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Author: Sarah Tindal Kareem
Publisher: Oxford University Press, USA
ISBN: 0199689105
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
A footprint materializes mysteriously on a deserted shore; a giant helmet falls from the sky; a traveler awakens to find his horse dangling from a church steeple. Eighteenth-century British fiction brims with moments such as these, in which the prosaic rubs up against the marvelous. While it is a truism that the period's literature is distinguished by its realism and air of probability, Eighteenth-Century Fiction and the Reinvention of Wonder argues that wonder is integral to--rather than antithetical to--the developing techniques of novelistic fiction. Positioning its reader on the cusp between recognition and estrangement, between faith and doubt, modern fiction hinges upon wonder. Eighteenth-Century Fiction and the Reinvention of Wonder's chapters unfold its new account of British fiction's rise through surprising new readings of classic early novels-from Daniel Defoe's Robinson Crusoe to Jane Austen's Northanger Abbey--as well as bringing to attention lesser known works, most notably Rudolf Raspe's Baron Munchausen's Narrative of His Marvellous Travels. In this bold new account, the eighteenth century bears witness not to the world's disenchantment but rather to wonder's re-location from the supernatural realm to the empirical world, providing a re-evaluation not only of how we look back at the Enlightenment, but also of how we read today.
Author: Sarah Tindal Kareem
Publisher: Oxford University Press, USA
ISBN: 0199689105
Category : Literary Criticism
Languages : en
Pages : 305
Get Book
Book Description
A footprint materializes mysteriously on a deserted shore; a giant helmet falls from the sky; a traveler awakens to find his horse dangling from a church steeple. Eighteenth-century British fiction brims with moments such as these, in which the prosaic rubs up against the marvelous. While it is a truism that the period's literature is distinguished by its realism and air of probability, Eighteenth-Century Fiction and the Reinvention of Wonder argues that wonder is integral to--rather than antithetical to--the developing techniques of novelistic fiction. Positioning its reader on the cusp between recognition and estrangement, between faith and doubt, modern fiction hinges upon wonder. Eighteenth-Century Fiction and the Reinvention of Wonder's chapters unfold its new account of British fiction's rise through surprising new readings of classic early novels-from Daniel Defoe's Robinson Crusoe to Jane Austen's Northanger Abbey--as well as bringing to attention lesser known works, most notably Rudolf Raspe's Baron Munchausen's Narrative of His Marvellous Travels. In this bold new account, the eighteenth century bears witness not to the world's disenchantment but rather to wonder's re-location from the supernatural realm to the empirical world, providing a re-evaluation not only of how we look back at the Enlightenment, but also of how we read today.
Author: Andrew O'Malley
Publisher: Springer
ISBN: 3319947370
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
The essays in this volume offer fresh and innovative considerations both of how children interacted with the world of print, and of how childhood circulated in the literary cultures of the eighteenth century. They engage with not only the texts produced for the period’s newly established children’s book market, but also with the figure of the child as it was employed for a variety of purposes in literatures for adult readers. Embracing a wide range of methodological and disciplinary perspectives and considering a variety of contexts, these essays explore childhood as a trope that gained increasing cultural significance in the period, while also recognizing children as active agents in the worlds of familial and social interaction. Together, they demonstrate the varied experiences of the eighteenth-century child alongside the shifting, sometimes competing, meanings that attached themselves to childhood during a period in which it became the subject of intensified interest in literary culture.
Author: James Harriman-Smith
Publisher: Cambridge University Press
ISBN: 1108875629
Category : Drama
Languages : en
Pages : 249
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Book Description
Great art is about emotion. In the eighteenth century, and especially for the English stage, critics developed a sensitivity to both the passions of a performance and what they called the transitions between those passions. It was these pivotal transitions, scripted by authors and executed by actors, that could make King Lear beautiful, Hamlet terrifying, Archer hilarious and Zara electrifying. James Harriman-Smith recovers a lost way of appreciating theatre as a set of transitions that produce simultaneously iconic and dynamic spectacles; fascinating moments when anything seems possible. Offering fresh readings and interpretations of Shakespearean and eighteenth-century tragedy, historical acting theory and early character criticism, this volume demonstrates how a concern with transition binds drama to everything, from lyric poetry and Newtonian science, to fine art and sceptical enquiry into the nature of the self.
