Édouard Dujardin, Les Lauriers Sont Coupés and the Interior Monologue PDF Download
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Author: Kathleen M. McKilligan
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 130
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Book Description
Author: Kathleen M. McKilligan
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 130
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Book Description
Author: Edouard Dujardin
Publisher: New Directions Publishing
ISBN: 9780811211130
Category : Fiction
Languages : en
Pages : 186
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Book Description
A delightful period piece of Paris in the late 1880's, We'll to the Woods No More (Les lauriers sont coupés) retains its importance as the first use of the monologue intérieur and the inspiration for the stream-of-consciousness technique perfected by James Joyce. Dujardin's charming tale, told with insight and irony, recounts what goes on in the mind of a young man-about-town in love with a Parisian actress. Mallarmé described the poetry of the telling as "the instant seized by the throat." Originally published in France in 1887, the first English translation (by Joyce scholar Stuart Gilbert) was published by New Directions in 1938. In 1957 Leon Edel's perceptive historical essay reintroduced the book as "the rare and beautiful case of a minor work which launched a major movement."
Author: Kathleen M. McKilligan
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 132
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Book Description
Author: Edouard Dujardin
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 232
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Book Description
Edouard Dujardin's The Bays are Sere, first published in 1887, was the first novel written entirely in interior monologue or stream of consciousness. For a long time its impact was dormant, until James Joyce read it in 1903 and subsequently revealed its influence upon him. As a result it was republished to great acclaim in 1924, after which Dujardin wrote Interior Monologue, an essay on the origin of this style and how he came to adopt it.
Author: Vladimir Tumanov
Publisher: BRILL
ISBN: 9004657568
Category : Literary Criticism
Languages : en
Pages : 150
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Book Description
In this book literary interior monologue is considered in relation to extraliterary phenomena, as well as narrative theory. The central question posed by this study is: what makes a particular interior monologue believable, given the unobservable nature of human thought? The discussion revolves around the unobservable counterpart of literary interior monologue, i.e., what is known in psychology as inner speech. Taking various experimental findings and theories from Soviet and American research on inner speech, the author compares them with literary interior monologue and tries to account for similarities and differences. Examples of literary interior monologue are analyzed in comparison with data from the linguistic study of real oral spontaneous discourse (also known as face-to-face communication). In the context of this interdisciplinary framework four examples of literary interior monologue are considered: V.M. Garshin's Four Days (1877), E. Dujardin's Les Lauriers sont coupés (1887), A Schnitzler's Leutnant Gustl (1900) and V. Larbaud's Amants, heureux amants... (1921). The inclusion of data from psychology and research on face-to-face communication makes a unique contribution not only to narrative theory, but also to the understanding of the relationship between literary and extraliterary communication.
Author: Timothy Peter Martin
Publisher: Cambridge University Press
ISBN: 0521394872
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Timothy Martin documents Joyce's exposure to Wagner's operas, and defines a pervasive Wagnerian presence in his work.
Author: Stanley Sultan
Publisher:
ISBN: 0195362543
Category : Literary Criticism
Languages : en
Pages : 346
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Book Description
This study explores the relations of T.S. Eliot and James Joyce with certain antecedents, such as Dante, Flaubert and Baudelaire; with contemporaries including Pound and Yeats; and with their readers, in order to illuminate the authors' historic mutual venture in English literature.
Author: Vladimir Tumanov
Publisher: Rodopi
ISBN: 9789042001473
Category : Comparative literature
Languages : en
Pages : 154
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Book Description
In this book literary interior monologue is considered in relation to extraliterary phenomena, as well as narrative theory. The central question posed by this study is: what makes a particular interior monologue believable, given the unobservable nature of human thought? The discussion revolves around the unobservable counterpart of literary interior monologue, i.e., what is known in psychology as inner speech. Taking various experimental findings and theories from Soviet and American research on inner speech, the author compares them with literary interior monologue and tries to account for similarities and differences. Examples of literary interior monologue are analyzed in comparison with data from the linguistic study of real oral spontaneous discourse (also known as face-to-face communication). In the context of this interdisciplinary framework four examples of literary interior monologue are considered: V.M. Garshin's Four Days (1877), E. Dujardin's Les Lauriers sont coupés (1887), A Schnitzler's Leutnant Gustl (1900) and V. Larbaud's Amants, heureux amants... (1921). The inclusion of data from psychology and research on face-to-face communication makes a unique contribution not only to narrative theory, but also to the understanding of the relationship between literary and extraliterary communication.
Author: Robert Humphrey
Publisher: Univ of California Press
ISBN:
Category : Fiction
Languages : en
Pages : 148
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Book Description
Author: Robert Humphrey (Lecturer in Louisiana State University.)
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 146
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Book Description
