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Author: John Caldwell
Publisher: Oxford [England] ; Toronto : Clarendon Press
ISBN: 9780198161424
Category : Music
Languages : en
Pages : 125
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Book Description
This book is a guide to the editorial procedures suitable for music written from the Middle Ages to about 1830 and replaces the 1963 pamphlet by Thurston Dart, Walter Emery, and Christopher Morris. An introductory chapter on the principles of editing and transcribing is followed by three chronologically-arranged chapters: the Middle Ages and early Renaissance, the Renaissance, and Baroque and Classical periods. The final chapter deals with the preparation of copy and other practical matters. The book does not aim to describe early notations in detail; rather it is intended for the guidance of those who have already acquired a good knowledge of palaeography, notation, and source studies, and who may wish to give practical thought to the problems of presentation in the form of an edition. John Caldwell is University Lecturer in Music and a Fellow of Keble College. He has been the general editor of the Series Musica da Camera (OUP) and is general editor of Corpus of Early Keyboard Music (American Institute of Musicology.
Author: John Caldwell
Publisher: Oxford [England] ; Toronto : Clarendon Press
ISBN: 9780198161424
Category : Music
Languages : en
Pages : 125
Get Book Here
Book Description
This book is a guide to the editorial procedures suitable for music written from the Middle Ages to about 1830 and replaces the 1963 pamphlet by Thurston Dart, Walter Emery, and Christopher Morris. An introductory chapter on the principles of editing and transcribing is followed by three chronologically-arranged chapters: the Middle Ages and early Renaissance, the Renaissance, and Baroque and Classical periods. The final chapter deals with the preparation of copy and other practical matters. The book does not aim to describe early notations in detail; rather it is intended for the guidance of those who have already acquired a good knowledge of palaeography, notation, and source studies, and who may wish to give practical thought to the problems of presentation in the form of an edition. John Caldwell is University Lecturer in Music and a Fellow of Keble College. He has been the general editor of the Series Musica da Camera (OUP) and is general editor of Corpus of Early Keyboard Music (American Institute of Musicology.
Author: Theodor Dumitrescu
Publisher:
ISBN: 9782503551517
Category : Music
Languages : en
Pages : 0
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Book Description
Is editing music a fallacy? It may appear so when consulting the Oxford English Dictionary, which defines editing as to prepare an edition (of a literary work or works by an earlier author), or to prepare, set in order for publication (literary material which is wholly or in part the work of others). Of course, the parentheses readily allow the musicologist to construct a broadened definition of editing, tacitly declaring music to be akin to literature; but doing so causes a number of other discomforts, for music, while certainly not inimical to words, simply cannot be equated with literature tout court. Even so, the OED mercilessly insists on the origins of the term within the realm of literary text production. Furthermore, as if adding insult to injury, a secondary definition of editing offered by the OED-to prepare a film for the cinema or recordings for broadcasting, etc. (by eliminating unwanted material etc.) -brings music into play, but hardly in the sense it is construed in this volume, namely in its written instantiation as notation. Instead, catapulting the reader from the old-fashioned realm of ink and paper into the glittery domain of twentieth- and twenty-first century multi-media art forms and their post-Gutenbergian methods of production, storage and distribution, music editing is now made present as the cleaning-up procedure preceding the release of a new product rather than the painstaking preparation of a work or works by an earlier author for re-publication.
Author: Alon Schab
Publisher: Oxford University Press
ISBN: 0197600654
Category : Arrangement (Music)
Languages : en
Pages : 289
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Book Description
Provides instruction on three important tasks that early music performers often undertake in order to make their work more noticeable and appealing to their audiences. First, the book provides instruction on using early sources - manuscripts, prints, and treatises - in score, parts, or tablature. It then illuminates priorities behind basic editorial decisions - determining what constitutes a 'version' of a musical piece, how to choose a version, and how to choose the source for that version. Lastly, the book offers advice about arranging both early and new music for early instruments, including how to consider instruments' ranges and various registers, how to exploit the unique characteristics of period instruments, and how to produce convincing textures of accompaniment.
Author: John Caldwell
Publisher: Oxford [England] ; Toronto : Clarendon Press
ISBN:
Category : Music
Languages : en
Pages : 152
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Book Description
Since its publication in 1985, Editing Early Music has been the guide to editorial procedures suitable for music written from the Middle Ages to about 1830. For this revised edition, Caldwell has made a number of corrections, brought the bibliography up to date, and added a Postscript onstemmatics and textual criticism.
Author: Thurston Dart
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 22
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Book Description
Author: Thurston Dart
Publisher: [Oxford] Novello [1963]
ISBN:
Category : Music
Languages : en
Pages : 24
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Book Description
Author: James Grier
Publisher: Cambridge University Press
ISBN: 9780521558631
Category : Music
Languages : en
Pages : 288
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Book Description
The book follows the activities inherent in music editing, including the tasks of the editor, the nature of musical sources, and transcription. Grier also discusses the difficult decisions faced by the editor such as sources not associated with the composer and necessary editorial judgement.
Author: Margaret Bent
Publisher:
ISBN:
Category :
Languages : es
Pages : 20
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Book Description
Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 9780521104357
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume ten include: Machaut's motet 15 and the Roman de la Rose: the literary context of Amours qui a le pouoir/Faus Samblant m' a deceii/Vidi Dominum; Giulo de' Medici's music books; Parisian nobles, a Scottish princess and the woman's voice in late medieval song.
Author: Thurston Dart
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