Author: Katrin Berndt
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110650444
Category : Literary Criticism
Languages : en
Pages : 606
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Book Description
The handbook offers a comprehensive introduction to the British novel in the long eighteenth century, when this genre emerged to develop into the period’s most versatile and popular literary form. Part I features six systematic chapters that discuss literary, intellectual, socio-economic, and political contexts, providing innovative approaches to issues such as sense and sentiment, gender considerations, formal characteristics, economic history, enlightened and radical concepts of citizenship and human rights, ecological ramifications, and Britain’s growing global involvement. Part II presents twenty-five analytical chapters that attend to individual novels, some canonical and others recently recovered. These analyses engage the debates outlined in the systematic chapters, undertaking in-depth readings that both contextualize the works and draw on relevant criticism, literary theory, and cultural perspectives. The handbook’s breadth and depth, clear presentation, and lucid language make it attractive and accessible to scholar and student alike.
Author: Jolene Zigarovich
Publisher: University of Pennsylvania Press
ISBN: 1512823783
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Death and the Body in the Eighteenth-Century Novel demonstrates that archives continually speak to the period's rising funeral and mourning culture, as well as the increasing commodification of death and mourning typically associated with nineteenth-century practices. Drawing on a variety of historical discourses--such as wills, undertaking histories, medical treatises and textbooks, anatomical studies, philosophical treatises, and religious tracts and sermons--the book contributes to a fuller understanding of the history of death in the Enlightenment and its narrative transformation. Death and the Body in the Eighteenth-Century Novel not only offers new insights about the effect of a growing secularization and commodification of death on the culture and its productions, but also fills critical gaps in the history of death, using narrative as a distinct literary marker. As anatomists dissected, undertakers preserved, jewelers encased, and artists figured the corpse, so too the novelist portrayed bodily artifacts. Why are these morbid forms of materiality entombed in the novel? Jolene Zigarovich addresses this complex question by claiming that the body itself--its parts, or its preserved representation--functioned as secular memento, suggesting that preserved remains became symbols of individuality and subjectivity. To support the conception that in this period notions of self and knowing center upon theories of the tactile and material, the chapters are organized around sensory conceptions and bodily materials such as touch, preserved flesh, bowel, heart, wax, hair, and bone. Including numerous visual examples, the book also argues that the relic represents the slippage between corpse and treasure, sentimentality and materialism, and corporeal fetish and aesthetic accessory. Zigarovich's analysis compels us to reassess the eighteenth-century response to and representation of the dead and dead-like body, and its material purpose and use in fiction. In a broader framework, Death and the Body in the Eighteenth-Century Novel also narrates a history of the novel that speaks to the cultural formation of modern individualism.
Author: James Bryant Reeves
Publisher: Cambridge University Press
ISBN: 1108835902
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
Documents eighteenth-century literary representations of atheism, arguing that opposition to atheism generated unique forms of religious belief.
Author: Sarah Eron
Publisher: Taylor & Francis
ISBN: 1003845266
Category : Literary Criticism
Languages : en
Pages : 905
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Book Description
The Routledge Companion to Eighteenth-Century Literatures in English brings together essays that respond to consequential cultural and socio-economic changes that followed the expansion of the British Empire from the British Isles across the Atlantic. Scholars track the cumulative power of the slave trade, settlements and plantations, and the continual warfare that reshaped lives in the Americas, Africa, and Asia. Importantly, they also analyze the ways these histories reshaped class and social relations, scientific inquiry and invention, philosophies of personhood, and cultural and intellectual production. As European nations fought each other for territories and trade routes, dispossessing and enslaving Indigenous and Black people, the observations of travellers, naturalists, and colonists helped consolidate racism and racial differentiation, as well as the philosophical justifications of “civilizational” differences that became the hallmarks of intellectual life. Essays in this volume address key shifts in disciplinary practices even as they examine the past, looking forward to and modeling a rethinking of our scholarly and pedagogic practices. This volume is an essential text for academics, researchers, and students researching eighteenth-century literature, history, and culture.
