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Author: Avis Berman
Publisher: Pomegranate Communications
ISBN: 0764931547
Category : Art
Languages : en
Pages : 112
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Book Description
Illustrated by over 50 of Edward Hopper's most powerful evocations of New York, Avis Berman's essay explores how Hopper and his work illuminate each other by analyzing what his New York is - and is not. Ever the contrarian, he offers an alternative to what other American artists seized on - the new, the gigantic, the technologically exciting. Hopper stayed away from tourist attractions or landmarks of the city's glamorous skyline. His preference for nondescript vernacular buildings is emblematic of the larger Hopper paradox: he makes emptiness full, silence articulate, banality intense, plainness mysterious, and tawdriness noble.
Author: Avis Berman
Publisher: Pomegranate Communications
ISBN: 0764931547
Category : Art
Languages : en
Pages : 112
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Book Description
Illustrated by over 50 of Edward Hopper's most powerful evocations of New York, Avis Berman's essay explores how Hopper and his work illuminate each other by analyzing what his New York is - and is not. Ever the contrarian, he offers an alternative to what other American artists seized on - the new, the gigantic, the technologically exciting. Hopper stayed away from tourist attractions or landmarks of the city's glamorous skyline. His preference for nondescript vernacular buildings is emblematic of the larger Hopper paradox: he makes emptiness full, silence articulate, banality intense, plainness mysterious, and tawdriness noble.
Author: Edward Hopper
Publisher: Hirmer Verlag GmbH
ISBN: 9783777434018
Category : Art, American
Languages : en
Pages : 0
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Book Description
This exhibition sets the art of Edward Hopper in the context of the diverse and controversial movements dominating American art during the first half of the twentieth century.
Author: Carl Little
Publisher: Pomegranate Communications
ISBN: 9780764958489
Category : New England
Languages : en
Pages : 0
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Book Description
One of the most important American painters of the twentieth century, Edward Hopper spent nearly every summer of his prolific career in New England. Coastal views, mansard-roofed houses and a still light inspired many of his greatest works. This collection presents some of Hopper's finest paintings of New England, providing a guide to the places that resonated so deeply with the artist throughout his career. Carl Little's essay examines the crucial role New England played in Hopper's development and considers the full range of his work set in the Northeast: early etchings and radiant watercolours; architectural paintings of Victorian mansions, factories, barns, and summer cottages; and the magnificent sailing pictures through which Hopper expressed his lifelong love of the sea. Also included are late-career psychological paintings-composites of the landscape with figures - which convey the loneliness and isolation for which Hopper's work is best known. Works in this book are from the collections of over twenty-five museums, including the Art Institute of Chicago, the Brooklyn Museum, the Corcoran Gallery of Art, the Dallas Museum of Art, Boston's Museum of Fine Arts, the National Gallery of Art, and the Whitney Museum of American Art.
Author: Bonnie Tocher Clause
Publisher: UPNE
ISBN: 1611683289
Category : Art
Languages : en
Pages : 255
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Book Description
Edward and Jo Hopper first discovered Vermont in 1927, making day trips from the Whitney Studio Club's summer retreat for New York artists in Charlestown, New Hampshire. In 1935 and 1936 the Hoppers again traveled to Vermont, this time from their summer home in Cape Cod, in Edward's continuing search for new places to paint. During these quests they identified the White River and what Edward considered to be Vermont's "finest" river valley, and they returned there for longer visits in 1937 and 1938, boarding at Robert and Irene Slater's Wagon Wheels farm in South Royalton. These "vacations" were a change from the usual tempo of their lives, a break from the studio-bound easels, canvas, and oils, and an opportunity to paint something different, to be in a new place and paint en plein air. Over the course of his Vermont sojourns, Edward Hopper produced some two dozen paintings, watercolors that are among the most distinctive of his regional works, strongly characterized by place. In this accessible volume, Bonnie Tocher Clause tells the story of the Hoppers' visits to Vermont, their stays on the Slater farm, and their introduction to farm life. She locates the sites shown in Hopper's Vermont paintings, identifies two watercolors not previously recognized as Vermont scenes, and traces the development of Hopper's singular interpretations of the Vermont landscape. In Edward Hopper in Vermont, Clause details the provenance of the Vermont paintings through the years, tracking the history of sales leading to the works' ultimate homes with private collectors and museums. Showcasing all the Vermont paintings in color, this volume will delight both fans of Hopper's work and those who are fascinated by the story of the creation, collection, and business of producing great art.
Author: Robert Burleigh
Publisher: Macmillan
ISBN: 0805087524
Category : Juvenile Nonfiction
Languages : en
Pages : 53
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Book Description
As a boy, Edward Hopper knew exactly what he wanted to be when he grew up: on the cover of his pencil box, he wrote the words EDWARD HOPPER, WOULD-BE ARTIST. He traveled to New York and to Paris to hone his craft. And even though no one wanted to buy his paintings for a long time, he never stopped believing in his dream to be an artist. He was fascinated with painting light and shadow and his works explore this challenge. Edward Hopper's story is one of courage, resilience, and determination. In this striking picture book biography, Robert Burleigh and Wendell Minor invite young readers into the world of a truly special American painter (most celebrated for his paintings "Nighthawks" and "Gas").
