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Author: G. D. Hamann
Publisher:
ISBN:
Category : Motion picture actors and actresses
Languages : en
Pages : 111
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Book Description
Author: G. D. Hamann
Publisher:
ISBN:
Category : Motion picture actors and actresses
Languages : en
Pages : 111
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Book Description
Author: Robert Beck
Publisher: McFarland
ISBN: 1476606668
Category : Performing Arts
Languages : en
Pages : 425
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Book Description
Edward G. Robinson, a 1930s cinema icon, had an acting career that spanned more than 60 years. After a brush with silent films, he rose to true celebrity status in sound feature films and went on to take part in radio and television performances, then back to Broadway and on the road in live theatre. This work documents Robinson's every known public performance or appearance, listing co-workers, source material, background and critical commentary. The entries include feature films, documentaries, short subjects, cartoons, television and radio productions, live theatre presentations, narrations, pageants, and recordings. Also included are entries relating to his life and career, ranging from his wives to his art collection.
Author: Charles River Charles River Editors
Publisher: Createspace Independent Publishing Platform
ISBN: 9781986073547
Category :
Languages : en
Pages : 80
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Book Description
*Includes pictures *Includes a bibliography for further reading "I know I'm not much on face value, but when it comes to stage value, I'll deliver for you." - Edward G. Robinson For most enthusiasts of film history, Edward G. Robinson's name is virtually synonymous with the Depression-era gangster films of the 1930s. After all, Robinson starred in Little Caesar (1931), which was one of the first major gangster films and is perhaps the most representative example of the genre. Little Caesar remains his most iconic gangster role, but he acted in several other notable gangster films over the course of the decade, including The Little Giant (1933) and A Slight Case of Murder (1938). Even during the 1940s, after the gangster genre had ceded much of its standing to the postwar film noir genre, Robinson retained his ties to gangster films, memorably playing gangster Johnny Rocco in Key Largo (1948). With his short, round physique and irascible screen persona, Robinson became a kind of cinematic brother to James Cagney, and the two remain the most famous of the Hollywood gangster stars. As much as Robinson's fame remains attached to the rise of the gangster films of the 1930s, it also is important to recognize that he was successful in progressing into the postwar noir films-a genre that bears important similarities with the gangster genre but reworks it in significant ways. Indeed, Robinson starred in what may have been the most famous gangster picture - he played a memorable role in Double Indemnity (1944), which may well be the most famous noir movie ever made. Edward established his status as a worthy noir actor by starring in a duo of underrated Fritz Lang films-The Woman in the Window (1944) and Scarlet Street (1945)-as well as the Orson Welles movie The Stranger (1946). As his memorable noir performances demonstrate, Edward G. Robinson was more than just a famous gangster villain. He represents someone who was able to successfully navigate the changes in Hollywood cinema from the 1930s through the following decade. Interestingly, even as Robinson became a star on the screen, events off screen also made him abdicate his lofty standing. A first-generation immigrant who moved to the United States from Romania while still a child, Robinson's rise in the entertainment industry-first on stage and then in Hollywood-embodied the Horatio Alger myth of a self-made man. Lacking the conventional attractiveness that characterized most male actors (particularly leading men), it was through his sheer skill and virtuosity that Robinson was able to fashion a successful career. However, if Robinson benefited early in his career from the opportunities presented by Hollywood, it was also at the hands of the industry that his career was compromised during the early 1950s through the efforts of the House Un-American Activities Committee (HUAC). Although he was not a member of the Hollywood Ten, Robinson was a suspected Communist, and his name was tarnished within the acting community and in the eyes of the American public. He would continue to act through the end of his life, but his days as a major figure in Hollywood were brought to an abrupt end. Legends of Hollywood: The Life and Legacy of Edward G. Robinson analyzes Robinson's career in the 1930s and 1940s, as well as his real life roles as Hollywood star and victim.. Along with pictures and a bibliography, you will learn about Edward G. Robinson like never before, in no time at all.
