A Critical and Historical Corpus of Florentine Painting PDF Download
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Author: Richard Offner
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 526
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Book Description
Author: Richard Offner
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 526
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Book Description
Author: Klara Steinweg
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 470
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Book Description
Author: Miklós Boskovits
Publisher:
ISBN:
Category : Miniature painters
Languages : en
Pages : 638
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Book Description
Author: Christopher White
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 160
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Book Description
Author: Catherine Whistler
Publisher: Ashmolean Museum Oxford
ISBN: 9781910807156
Category : Art, High Renaissance
Languages : en
Pages : 0
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Book Description
The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.
Author: John Castagno
Publisher: Metuchen, N.J. : Scarecorw Press
ISBN:
Category : Art
Languages : en
Pages : 856
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Book Description
"The purpose of this book is the identification of artists' signatures: some 4,500 American artists and, in addition, some 600 Canadian and Latin American artists. Necessary biographical information, such as nationality, birth and death dates, is given along with bibliographical references and auction records in the form of key letters which help direct the reader to further sources of information. With each artist, there is presented at least one signature facsimile; in many cases, multiple signatures totalling nearly 10,000 examples taken from oil paintings, watercolors, drawings, and prints covering as broad a range as possible in painting styles and periods from 1800 through 1989. For the easy identification of an artist who signs his or her work with a pseudonym, monogram, symbol or indecipherable signature, there are three separate sections in the back of the book."--Introduction.
Author: William W. Robinson
Publisher: Harvard Art Museums
ISBN: 9780300093476
Category : Art
Languages : en
Pages : 299
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Book Description
This book presents highlights from the collection of Maida and George Abrams, arguably the finest private collection of Dutch seventeenth-century drawings in the world. The works range from studies by renowned masters - including Pieter Bruegel the Elder, Rembrandt van Rijn, Jacob van Ruisdael, Jacques de Gheyn II, Hendrick Goltzius, Hendrick Avercamp, among others - to drawings by lesser-known draftsmen whose contributions are essential to understanding the art of the period.
Author: Etienne Ader, Commissaire-Priseur
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
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Book Description
Author: Jeremy Elwell Adamson
Publisher: Washington, D.C. : Corcoran Gallery of Art
ISBN:
Category : Art
Languages : en
Pages : 172
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Book Description
Author: Dawson William Carr
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 88
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Book Description
"What is tempera? What is foreshortening? What is fresco? What is a pentimento? This book offers definitions of these and other techniques, processes, and materials used by painters for centuries. Its numerous illustrations--chosen from the masterpieces in the J. Paul Getty Museum and in London's National Gallery and other British institutions--provide a rich and informative history of the medium. Like other volumes in this series, Looking at Paintings presents concise and readable explanations of the technical terms most frequently encountered by museum-goers. It will be invaluable to all those wishing to increase their understanding and enjoyment of the art of painting."--Back cover.
