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Author: Bobby Joe Leggett
Publisher: Duke University Press
ISBN: 9780822312017
Category : Poetry
Languages : en
Pages : 300
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Book Description
In recent years Nietzsche has emerged as a presiding genius of our intellectual epoch. Although scholars have noted the influence of Nietzsche's thought on Wallace Stevens, the publication of Early Stevens establishes, for the first time, the extent to which Nietzsche pervades Steven's early work. Concentrating on poems published between 1915 and 1935--but moving occasionally into later poems, as well as letters and essays--B. J. Leggett draws together texts of Stevens and Nietzsche to produce new and surprising readings of the poet's early work. For instance, "Peter Quince at the Clavier" is read in the light of Nietzsche's discussion of Apollonian and Dionysian art in The Birth of Tragedy; Stevens' early poems on religion, including principally "Sunday Morning," are seen through the perspective of Nietzsche's doctrines of the transvaluation of values, genealogy, and the innocence of becoming; Stevens' notions of femininity, virility, and poetry are examined in relation to Nietzsche's texts on gender and creativity. This intertextual critique reveals previously undisclosed ideologies operating at the margins of Stevens' work, enabling Leggett to read aspects of the poetry that have until now been unreadable. Early Stevens also considers such issues as Stevens' perspectivism, his aphoristic style, the Nietzschean epistemology of his poems of order, and the implications of notions of art, untruth, fiction, and interpretation in both Stevens and Nietzsche. Though many critics have discussed the concept of intertextuality, few have attempted a truly intertextual reading of a particular poet. Early Stevens is an exemplary model of such a reading, marking a significant advance in both the form and substance of our understanding of this quintessential modern poet.
Author: Bobby Joe Leggett
Publisher: Duke University Press
ISBN: 9780822312017
Category : Poetry
Languages : en
Pages : 300
Get Book
Book Description
In recent years Nietzsche has emerged as a presiding genius of our intellectual epoch. Although scholars have noted the influence of Nietzsche's thought on Wallace Stevens, the publication of Early Stevens establishes, for the first time, the extent to which Nietzsche pervades Steven's early work. Concentrating on poems published between 1915 and 1935--but moving occasionally into later poems, as well as letters and essays--B. J. Leggett draws together texts of Stevens and Nietzsche to produce new and surprising readings of the poet's early work. For instance, "Peter Quince at the Clavier" is read in the light of Nietzsche's discussion of Apollonian and Dionysian art in The Birth of Tragedy; Stevens' early poems on religion, including principally "Sunday Morning," are seen through the perspective of Nietzsche's doctrines of the transvaluation of values, genealogy, and the innocence of becoming; Stevens' notions of femininity, virility, and poetry are examined in relation to Nietzsche's texts on gender and creativity. This intertextual critique reveals previously undisclosed ideologies operating at the margins of Stevens' work, enabling Leggett to read aspects of the poetry that have until now been unreadable. Early Stevens also considers such issues as Stevens' perspectivism, his aphoristic style, the Nietzschean epistemology of his poems of order, and the implications of notions of art, untruth, fiction, and interpretation in both Stevens and Nietzsche. Though many critics have discussed the concept of intertextuality, few have attempted a truly intertextual reading of a particular poet. Early Stevens is an exemplary model of such a reading, marking a significant advance in both the form and substance of our understanding of this quintessential modern poet.
