Egyptian Hip-Hop: Expressions from the Underground PDF Download
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Author: Ellen R. Weis
Publisher: American University in Cairo Press
ISBN: 1617978515
Category : Social Science
Languages : en
Pages : 162
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Book Description
This ethnographic study of the Egyptian underground hip-hop scene examines the artists who collectively molded the scene and analyzes their practices and explores how these artists have interacted with and responded to political and social upheaval and change. It reveals how rappers approached and reformulated the genre in times of revolution and stasis to reveal how rap acts as a multi-layered form of expression. More specifically, it examines the location of the art form within the broader history of oppositional cultural expression in Egypt, outlining the artists' oppositions to various hegemonic structures and critically deconstructing them to reveal that they often reflect dominant ideology.
Author: Ellen R. Weis
Publisher: American University in Cairo Press
ISBN: 1617978515
Category : Social Science
Languages : en
Pages : 162
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Book Description
This ethnographic study of the Egyptian underground hip-hop scene examines the artists who collectively molded the scene and analyzes their practices and explores how these artists have interacted with and responded to political and social upheaval and change. It reveals how rappers approached and reformulated the genre in times of revolution and stasis to reveal how rap acts as a multi-layered form of expression. More specifically, it examines the location of the art form within the broader history of oppositional cultural expression in Egypt, outlining the artists' oppositions to various hegemonic structures and critically deconstructing them to reveal that they often reflect dominant ideology.
Author: Ellen R. Weis
Publisher:
ISBN: 9781617977145
Category : Hip-hop
Languages : en
Pages : 117
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Book Description
Author: Marina Terkourafi
Publisher: Bloomsbury Publishing
ISBN: 1441116397
Category : Language Arts & Disciplines
Languages : en
Pages : 364
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Book Description
In the case of hip-hop, the forces of top-down corporatization and bottom-up globalization are inextricably woven. This volume takes the view that hip-hop should not be viewed with this dichotomous dynamic in mind and that this dynamic does not arise solely outside of the continental US. Close analysis of the facts reveals a much more complex situation in which market pressures, local (musical) traditions, linguistic and semiotic intelligibility, as well as each country's particular historico-political past conspire to yield new hybrid expressive genres. This exciting collection looks at linguistic, cultural and economic aspects of hip-hop in parallel and showcases a global scope. It engages with questions of code-switching, code-mixing, the minority language/regional dialect vs. standard dynamic, the discourse of political resistance, immigrant ideologies, youth and new language varieties and will be essential reading for graduates and researchers in sociolinguistics and discourse analysis.
Author: Kamaludeen Mohamed Nasir
Publisher: Indiana University Press
ISBN: 0253053056
Category : Social Science
Languages : en
Pages : 222
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Book Description
How do Muslims who grew up after September 11 balance their love for hip-hop with their devotion to Islam? How do they live the piety and modesty called for by their faith while celebrating an art form defined, in part, by overt sexuality, violence, and profanity? In Representing Islam, Kamaludeen Mohamed Nasir explores the tension between Islam and the global popularity of hip-hop, including attempts by the hip-hop ummah, or community, to draw from the struggles of African Americans in order to articulate the human rights abuses Muslims face. Nasir explores state management of hip-hop culture and how Muslim hip-hoppers are attempting to "Islamize" the genre's performance and jargon to bring the music more in line with religious requirements, which are perhaps even more fraught for female artists who struggle with who has the right to speak for Muslim women. Nasir also investigates the vibrant underground hip-hop culture that exists online. For fans living in conservative countries, social media offers an opportunity to explore and discuss hip-hop when more traditional avenues have been closed. Representing Islam considers the complex and multifaceted rise of hip-hop on a global stage and, in doing so, asks broader questions about how Islam is represented in this global community.
Author: Melissa Ursula Dawn Goldsmith
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 933
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Book Description
This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more.
Author: Frederick Gooding
Publisher: Rowman & Littlefield
ISBN: 1666908274
Category : Political Science
Languages : en
Pages : 169
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Book Description
Although Hip Hop is known to come from the streets of South Bronx, New York, its origins go far deeper than that. Unconsciously, the innovative souls of the 1970s Hip Hop movement demonstrated the captivating, vibrational sound of the five regions in Africa: Northern Africa, Western Africa, Eastern Africa, Central Africa, and Southern Africa. Thus, The Griot Tradition as Remixed through Hip Hop: Straight Outta Africa fleshes out the common threads of Hip Hop’s creative genius across the African diaspora and provides an analytical rubric as a guide to a greater understanding of Hip Hop. The author, Frederick Gooding, examines why Hip Hop holds such an important place within contemporary culture in order to determine how a genre that was so controversial and marginal could become mainstream and central. Through the use of various genres, artists, styles, sounds, images, and rhetorical techniques, Gooding analyzes how Hip Hop, when seen through the lens of African connection, can be appreciated for its regenerative and connective power to create relationships between people both nationally and internationally.
