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Author: Kassidy-Rose McMahon
Publisher: GRIN Verlag
ISBN: 3668568588
Category : Music
Languages : en
Pages : 11
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Book Description
Document from the year 2017 in the subject Musicology - Miscellaneous, Griffith University (Queensland Conservatorium of Music), course: Bachelor of Music, language: English, abstract: This research essay analyses a published research paper by Timothy Byron and Lucinda Fowles titled "Repetition and recency increases involuntary musical imagery of previously unfamiliar songs". In addition to this, an explanation of the experimental design of a primary experiment conducted by the 1105QCM class will be provided. The results and their importance will be discussed in detail with reference to the article by Byron and Fowles. Finally, the strengths and limitations of the experiment will be examined to draw conclusions about the accuracy and reliability of the data. The research aimed to determine the relationship between familiarity, likeability, number of earworms experienced and earworm length. It was found that familiarity had no impact on the number of earworms or earworm length for a particular song, which rejected the initial hypothesis. It was discovered that the likeability of a particular song increased the number of times it occurred as an earworm and increased earworm length, which supported the hypothesis. An earworm (involuntary musical imagery, or INMI) may be described as the experience of a short tune, which becomes trapped in the mind and is heard repeatedly outside one’s conscious control. A study by Liikkanen showed 91.7% of the 12, 420 participants reported INMI at least once a week; 33.2% every day and; 26.1% several times a day (2008).
Author: Kassidy-Rose McMahon
Publisher: GRIN Verlag
ISBN: 3668568588
Category : Music
Languages : en
Pages : 11
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Book Description
Document from the year 2017 in the subject Musicology - Miscellaneous, Griffith University (Queensland Conservatorium of Music), course: Bachelor of Music, language: English, abstract: This research essay analyses a published research paper by Timothy Byron and Lucinda Fowles titled "Repetition and recency increases involuntary musical imagery of previously unfamiliar songs". In addition to this, an explanation of the experimental design of a primary experiment conducted by the 1105QCM class will be provided. The results and their importance will be discussed in detail with reference to the article by Byron and Fowles. Finally, the strengths and limitations of the experiment will be examined to draw conclusions about the accuracy and reliability of the data. The research aimed to determine the relationship between familiarity, likeability, number of earworms experienced and earworm length. It was found that familiarity had no impact on the number of earworms or earworm length for a particular song, which rejected the initial hypothesis. It was discovered that the likeability of a particular song increased the number of times it occurred as an earworm and increased earworm length, which supported the hypothesis. An earworm (involuntary musical imagery, or INMI) may be described as the experience of a short tune, which becomes trapped in the mind and is heard repeatedly outside one’s conscious control. A study by Liikkanen showed 91.7% of the 12, 420 participants reported INMI at least once a week; 33.2% every day and; 26.1% several times a day (2008).
Author: Anna Abraham
Publisher: Cambridge University Press
ISBN: 1108429246
Category : Psychology
Languages : en
Pages : 865
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Book Description
The human imagination manifests in countless different forms. We imagine the possible and the impossible. How do we do this so effortlessly? Why did the capacity for imagination evolve and manifest with undeniably manifold complexity uniquely in human beings? This handbook reflects on such questions by collecting perspectives on imagination from leading experts. It showcases a rich and detailed analysis on how the imagination is understood across several disciplines of study, including anthropology, archaeology, medicine, neuroscience, psychology, philosophy, and the arts. An integrated theoretical-empirical-applied picture of the field is presented, which stands to inform researchers, students, and practitioners about the issues of relevance across the board when considering the imagination. With each chapter, the nature of human imagination is examined - what it entails, how it evolved, and why it singularly defines us as a species.
Author: Elizabeth Hellmuth Margulis
Publisher: Oxford University Press, USA
ISBN: 0199990824
Category : Computers
Languages : en
Pages : 225
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Book Description
On Repeat offers an in-depth inquiry into music's repetitive nature. Drawing on a diverse array of fields, it sheds light on a range of issues from repetition's use as a compositional tool to its role in characterizing our behavior as listeners, and considers related implications for repetition in language, learning, and communication.
Author: Daniel Thornton
Publisher: Springer Nature
ISBN: 3030556093
Category : Religion
Languages : en
Pages : 241
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Book Description
This book analyses the most sung contemporary congregational songs (CCS) as a global music genre. Utilising a three-part music semiology, this research engages with producers, musical texts, and audiences/congregations to better understand contemporary worship for the modern church and individual Christians. Christian Copyright Licensing International data plays a key role in identifying the most sung CCS, while YouTube mediations of these songs and their associated data provide the primary texts for analysis. Producers and the production milieu are explored through interviews with some of the highest profile worship leaders/songwriters including Ben Fielding, Darlene Zschech, Matt Redman, and Tim Hughes, as well as other music industry veterans. Finally, National Church Life Survey data and a specialized survey provide insight into individual Christians’ engagement with CCS. Daniel Thornton shows how these perspectives taken together provide unique insight into the current global CCS genre, and into its possible futures.