Author: Chris Washington
Publisher: Bloomsbury Publishing USA
ISBN: 1501336401
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Romanticism and Speculative Realism features a range of scholars working at the intersection of literary poetics and philosophy. It considers how the writing of the Romantic era reconceptualizes the human imagination, the natural world, and the language that correlates them in radical ways that can advance current speculative debates concerning new ontologies and new materialisms. In their wide-ranging examinations of canonical and non-canonical romantic writers, the scholars gathered here rethink the connections between the human and non-human world to envision speculative modes of social being and ecological politics. Spanning historical and national frameworks-from historical romanticism to contemporary post-romantic ecology, and from British and German romanticism to global modernity-these essays examine life in all its varied forms in, and beyond, the Anthropocene.
Author: Fayçal Falaky
Publisher: Rutgers University Press
ISBN: 1684483409
Category : History
Languages : en
Pages : 217
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Book Description
This collection of essays brings together different critical perspectives on play in eighteenth-century France. From dolls, bilboquets, and lotteries to the ludic nature of narrative and theatrical performance, this volume offers a new outlook on how play was used to represent and reimagine the world.
Author: Arthur C. Petersen
Publisher: UCL Press
ISBN: 180008594X
Category : Philosophy
Languages : en
Pages : 298
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Book Description
Climate, God and Uncertainty moves beyond Bruno Latour’s thought to understand what climate change means for philosophical anthropology and wider culture. What are, for example, the philosophical implications of climate change and its associated uncertainties? Referring mainly to works by Latour, William James and Heinrich Rickert, Petersen develops ‘transcendental naturalism’ to reinterpret the interface between science and politics in the context of climate change. He highlights, for instance, issues such as the religious disenchantment of nature, the scientific disbelief in a plurality of value-laden perspectives, and the disregard for non-modern worldviews in politics. In developing its argument, the book makes a methodological intervention on the sort of naturalism that guides both Latour’s work and a large part of the academic field called ‘science and religion’. Praise for Climate, God and Uncertainty 'The challenges of a changing climate raise disturbing questions about being human in the world, ones that cannot adequately be answered through scientific inquiry. In this original interrogation and extension of the work of Bruno Latour, Petersen constructs a philosophical position that takes seriously the realities of a changing natural world, the human search to ground our sense of value, and the possibility of God. Climate, God and Uncertainty is an exciting new addition to the small, but growing, literature on climate change, religion and philosophy.' Mike Hulme, University of Cambridge ‘This innovative and exciting work explores the rich potential of “transcendental naturalism” as a bridge between science and religion. Drawing on the work of William James, Heinrich Rickert and Bruno Latour, Petersen maps out a fresh approach that goes beyond current accounts of naturalism, opening up a deeply satisfying account of our engagement with the natural world.’ Alister McGrath, Emeritus Andreos Idreos Professor of Science and Religion, University of Oxford ‘How to live with the pervasive reality of uncertainty and a plurality of perspectives in science, religion and politics without playing down the sciences and our responsibilities? The “transcendental naturalism” Arthur Petersen articulates in this book respects science while leaving room for other elements: wonder, judgements and values, and the way we construct provisional models of reality. These issues are especially acute in the context of climate change, when we face the interplay of science and policy. Petersen stresses the importance of imagination to articulate meaning and of recognising a plurality of value-laden perspectives, striving for responsible action and sensitivity to that which may escape planning and policy. This book can be read fruitfully in at least two ways, as a highly relevant reflection on religion and science in the face of climate change and as a profound philosophical analysis of pluralism and provisionality, and hence of living with uncertainty.’ Willem B. Drees, Professor Emeritus of Philosophy of Religion and Ethics, Leiden University and of Philosophy of the Humanities, Tilburg University
