Educational Theatre for Women in Post-World War II Italy PDF Download
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Author: Daniela Cavallaro
Publisher: Springer
ISBN: 1349950963
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
This book explores an important moment in Italian women’s theatre and cultural history: plays written for all-women casts between 1946 and the mid-1960s, authored for the most part by women and performed exclusively by women. Because they featured only female roles, they concentrated on aspects of specifically women’s experience, be it their spirituality, their future lives as wives and mothers, their present lives as workers or students, or their relationships with friends, sisters and mothers. Most often performed in a Catholic environment, they were meant to both entertain and educate, reflecting the specific issues that both performers and spectators had to confront in the years between the end of the war and the beginning of the economic miracle. Drawing on material never before researched, Educational Theatre for Women in Post-World War II Italy: A Stage of Their Own recovers the life and works of forgotten women playwrights while also discussing the role models that educational theatre offered to the young Italian women coming of age in the post-war years.
Author: Daniela Cavallaro
Publisher: Springer
ISBN: 1349950963
Category : Performing Arts
Languages : en
Pages : 274
Get Book Here
Book Description
This book explores an important moment in Italian women’s theatre and cultural history: plays written for all-women casts between 1946 and the mid-1960s, authored for the most part by women and performed exclusively by women. Because they featured only female roles, they concentrated on aspects of specifically women’s experience, be it their spirituality, their future lives as wives and mothers, their present lives as workers or students, or their relationships with friends, sisters and mothers. Most often performed in a Catholic environment, they were meant to both entertain and educate, reflecting the specific issues that both performers and spectators had to confront in the years between the end of the war and the beginning of the economic miracle. Drawing on material never before researched, Educational Theatre for Women in Post-World War II Italy: A Stage of Their Own recovers the life and works of forgotten women playwrights while also discussing the role models that educational theatre offered to the young Italian women coming of age in the post-war years.
Author: Isley Lynn
Publisher: Bloomsbury Publishing
ISBN: 135032972X
Category : Performing Arts
Languages : en
Pages : 177
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Book Description
Staging Violence Against Women and Girls brings together three contemporary plays that denounce gendered violence, along with interviews with their creators and the practitioners who have staged them in different national contexts. Little Stitches (London, 2014): consisting of four short pieces by Isley Lynn, Raúl Quirós Molina, Bahar Brunton and Karis E. Halsall, this play presents Female Genital Mutilation/Cutting (FGM/C) from the points of view of by-standers, anti-FGM/C activists, health professionals, women who perpetuate the practice and, finally, survivors. 'Kubra' (Sydney, 2016): written by Dacia Maraini, this short play features a young woman who was subjected to FGM/C as a child and now, years later, brings her case to court in a search for justice. A Trial for Rape (Rome, 2018): adapted for theatre by Renato Chiocca from the international award-winning 1979 documentary of the same name, this play reveals how judicial procedures and attitudes toward sexual violence tend to turn rape survivors from accusers into accused. In their interviews, the writers, directors and producers discuss their conception and production of the works collected in Staging Violence Against Women and Girls. The plays and their creators highlight the urgency of raising awareness of these forms of violence and giving voice to survivors.
Author: Kevin J. Wetmore, Jr.
Publisher: McFarland
ISBN: 0786457791
Category : Performing Arts
Languages : en
Pages : 237
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Book Description
The relationship between the Catholic Church and theatre has a long and complicated history. This collection of fourteen critical essays seeks to demystify the ties--both practical and ideological--that have long bound Catholicism to theatrical production. This volume offers insights into medieval theatre, Jesuit drama, ballet and opera, modern stagings of medieval liturgical drama, Lorca and Lope de Vega as Catholic playwrights, Italian Catholic women's drama, Catholic play-wrighting and acting, and the unique challenges of teaching theatre in Catholic universities.
