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Author: Gerald Abraham
Publisher: Read Books Ltd
ISBN: 1444659847
Category : History
Languages : en
Pages : 128
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Book Description
The composers of Soviet Russia were well known among the most die hard music fans in the United Kingdoms, this delightful book was written as a bridge for the uninitiated wishing to learn more about classical music from the heartland of the U.S.S.R.
Author: Gerald Abraham
Publisher: Read Books Ltd
ISBN: 1444659847
Category : History
Languages : en
Pages : 128
Get Book Here
Book Description
The composers of Soviet Russia were well known among the most die hard music fans in the United Kingdoms, this delightful book was written as a bridge for the uninitiated wishing to learn more about classical music from the heartland of the U.S.S.R.
Author: Gerald Abraham
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 112
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Book Description
The author takes eight leading composers of the Soviet Union (Shostakovich, Prokofiev, Khachaturyan, Knipper, Shebalin, Shaporin, Kabalevsky and Dzerzhinsky) and describes their artistic careers - mainly from a purely musical standpoint, though at the same time showing how, in some cases (above all, that of Shostakovich), they have been affected by changes in the artistic policy of the Soviet Government. As a non-communist the author takes a detached, though sympathetic, view of Soviet musical culture. His aim is less to criticize than to give information, though criticism is by no means evaded. Although the book does not pretend to describe the whole vast field of Russian music since the Revolution, its account of representative figures and important compositions (with plentiful music-type examples) conveys, perhaps, a clearer picture of what Soviet musicians are aiming at, and achieving, than could be obtained from a full and detailed survey involving a discussion of numerous minor figures.
Author: Amy Nelson
Publisher: Penn State Press
ISBN: 0271046198
Category : History
Languages : en
Pages : 350
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Book Description
Mention twentieth-century Russian music, and the names of three &"giants&"&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.
Author: Boris Schwarz
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 744
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Book Description
Author: Eric 1888-1959 Blom
Publisher: Hassell Street Press
ISBN: 9781014517548
Category :
Languages : en
Pages : 148
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Laura Hamer
Publisher: Cambridge University Press
ISBN: 1108470289
Category : Music
Languages : en
Pages : 357
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Book Description
An overview of women's work in classical and popular music since 1900 as performers, composers, educators and music technologists.
Author: Eugene K. Keefe
Publisher:
ISBN:
Category : Russia
Languages : en
Pages : 848
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Book Description
One of a series of handbooks prepared by Foreign Area Studies (FAS) of the American University.
Author: Daniel Jaffé
Publisher: Rowman & Littlefield
ISBN: 1538130084
Category : Music
Languages : en
Pages : 563
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Book Description
Russian music today has a firm hold around the world in the repertoire of opera houses, ballet companies, and orchestras. The music of Pyotr Tchaikovsky, Nikolai Rimsky-Korsakov, Sergey Rachmaninov, Sergey Prokofiev, and Dmitri Shostakovich is very much today’s lingua franca both in the concert hall and on the soundtracks of international blockbusters from Hollywood. Meanwhile, the innovations of Modest Musorgsky, Alexander Borodin, and Igor Stravinsky have played their crucial role in the development of Western music, influencing the work of virtually every notable composer of the past century. Historical Dictionary of Russian Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries for each of Russia’s major performing organizations and performance venues, and on specific genres such as ballet, film music, symphony and church music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Russian Music.
Author: Kevin Bartig
Publisher:
ISBN: 0190269561
Category : Music
Languages : en
Pages : 177
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Book Description
Audiences have long enjoyed Sergei Prokofiev's musical score for Sergei Eisenstein's 1938 film Alexander Nevsky. The historical epic cast a thirteenth-century Russian victory over invading Teutonic Knights as an allegory of contemporary Soviet strength in the face of Nazi warmongering. Prokofiev's and Eisenstein's work proved an enormous success, both as a collaboration of two of the twentieth century's most prominent artists and as a means to bolster patriotism and national pride among Soviet audiences. Arranged as a cantata for concert performance, Prokofiev's music for Alexander Nevsky music proved malleable, its meaning reconfigured to suit different circumstances and times. Author Kevin Bartig draws on previously unexamined archival materials to follow Prokofiev's Alexander Nevsky from its inception through the present day. He considers the music's genesis as well as the surprisingly different ways it has engaged listeners over the past eighty years, from its beginnings as state propaganda in the 1930s to showpiece for high-fidelity recording in the 1950s to open-air concert favorite in the post-Soviet 1990s.
Author: Dmitriĭ Dmitrievich Shostakovich
Publisher:
ISBN: 9780571227921
Category : Composers
Languages : en
Pages : 238
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Book Description
With the composer's consent, the manuscript was smuggled out of Soviet Russia - but Shostakovich, fearing reprisals, stipulated that the book should not appear until after his death. Ever since its publication in 1979 it has been the subject of controversy, some suggesting that Volkov invented parts of it, but most affirming that it revealed a profoundly ambivalent Shostakovich which the world had never seen before - his life at once triumphant and tragic. Either way, it remains indispensable to an understanding of Shostakovich's life and work. Testimony is intense and fiercely ironic, both plain-spoken and outspoken.