Author: Edward Hopper
Publisher: Courier Corporation
ISBN: 0486258548
Category : Art
Languages : en
Pages : 50
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Book Description
Edward Hopper holds an important place in twentieth-century American art. In his scenes of urban and rural life--canvases that reveal his rare, highly focused technical accomplishment and his deep psychological penetration--he created indelible images that often convey the loneliness of persons within their environment. Highly individual, instantly recognizable, his works are among the most esteemed in collections of American art. The Whitney Museum of American Art is the biggest repository of works by Edward Hopper. In its collection are a large number of Hopper drawings, powerful works that teach us not only about Hopper's technique and vision but also about the art of drawing itself. This book presents 44 major Hopper drawings, executed in crayon, charcoal, pencil, and other primarily monochromatic media, most of them reproduced directly from originals in the museum's collection. Some of these compelling works are studies for paintings. Many reveal familiar Hopper territory: Manhattan streets, a lighthouse on the Atlantic seacoast, the rural Northeast, and more. This inexpensive edition offers a wonderful opportunity for artists and art lovers to study the unique range and evocative power of Hopper's draftsmanship. Those mastering and refining their drawing skills will discover in these pages a rich source of inspiration and instruction. Dover (1989) original publication.
Author: Vivien Green Fryd
Publisher: University of Chicago Press
ISBN: 9780226266541
Category : Art
Languages : en
Pages : 326
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Book Description
Between the two world wars, middle-class America experienced a "marriage crisis" that filled the pages of the popular press. Divorce rates were rising, birthrates falling, and women were entering the increasingly industrialized and urbanized workforce in larger numbers than ever before, while Victorian morals and manners began to break down in the wake of the first sexual revolution. Vivien Green Fryd argues that this crisis played a crucial role in the lives and works of two of America's most familiar and beloved artists, Georgia O'Keeffe (1887-1986) and Edward Hopper (1882-1967). Combining biographical study of their marriages with formal and iconographical analysis of their works, Fryd shows how both artists expressed the pleasures and perils of their relationships in their paintings. Hopper's many representations of Victorian homes in sunny, tranquil landscapes, for instance, take on new meanings when viewed in the context of the artist's own tumultuous marriage with Jo and the widespread middle-class fears that the new urban, multidwelling homes would contribute to the breakdown of the family. Fryd also persuasively interprets the many paintings of skulls and crosses that O'Keeffe produced in New Mexico as embodying themes of death and rebirth in response to her husband Alfred Stieglitz's long-term affair with Dorothy Norman. Art and the Crisis of Marriage provides both a penetrating reappraisal of the interconnections between Georgia O'Keeffe's and Edward Hopper's lives and works, as well as a vivid portrait of how new understandings of family, gender, and sexuality transformed American society between the wars in ways that continue to shape it today.
Author: Richard Diebenkorn
Publisher: Stanford University Press
ISBN: 9780804799171
Category : Artists
Languages : en
Pages : 0
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Book Description
Foreword / Connie Wolf and Alison Gass -- Private to Public / Gretchen Diebenkorn Grant -- Understanding Diebenkorn / Steven A. Nash -- Two Sides of a Coin: Reflections on Artistic Practice / Enrique Chagoya -- The Ace of Spades / Alexander Nemerov -- (With)Drawing from Mastery / Peggy Phelan -- The Sketchbooks -- Notes to Myself of Beginning a Painting / Richard Diebenkorn
Author: Fondation Beyeler (Riehen)
Publisher:
ISBN: 9783906053585
Category :
Languages : en
Pages : 145
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Book Description
Edward Hopper's world-famous, instantly recognizable paintings articulate an idiosyncratic view of modern life, unfolding in a world of lonely lighthouses, gas stations, movie theaters, bars and hotel rooms. With his impressive subjects, independent pictorial vocabulary and virtuoso play of colors, Hopper's work continues to this day to color our memory and imaginary of the United States in the first half of the 20th century. Hopper began his career as an illustrator and became famous around the globe for his oil paintings. These paintings testify to the artist's great interest in the effects of color and his mastery in depicting light and shadow, at work whether the artist was painting alienated figures in dreamlike interiors or desolate American landscapes. Edward Hopper: A Fresh Look on Landscape is published to accompany a major exhibition at the Fondation Beyeler of Hopper's iconic images of the vast American landscape. The catalog gathers together paintings, watercolors and drawings made by the artist between the 1910s and the 1960s, and supplements them with essays by Erika Doss, David Lubin and Katharina Rüppell, focused on the subject of depicting the landscape.
Author: Deborah Lyons
Publisher: Schirmer Mosel
ISBN: 9783829606028
Category : Artists' preparatory studies
Languages : en
Pages : 0
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Book Description
In his ledger books, Edward Hopper recorded paintings made and sold, accountings made and payments received, materials used and subjects considered. Juxtaposing selected ledger pages with reproductions of the respective paintings, this original Schirmer/Mosel publication documents the making of and fate of Hopper's most revered works.