Author: Caroline Moorehead
Publisher: HarperCollins
ISBN: 0062686380
Category : History
Languages : en
Pages : 520
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Book Description
"Dramatic, heartbreaking and sweeping in scope." —Wall Street Journal The acclaimed author of A Train in Winter returns with the "moving finale" (The Economist) of her Resistance Quartet—the powerful and inspiring true story of the women of the partisan resistance who fought against Italy’s fascist regime during World War II. In the late summer of 1943, when Italy broke with the Germans and joined the Allies after suffering catastrophic military losses, an Italian Resistance was born. Four young Piedmontese women—Ada, Frida, Silvia and Bianca—living secretly in the mountains surrounding Turin, risked their lives to overthrow Italy’s authoritarian government. They were among the thousands of Italians who joined the Partisan effort to help the Allies liberate their country from the German invaders and their Fascist collaborators. What made this partisan war all the more extraordinary was the number of women—like this brave quartet—who swelled its ranks. The bloody civil war that ensued pitted neighbor against neighbor, and revealed the best and worst in Italian society. The courage shown by the partisans was exemplary, and eventually bound them together into a coherent fighting force. But the death rattle of Mussolini’s two decades of Fascist rule—with its corruption, greed, and anti-Semitism—was unrelentingly violent and brutal. Drawing on a rich cache of previously untranslated sources, prize-winning historian Caroline Moorehead illuminates the experiences of Ada, Frida, Silvia, and Bianca to tell the little-known story of the women of the Italian partisan movement fighting for freedom against fascism in all its forms, while Europe collapsed in smoldering ruins around them.
Author: Tatiana Chemi
Publisher: Springer
ISBN: 3319627880
Category : Education
Languages : en
Pages : 295
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Book Description
This book considers the pedagogy of the theatre laboratory, focusing on seminal theatre group Odin Teatret. It provides a detailed discussion of the historical background to theatre laboratories, including their conception, before moving on to specific examples of how the work at Odin Teatret crosscuts creativity, pedagogy, and research practices. The book draws on a range of insightful sources, including historical readings and previous literature, interviews with members of the theatre group, autoethnographic pieces, and personal experiences. Its unique narrative brings fresh insights into how to establish inquiry-based learning laboratories, in order to re-think higher education. It will be an invaluable resource for students and academics working on performance, creativity studies and pedagogy.
Author: Kathryn J. Atwood
Publisher: Chicago Review Press
ISBN: 161373171X
Category : Young Adult Nonfiction
Languages : en
Pages : 221
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Book Description
A Notable Social Studies Trade Book for Young People 2017 Glamorous American singer Claire Phillips opened a nightclub in manila, using the earnings to secretly feed starving American POWs. She also began working as a spy, chatting up Japanese military men and passing their secrets along to local guerrilla resistance fighters. Australian Army nurse Vivian Bullwinkel, stationed in Singapore, then shipwrecked in the the Dutch East Indies, became the sole survivor of a horrible massacre by Japanese soliders. She hid for days, tending to a seriously wounded British soldier while wounded herself. Humanitarian Elizabeth Choy lived the rest of her life hating war, though not her tormentors, after enduring six months of starvation and torture by the Japanese military police. In these pages, readers will meet these and other courageous women and girls who risked their lives through their involvement in the Pacific Theater of Operations during World War II. Fifteen suspense-filled stories unfold across China, Japan, Malaya, Singapore, the Dutch East Indies, and the Philippines, providing an inspiring reminder of womens' and girls' refusal to sit on the sidelines around the world and throughout history. These women—whose stories span 1932 to 1945, the last year of the war—served in dangerous roles as spies, medics, journalists, resisters, and saboteurs. Seven of them were captured and imprisoned by the Japanese, enduring brutal conditions. Author Kathryn J. Atwood provides appropriate context and framing for teens 14 and up to grapple with these harsh realities of war. Discussion questions and a guide for further study assist readers and educators in learning about this important and often neglected period of history.
