change and its associated uncertainties? Referring mainly to works by Latour, William James and Heinrich Rickert, Petersen develops ‘transcendental naturalism’ to reinterpret the interface between science and politics in the context of climate change. He highlights, for instance, issues such as the religious disenchantment of nature, the scientific disbelief in a plurality of value-laden perspectives, and the disregard for non-modern worldviews in politics. In developing its argument, the book makes a methodological intervention on the sort of naturalism that guides both Latour’s work and a large part of the academic field called ‘science and religion’. Praise for Climate, God and Uncertainty 'The challenges of a changing climate raise disturbing questions about being human in the world, ones that cannot adequately be answered through scientific inquiry. In this original interrogation and extension of the work of Bruno Latour, Petersen constructs a philosophical position that takes seriously the realities of a changing natural world, the human search to ground our sense of value, and the possibility of God. Climate, God and Uncertainty is an exciting new addition to the small, but growing, literature on climate change, religion and philosophy.' Mike Hulme, University of Cambridge ‘This innovative and exciting work explores the rich potential of “transcendental naturalism” as a bridge between science and religion. Drawing on the work of William James, Heinrich Rickert and Bruno Latour, Petersen maps out a fresh approach that goes beyond current accounts of naturalism, opening up a deeply satisfying account of our engagement with the natural world.’ Alister McGrath, Emeritus Andreos Idreos Professor of Science and Religion, University of Oxford ‘How to live with the pervasive reality of uncertainty and a plurality of perspectives in science, religion and politics without playing down the sciences and our responsibilities? The “transcendental naturalism” Arthur Petersen articulates in this book respects science while leaving room for other elements: wonder, judgements and values, and the way we construct provisional models of reality. These issues are especially acute in the context of climate change, when we face the interplay of science and policy. Petersen stresses the importance of imagination to articulate meaning and of recognising a plurality of value-laden perspectives, striving for responsible action and sensitivity to that which may escape planning and policy. This book can be read fruitfully in at least two ways, as a highly relevant reflection on religion and science in the face of climate change and as a profound philosophical analysis of pluralism and provisionality, and hence of living with uncertainty.’ Willem B. Drees, Professor Emeritus of Philosophy of Religion and Ethics, Leiden University and of Philosophy of the Humanities, Tilburg University