Author: Edward Kienholz
Publisher:
ISBN:
Category :
Languages : de
Pages : 176
Book Description
Edward and Nancy Kienholz
Author: Edward Kienholz
Publisher:
ISBN:
Category :
Languages : de
Pages : 176
Book Description
Publisher:
ISBN:
Category :
Languages : de
Pages : 176
Book Description
Kienholz
Author: Edward Kienholz
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 310
Book Description
Published on the occasion of a retrospective exhibition at the Whitney Museum of American Art, New York, this work is a monograph of the work of Edward Kienholz and his wife and partner, Nancy Reddin Kienholz. Starting in 1954, Edward Kienholz worked against the grain of formal abstract art, gradually forsaking painting in favour of assemblage techniques. In these works, Kienholz addressed issues of war, abortion, prostitution, government indifference and human cruelty.
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 310
Book Description
Published on the occasion of a retrospective exhibition at the Whitney Museum of American Art, New York, this work is a monograph of the work of Edward Kienholz and his wife and partner, Nancy Reddin Kienholz. Starting in 1954, Edward Kienholz worked against the grain of formal abstract art, gradually forsaking painting in favour of assemblage techniques. In these works, Kienholz addressed issues of war, abortion, prostitution, government indifference and human cruelty.
The Art Show, 1963-1977
Author: Edward Kienholz
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
Book Description
On a Scale that Competes with the World
Author: Robert L. Pincus
Publisher: Univ of California Press
ISBN: 0520328612
Category : Art
Languages : en
Pages : 682
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
Publisher: Univ of California Press
ISBN: 0520328612
Category : Art
Languages : en
Pages : 682
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
76 J.C.s Led the Big Charade
Author: Edward Kienholz
Publisher:
ISBN:
Category : Crucifixion in art
Languages : en
Pages : 100
Book Description
Publisher:
ISBN:
Category : Crucifixion in art
Languages : en
Pages : 100
Book Description
Artists Respond
Author: Melissa Ho
Publisher: Princeton University Press
ISBN: 0691191182
Category : Art
Languages : en
Pages : 417
Book Description
"Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019."
Publisher: Princeton University Press
ISBN: 0691191182
Category : Art
Languages : en
Pages : 417
Book Description
"Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019."
Kill for Peace
Author: Matthew Israel
Publisher: University of Texas Press
ISBN: 0292745435
Category : Architecture
Languages : en
Pages : 279
Book Description
“The book addresses chronologically the most striking reactions of the art world to the rise of military engagement in Vietnam then in Cambodia.” —Guillaume LeBot, Critique d’art The Vietnam War (1964–1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art world, individual artists and art collectives played a significant role in antiwar protest and inspired subsequent generations of artists. This significant story of engagement, which has never been covered in a book-length survey before, is the subject of Kill for Peace. Writing for both general and academic audiences, Matthew Israel recounts the major moments in the Vietnam War and the antiwar movement and describes artists’ individual and collective responses to them. He discusses major artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris; artists’ groups including the Art Workers’ Coalition (AWC) and the Artists Protest Committee (APC); and iconic works of collective protest art such as AWC’s Q. And Babies? A. And Babies and APC’s The Artists Tower of Protest. Israel also formulates a typology of antiwar engagement, identifying and naming artists’ approaches to protest. These approaches range from extra-aesthetic actions—advertisements, strikes, walk-outs, and petitions without a visual aspect—to advance memorials, which were war memorials purposefully created before the war’s end that criticized both the war and the form and content of traditional war memorials. “Accessible and informative.” —Art Libraries Society of North America
Publisher: University of Texas Press
ISBN: 0292745435
Category : Architecture
Languages : en
Pages : 279
Book Description
“The book addresses chronologically the most striking reactions of the art world to the rise of military engagement in Vietnam then in Cambodia.” —Guillaume LeBot, Critique d’art The Vietnam War (1964–1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art world, individual artists and art collectives played a significant role in antiwar protest and inspired subsequent generations of artists. This significant story of engagement, which has never been covered in a book-length survey before, is the subject of Kill for Peace. Writing for both general and academic audiences, Matthew Israel recounts the major moments in the Vietnam War and the antiwar movement and describes artists’ individual and collective responses to them. He discusses major artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris; artists’ groups including the Art Workers’ Coalition (AWC) and the Artists Protest Committee (APC); and iconic works of collective protest art such as AWC’s Q. And Babies? A. And Babies and APC’s The Artists Tower of Protest. Israel also formulates a typology of antiwar engagement, identifying and naming artists’ approaches to protest. These approaches range from extra-aesthetic actions—advertisements, strikes, walk-outs, and petitions without a visual aspect—to advance memorials, which were war memorials purposefully created before the war’s end that criticized both the war and the form and content of traditional war memorials. “Accessible and informative.” —Art Libraries Society of North America
Kienholz Televisions
Author: Christina Carlos
Publisher:
ISBN: 9780996641005
Category : Television in art
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780996641005
Category : Television in art
Languages : en
Pages :
Book Description
Peggy Guggenheim & Frederick Kiesler
Author: Susan Davidson
Publisher: Guggenheim Museum
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 426
Book Description
Edited by Susan Davidson and Philip Rylands Essays by Dieter Bogner, Francis V. O'Connor, Don Quaintance, Jasper Sharp and Valentina Sonzogni.
Publisher: Guggenheim Museum
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 426
Book Description
Edited by Susan Davidson and Philip Rylands Essays by Dieter Bogner, Francis V. O'Connor, Don Quaintance, Jasper Sharp and Valentina Sonzogni.
Second Sight
Author: Ellen Y. Tani
Publisher: Rizzoli International Publications
ISBN: 1785511653
Category : Art
Languages : en
Pages : 0
Book Description
This ground-breaking volume explores the experiential, psychological, and metaphorical implications of blindness and invisibility in recent American art, offering new insight into contemporary artistic practice. Featuring sculptural, sound-based, and language-based artworks, this fascinating volume explores the experiential, psychological, and metaphorical implications of blindness and invisibility in recent American art. New research addresses the paradox of why and how numerous sighted and unsighted artists, normally considered to be 'visual artists' such as William Anastasi, Robert Morris, Joseph Grigely and Lorna Simpson, have challenged the primacy of vision as a bearer of perceptual authority. Their work explores what resides on the other side of the visual field, prompting audiences to reflect upon the significance of what we cannot see, whether by choice, habit or physiological limitations, in the world around us. In so doing, they point to ways of knowing beyond what can be observed with the eyes, as well as to the invisible forces (societal, political, cultural) that govern our own frameworks of experience.
Publisher: Rizzoli International Publications
ISBN: 1785511653
Category : Art
Languages : en
Pages : 0
Book Description
This ground-breaking volume explores the experiential, psychological, and metaphorical implications of blindness and invisibility in recent American art, offering new insight into contemporary artistic practice. Featuring sculptural, sound-based, and language-based artworks, this fascinating volume explores the experiential, psychological, and metaphorical implications of blindness and invisibility in recent American art. New research addresses the paradox of why and how numerous sighted and unsighted artists, normally considered to be 'visual artists' such as William Anastasi, Robert Morris, Joseph Grigely and Lorna Simpson, have challenged the primacy of vision as a bearer of perceptual authority. Their work explores what resides on the other side of the visual field, prompting audiences to reflect upon the significance of what we cannot see, whether by choice, habit or physiological limitations, in the world around us. In so doing, they point to ways of knowing beyond what can be observed with the eyes, as well as to the invisible forces (societal, political, cultural) that govern our own frameworks of experience.