Author: Ulrike Garde
Publisher: Routledge
ISBN: 1000209059
Category : Political Science
Languages : en
Pages : 251
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Book Description
Theatre and Internationalization examines how internationalization affects the processes and aesthetics of theatre, and how this art form responds dramatically and thematically to internationalization beyond the stage. With central examples drawn from Australia and Germany from the 1930s to the present day, the book considers theatre and internationalization through a range of theoretical lenses and methodological practices, including archival research, aviation history, theatre historiography, arts policy, organizational theory, language analysis, academic-practitioner insights, and literary-textual studies. While drawing attention to the ways in which theatre and internationalization might be contributing productively to each other and to the communities in which they operate, it also acknowledges the limits and problematic aspects of internationalization. Taking an unusually wide approach to theatre, the book includes chapters by specialists in popular commercial theatre, disability theatre, Indigenous performance, theatre by and for refugees and other migrants, young people as performers, opera and operetta, and spoken art theatre. An excellent resource for academics and students of theatre and performance studies, especially in the fields of spoken theatre, opera and operetta studies, and migrant theatre, Theatre and Internationalization explores how theatre shapes and is shaped by international flows of people, funds, practices, and works.
Author: Klaus Roth
Publisher: LIT Verlag Münster
ISBN: 3643903006
Category : Philosophy
Languages : en
Pages : 371
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Book Description
More than 20 years of rapid political, economic, social, and cultural change have turned Southeast Europe into a laboratory of transformative processes - processes that have deeply affected the structures of everyday life and that have resulted in a variety of (post-)modern life styles. The contributions by native and foreign researchers to this first of two volumes shed light on the changing practices and patterns of everyday life in Southeast Europe, many of which differ from those in other parts of Europe. The concepts of multiple modernities and post-modernity appear to be highly appropriate for a region in which - under the combined impact of post-socialist transformation, globalization, and EU integration - everyday life is marked by sharp dichotomies and tensions. Understanding these paths to (post-)modernity is relevant for those interested in the Balkans, as well as for those generally interested in processes of socio-cultural change. (Series: Ethnologia Balkanica - Vol. 15)
Author: Clifford Ashby
Publisher: University of Iowa Press
ISBN: 158729463X
Category : Drama
Languages : en
Pages : 217
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Book Description
Many dogmas regarding Greek theatre were established by researchers who lacked experience in the mounting of theatrical productions. In his wide-ranging and provocative study, Clifford Ashby, a theatre historian trained in the practical processes of play production as well as the methods of historical research, takes advantage of his understanding of technical elements to approach his ancient subject from a new perspective. In doing so he challenges many long-held views. Archaeological and written sources relating to Greek classical theatre are diverse, scattered, and disconnected. Ashby's own (and memorable) fieldwork led him to more than one hundred theatre sites in Greece, southern Italy, Sicily, and Albania and as far into modern Turkey as Hellenic civilization had penetrated. From this extensive research, he draws a number of novel revisionist conclusions on the nature of classical theatre architecture and production. The original orchestra shape, for example, was a rectangle or trapezoid rather than a circle. The altar sat along the edge of the orchestra, not at its middle. The scene house was originally designed for a performance event that did not use an up center door. The crane and ekkyklema were simple devices, while the periaktoi probably did not exist before the Renaissance. Greek theatres were not built with attention to Vitruvius' injunction against a southern orientation and were probably sun-sited on the basis of seasonal touring. The Greeks arrived at the theatre around mid-morning, not in the cold light of dawn. Only the three-actor rule emerges from this eclectic examination somewhat intact, but with the division of roles reconsidered upon the basis of the actors' performance needs. Ashby also proposes methods that can be employed in future studies of Greek theatre. Final chapters examine the three-actor production of Ion, how one should not approach theatre history, and a shining example of how one should. Ashby's lengthy hands-on training and his knowledge of theatre history provide a broad understanding of the ways that theatre has operated through the ages as well as an ability to extrapolate from production techniques of other times and places.
Author: Suzanne Leonard
Publisher: Routledge
ISBN: 1317593936
Category : Performing Arts
Languages : en
Pages : 431
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Book Description
Fifty Hollywood Directors introduces the most important, iconic and influential filmmakers who worked in Hollywood between the end of the silent period and the birth of the blockbuster. By exploring the historical, cultural and technological contexts in which each director was working, this book traces the formative period in commercial cinema when directors went from pioneers to industry heavyweights. Each entry discusses a director’s practices and body of work and features a brief biography and suggestions for further reading. Entries include: Frank Capra Cecil B DeMille John Ford Alfred Hitchcock Fritz Lang Orson Welles DW Griffith King Vidor This is an indispensible guide for anyone interested in film history, Hollywood and the development of the role of the director.