Author: Foster Hirsch
Publisher:
ISBN: 9780515036428
Category :
Languages : en
Pages : 160
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Book Description
Author: Jerry Vermilye
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
Author: United States. Congress. House. Committee on Un-American Activities
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 54
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Book Description
Author: Larry Langman
Publisher: Greenwood
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 400
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Book Description
Recent crime films such as Scarface, the Dirty Harry series, and The Godfather have captured the American imagination, but they owe a large debt to the early crime talkies such as The Public Enemy, Paul Muni's Scarface, and Little Caesar. More than 1,000 entries are featured in this volume, complete with the names of directors, screen writers, and major players offering a wealth of data supported by plot evaluations. For the serious student of crime films, this work provides a comprehensive treatment of the genre. It is the only one-volume work that includes all crime sub-genres (detective, mystery, cops and robbers, and courtroom dramas) in addition to gangster films. The period between the end of the silent film (1927) and the general acceptance of the sound film (1929) is often referred to as a transition period. The majority of theaters were not wired for sound, so many films were released in both silent and sound versions. Some added only sound effects or music to the sound track, while others offered only brief segments of sound. The early 1930s marked the end of this transition period and firmly established the sound era. This volume pays homage to these early, often crude melodramas. The authors aim to preserve the memories of these films for their own generation and to introduce these works to a new generation thirsty for entertainment and knowledge.
Author: Sean Dennis Cashman
Publisher: NYU Press
ISBN: 0814772080
Category : History
Languages : en
Pages : 651
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Book Description
In this, the third volume of an interdisciplinary history of the United States since the Civil War, Sean Dennis Cashman provides a comprehensive review of politics and economics from the tawdry affluence of the 1920s throught the searing tragedy of the Great Depression to the achievements of the New Deal in providing millions with relief, job opportunities, and hope before America was poised for its ascent to globalism on the eve of World War II. The book concludes with an account of the sliding path to war as Europe and Asia became prey to the ambitions of Hitler and military opportunists in Japan. The book also surveys the creative achievements of America's lost generation of artists, writers, and intellectuals; continuing innovations in transportation and communications wrought by automobiles and airplanes, radio and motion pictures; the experiences of black Americans, labor, and America's different classes and ethnic groups; and the tragicomedy of national prohibition. The cast of characters includes FDR, the New Dealers, Eleanor Roosevelt, George W. Norris, William E. Borah, Huey Long, Henry Ford, Clarence Darrow, Ernest Hemingway, Scott Fitzgerald, W.E.B. DuBois, A. Philip Randolph, Orson Welles, Wendell Willkie, and the stars of radio and the silver screen. The first book in this series, America in the Gilded Age, is now accounted a classic for historiographical synthesis and stylisic polish. America in the Age of the Titans, covering the Progressive Era and World War I, and America in the Twenties and Thirties reveal the author's unerring grasp of various primary and secondary sources and his emphasis upon structures, individuals, and anecdotes about them. The book is lavishly illustrated with various prints, photographs, and reproductions from the Library of Congress, the Museum of Modern Art, and the Whitney Museum of American Art.
Author: Maureen Turim
Publisher: Routledge
ISBN: 1317916670
Category : Performing Arts
Languages : en
Pages : 307
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Book Description
The flashback is a crucial moment in a film narrative, one that captures the cinematic expression of memory, and history. This author’s wide-ranging account of this single device reveals it to be an important way of creating cinematic meaning. Taking as her subject all of film history, the author traces out the history of the flashback, illuminating that history through structuralist narrative theory, psychoanalytic theories of subjectivity, and theories of ideology. From the American silent film era and the European and Japanese avant-garde of the twenties, from film noir and the psychological melodrama of the forties and fifties to 1980s art and Third World cinema, the flashback has interrogated time and memory, making it a nexus for ideology, representations of the psyche, and shifting cultural attitudes.
Author: C. G. Crisp
Publisher: Indiana University Press
ISBN: 9780253315502
Category : Motion pictures
Languages : en
Pages : 522
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Book Description
Colin Crisp re-evaluates the stylistic evolution of the classic French cinema, and represents the New Wave film-makers as its natural heirs rather than the mould-breakers they perceived themselves to be.