Author: Dorthe Berntsen
Publisher: Cambridge University Press
ISBN: 0521866162
Category : Psychology
Languages : en
Pages : 243
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Book Description
This study promotes a new interpretation of involuntary autobiographical memories, a phenomenon previously defined as a sign of distress or trauma.
Author: Ronald A. Finke
Publisher: Bradford Book
ISBN: 9780262525657
Category : Psychology
Languages : en
Pages : 190
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Book Description
Imagery can be used to improve memory, perceptual skills, even creativity. Numerous experiments carried out over the past 20 years have probed the nature of mental imagery and unlocked its powers. Principles of Mental Imagery offers a broad, balanced, and up to date introduction to the major findings of this research and identifies 5 general principles that can account for most of them. It considers the development of experimental techniques that have solved many of the challenging methodological problems inherent in imagery research and includes recent experimental findings not covered in other imagery books.Principles of Mental Imagery brings together work by all of the key imagery researchers, among them Roger Shepard, Stephen Kosslyn, Allen Paivio, Lynn Cooper, Steven Pinker and the author. Chapters present new research on the role that imagery plays in human memory, new findings on how mental imagery influences perception (one of the dominant issues in modern imagery research), recent studies on "representational momentum" experimental demonstrations of how imagery can be used to make creative, visual discoveries, and recent work on imagery deficits in brain damaged patients. And, a new argument is made for why the study of mental imagery should be motivated by general principles, rather than formal models. Each chapter concludes with convenient summaries and suggestions for further exploration.Ronald A. Fluke is Associate Professor of Psychology at Texas A & M University. A Bradford Book
Author: Roger Chaffin
Publisher: Psychology Press
ISBN: 1135685452
Category : Psychology
Languages : en
Pages : 283
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Book Description
The memory feats of famous musicians seem almost superhuman. Can such extraordinary accomplishments be explained by the same principles that account for more ordinary, everyday memory abilities? To find out, a concert pianist videotaped her practice as she learned a new piece for performance, the third movement, Presto, of the Italian Concerto by J.S. Bach. The story of how the pianist went about learning, memorizing and polishing the piece is told from the viewpoints of the pianist (the second author) and of a cognitive psychologist (the first author) observing the practice. The counterpoint between these insider and outsider perspectives is framed by the observations of a social psychologist (the third author) about how the two viewpoints were reconciled. The CD that accompanies the book provides for yet another perspective, allowing the reader to hear the polished performance. Written for both psychologists and musicians, the book provides the first detailed description of how an experienced pianist organizes her practice, identifying stages of the learning process, characteristics of expert practice, and practice strategies. The main focus, however, is on memorization. An analysis of what prominent pianists of the past century have said about memorization reveals considerable disagreement and confusion. Using previous work on expert memory as a starting point, the authors show how principles of memory developed by cognitive psychologists apply to musical performance and uncover the intimate connection between memorization and interpretation.
Author: R.I. Godoy
Publisher: Routledge
ISBN: 113664704X
Category : Music
Languages : en
Pages : 338
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Book Description
An edited collection of papers which explore a large number of topics related to musical imagery. Musical imagery can be defined as our mental capacity for imagining sound in the absence of a directly-audible sound source, meaning that we can recall and re-experience or even invent new musical sound through our inner ear. The first part of the volume is focused on theoretical issues such as the history, epistemology, neurological bases, and cognitive models of musical imagery. The second part presents various applications of musical imagery in performance and composition, and provides the reader with a broad overview of the many musical activities which are concerned with musical imagery.;Musical imagery is a truly interdisciplinary subject, and it is the belief of the editors that a plurality of approaches, ranging from the introspective and philosophical to the experimental and computational, is the most fruitful strategy for exploring the subject of musical imagery.
Author: Theodor Reik
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 376
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Book Description
Author: Jack Perricone
Publisher: Hal Leonard Corporation
ISBN: 9780634006388
Category : Music
Languages : en
Pages : 222
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Book Description
Discover songwriting techniques from the hit makers! This comprehensive guide unlocks the secrets of hit songs, examining them, and revealing why they succeed. Learn to write memorable melodies and discover the dynamic relationships between melody, harmony, rhythm, and rhyme. Fine-tune your craft and start writing hits!
