With Open Eyes

With Open Eyes PDF Author:
Publisher: BRILL
ISBN: 9004656162
Category : Social Science
Languages : en
Pages : 288

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Book Description

With Open Eyes

With Open Eyes PDF Author:
Publisher: BRILL
ISBN: 9004656162
Category : Social Science
Languages : en
Pages : 288

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Book Description


Ecrans D'Afrique

Ecrans D'Afrique PDF Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : fr
Pages : 300

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Sisters of the Screen

Sisters of the Screen PDF Author: Beti Ellerson
Publisher: Africa Research and Publications
ISBN:
Category : Performing Arts
Languages : en
Pages : 424

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Book Description
Whilst it is not possible to generalise about the role of African women in cinema, there is, nonetheless, evidence that a growing number of women from all parts of the continent are becoming engaged in the various mediums of film, video and television. This book looks at the diverse experiences of both female film pioneers and women film students; through a series of interviews the author discovers what motivated these women to take up film and discusses both the creative aspects of their work and their broader political concerns.

African screen

African screen PDF Author: Clement Tapsoba
Publisher:
ISBN:
Category :
Languages : un
Pages :

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African Cinema

African Cinema PDF Author: Kenneth W. Harrow
Publisher: Africa World Press
ISBN: 9780865436978
Category : Literary Criticism
Languages : en
Pages : 384

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Book Description
This collection of essays deals directly and compellingly with contemporary issues in African cinema. In particular, they address key aspects of post-colonialism and feminism - the two major topics of interest in current criticism of African films - but coverage is also given to spectatorship, national identity, ethnography, patriarchy, and the creation of key film industries in developing countries.

Encyclopedia of Arab Women Filmmakers

Encyclopedia of Arab Women Filmmakers PDF Author: Rebecca Hillauer
Publisher: American Univ in Cairo Press
ISBN: 9789774249433
Category : Art
Languages : en
Pages : 508

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Book Description
Arab women filmmakers: Who are they? What drives them? What are their experiences in a male-dominated profession? How do they function within the contexts - and constraints - of patriarchal societies? The answers are complex and sometimes surprising, as complex and surprising as the vastly different films these women direct. In this unprecedented book, Rebecca Hillauer assembles a comprehensive and penetrating look into the history of Arab women's filmmaking, as well as the political and social background of the countries - Egypt, Iraq, Lebanon, Syria, Algeria, among others - from which these artists emerged. In addition to the biographies, filmographies, and discussions of their most important works, lively, in-depth interviews allow us to hear from the filmmakers themselves. Collectively, these women, who hail from a wide range of professional, religious, and social backgrounds, provide a varied and vivid picture of what it means to work in creative and journalistic fields in the modern Arab world. For Hillauer, the subject of a film, its genesis, and the personal story of the artist who created it reveal far more than a particular approach to cinematography. Arab women filmmakers and their main characters (who are often semi-autobiographical) not only afford us a look at seldom-seen facets of Arab societies, they personify an alternative women's 'model,' one that is far removed from western clichés. Broad in scope, and rich in insight, Arab Women Filmmakers is a must read for cineastes as well as students of film, feminism, and the Middle East.

Noteworthy Francophone Women Directors

Noteworthy Francophone Women Directors PDF Author: Janis L. Pallister
Publisher: Lexington Books
ISBN: 1611474434
Category : Art
Languages : en
Pages : 237

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Book Description
"Noteworthy Francophone women directors : a sequel is a comprehensive guide that acts as both a teaching tool and a directory for research. The book begins by following films released after the publication of Pallister and Hottell's last volume, Francophone women film directors, in 2005, and stops after the Cannes film festival in 2010."--Book cover.

African Filmmaking

African Filmmaking PDF Author: Roy Armes
Publisher: Indiana University Press
ISBN: 9780253218988
Category : Business & Economics
Languages : en
Pages : 244

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Book Description
Armes offers a wealth of information and a unique perspective on the history and future of African filmmaking.

Storytelling in World Cinemas, Volume 1

Storytelling in World Cinemas, Volume 1 PDF Author: Lina Khatib
Publisher: Columbia University Press
ISBN: 0231162057
Category : Performing Arts
Languages : en
Pages : 226

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Book Description
"Storytelling in World Cinemas, Vol. 2: Contexts addresses the questions of what and why particular stories are told in films around the world, both in terms of the forms of storytelling used, and of the political, religious, historical, and social contexts informing cinematic storytelling. Drawing on films from all five continents, the book approaches storytelling from a cultural/historical multidisciplinary perspective, focusing on the influence of cultural politics, postcolonialism, women's social and cultural positions, and religious contexts on film stories."-Publisher website.

Storytelling in World Cinemas

Storytelling in World Cinemas PDF Author: Lina Khatib
Publisher: Columbia University Press
ISBN: 0231850077
Category : Performing Arts
Languages : en
Pages : 225

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Book Description
Storytelling in World Cinemas, Vol. 1: Forms is an innovative collection of essays that discuss how different cinemas of the world tell stories. The book locates European, Asian, African, and Latin American films within their wider cultural and artistic frameworks, showing how storytelling forms in cinema are infused with influences from other artistic, literary, and oral traditions. This volume also reconsiders cinematic storytelling in general, highlighting the hybridity of 'national' forms of storytelling, calling for a rethinking of African cinematic storytelling that goes beyond oral traditions, and addressing films characterised by 'non-narration'. This study is the first in a two-volume project, with the second focusing on the contexts of cinematic storytelling.