Author: Andy Bennett
Publisher: SAGE
ISBN: 147391440X
Category : Social Science
Languages : en
Pages : 1027
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Book Description
"The SAGE Handbook of Popular Music is a comprehensive, smartly-conceived volume that can take its place as the new standard reference in popular music. The editors have shown great care in covering classic debates while moving the field into new, exciting areas of scholarship. International in its focus and pleasantly wide-ranging across historical periods, the Handbook is accessible to students but full of material of interest to those teaching and researching in the field." - Will Straw, McGill University "Celebrating the maturation of popular music studies and recognizing the immense changes that have recently taken place in the conditions of popular music production, The SAGE Handbook of Popular Music features contributions from many of the leading scholars in the field. Every chapter is well defined and to the point, with bibliographies that capture the history of the field. Authoritative, expertly organized and absolutely up-to-date, this collection will instantly become the backbone of teaching and research across the Anglophone world and is certain to be cited for years to come." - Barry Shank, author of ′The Political Force of Musical Beauty′ (2014) The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. The text is divided into 9 sections: Theory and Method The Business of Popular Music Popular Music History The Global and the Local The Star System Body and Identity Media Technology Digital Economies Each section has been chosen to reflect both established aspects of popular music studies as well as more recently emerging sub-fields. The handbook constitutes a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field. This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies, media studies and cultural sociology.
Author: Tamara Chahine Maatouk
Publisher: American University in Cairo Press
ISBN: 1617979244
Category : History
Languages : en
Pages : 87
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Book Description
In 1957 the public sector in Egyptian cinema was established, followed shortly by the emergence of public-sector film production in 1960, only to end eleven years later, in 1971. Assailed with negativity since its demise, if not earlier, this state adventure in film production was dismissed as a complete failure, financially, administratively and, most importantly, artistically. Although some scholars have sporadically commented on the role played by this sector, it has not been the object of serious academic research aimed at providing a balanced, nuanced general assessment of its overall impact. This issue of Cairo Papers hopes to address this gap in the literature on Egyptian cinema. After discussion of the role played by the public sector in trying to alleviate the financial crisis that threatened the film industry, this study investigates whether there was a real change in the general perception of the cinema, and the government’s attitude toward it, following the June 1967 Arab–Israeli war.
Author: Barbara Franz
Publisher: Lexington Books
ISBN: 1498500935
Category : Social Science
Languages : en
Pages : 208
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Book Description
Anti-Muslim racism with its attendant xenophobia and (the fear of) Salafist hostility are two of the most essential problems facing Europe today. Both result from the enormous failure of the continent’s integration policies, which have either insisted on immigrants’ rigid assimilation or left immigrants to fend for themselves. This book radically breaks with contemporary approaches to immigrant assimilation and integration. Instead it examines non-institutional approaches that facilitate immigrant inclusion through the examples of three alternative small-scale projects that have impacted the lives of urban working-class youth, specifically with second-generation immigrant roots, in Vienna, Austria. These projects involve online gaming, hip hop as an art form, and social work as emancipatory pedagogic practice (commonly referred to as street work). After exploring historic and structural conditions of marginalization in Austria, the book investigates working-class teenagers’ social networks and describes an online game designed to provide a platform for interaction between non-immigrant and immigrant youth who usually either do not interact or display prejudice when they engage each other. Hip hop can provide both a necessary outlet for alienated youth to articulate their frustrations and a highly effective tool for transforming inclusion conflicts. This is achieved through offering individual teens the necessary means to gain the resilience and social grounding necessary to help overcome exclusion and marginalization. In addition to the individual young person’s agency, the inclusion process, of course, also requires corresponding efforts by the majority society. Social work with marginalized youth is crucial for successful inclusion. Specifically individual support in small-scale settings provides a unique opportunity to open up spaces for discouraged and disaffected teenagers to gain self-worth and dignity. While the book focuses on identity formation and the teenagers’ agency, it argues that only projects that include both “newcomer” and “native” can aid in overcoming exclusionary attitudes and policies, eventually allowing some form of social bonding to take place.
Author: Abdalla F. Hassan
Publisher: Bloomsbury Publishing
ISBN: 0857726579
Category : History
Languages : en
Pages : 290
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Book Description
For too long Egypt's system of government was beholden to the interests of the elite in power, aided by the massive apparatus of the security state. Breaking point came on 25 January 2011. But several years after popular revolt enthralled a global audience, the struggle for democracy and basic freedoms are far from being won. Media, Revolution, and Politics in Egypt: The Story of an Uprising examines the political and media dynamic in pre-and post-revolution Egypt and what it could mean for the country's democratic transition. We follow events through the period leading up to the 2011 revolution, eighteen days of uprising, military rule, an elected president's year in office, and his ouster by the military. Activism has expanded freedoms of expression only to see those spaces contract with the resurrection of the police state. And with sharpening political divisions, the facts have become amorphous as ideological trends cling to their own narratives of truth.