Author: Bruce Levine
Publisher: Simon and Schuster
ISBN: 1476793387
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
A “powerful” (The Wall Street Journal) biography of one of the 19th century’s greatest statesmen, encompassing his decades-long fight against slavery and his postwar struggle to bring racial justice to America. Thaddeus Stevens was among the first to see the Civil War as an opportunity for a second American revolution—a chance to remake the country as a genuine multiracial democracy. As one of the foremost abolitionists in Congress in the years leading up to the war, he was a leader of the young Republican Party’s radical wing, fighting for anti-slavery and anti-racist policies long before party colleagues like Abraham Lincoln endorsed them. These policies—including welcoming black men into the Union’s armies—would prove crucial to the Union war effort. During the Reconstruction era that followed, Stevens demanded equal civil and political rights for Black Americans—rights eventually embodied in the 14th and 15th amendments. But while Stevens in many ways pushed his party—and America—towards equality, he also championed ideas too radical for his fellow Congressmen ever to support, such as confiscating large slaveholders’ estates and dividing the land among those who had been enslaved. In Thaddeus Stevens, acclaimed historian Bruce Levine has written a “vital” (The Guardian), “compelling” (James McPherson) biography of one of the most visionary statesmen of the 19th century and a forgotten champion for racial justice in America.
Author: Joan Richardson
Publisher:
ISBN:
Category : Poets, American
Languages : en
Pages : 496
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Book Description
Author: Sara J. Ford
Publisher: Routledge
ISBN: 113606754X
Category : Literary Criticism
Languages : en
Pages : 148
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Book Description
This book traces the presence of the theater, both as an abstract concept and a literal space, in the plays and poetry of Gertrude Stein and Wallace Stevens as it attempts to explain the parallel depictions of consciousness that are found in both authors' work. Literary modernists inherited a self that was fallible, a self that was seen as an ultimately failed gesture of expression, and throughout much modern literature is a sense of disillusionment with more traditional notions of selfhood. As more conventional ways of thinking about consciousness became untenable, so too did conventional models of artistic expression.This book shows how Stein and Stevens provide powerful examples of this modern attempt to stage the new subject.
Author: B. J. Leggett
Publisher: LSU Press
ISBN: 0807166189
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
“If one no longer believes in God (as truth),” Wallace Stevens once wrote, “it is not possible merely to disbelieve; it becomes necessary to believe in something else. . . . I say that one's final belief must be in a fiction.” Stevens addressed the concept of a "supreme fiction" throughout much of his career, but many critics feel that his poems never realized that concept beyond a theoretical possibility. B. J. Leggett argues that Stevens did indeed achieve the supreme fiction in his often overlooked late poems. To share in the poet's vision, though, Leggett finds that readers must understand the ingenious intertext that runs through this culminating body of work. After three volumes of difficult and abstract poetry, Stevens in the last five years of his life reverted to a style that is refreshingly personal and accessible. Leggett gives close examination to The Rock, which is the closing section of Stevens's Collected Poems, and to the uncollected poems published as Opus Posthumous, supplying readers with the motifs, conventions, texts, and fictions—or intertext—on which these works' significance depends. He ultimately shows that there is a kind of master narrative in Stevens's late poems, one that is not always explicitly present but that is based on the supreme fiction. It is here that Stevens gives form to his belief. Leggett traces the development of this fiction and demonstrates how knowledge of its presence dramatically changes the reading of key poems. His discussion of Schopenhauer's influence on Stevens, together with rich analyses of major poems, challenges to conventional interpretations, and speculation on the direction Stevens's poetry might have taken had he lived longer, all make for provocative reading. Late Stevens is a book for anyone who thought they knew this poet.
Author: Kent D. Richards
Publisher:
ISBN: 9781636821139
Category : Generals
Languages : en
Pages : 0
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Book Description
Washington Territory's first governor remains as controversial today as he was to his frontier contemporaries during the Pacific Northwest's most turbulent era -- the mid-1850s. Indian wars, martial law, and bitter political disputes, as well as the establishment of a new, sound governmental system, characterized Isaac I. Stevens' years as governor (1853-1857). History professor Kent Richards counters the popular misconception that Stevens acted with haste in forcing treaties on regional tribes, thus precipitating hostilities in 1855. Richards argues that this was in fact not the case, with the possible exception of the Flathead Council. An 1839 West Point graduate, Stevens pursued an exciting and useful career for his country, being as much at ease on horseback in the wilderness as in the halls of government at the nation's capital. In addition to serving as Washington's territorial governor, Superintendent of Indian Affairs, and, eventually, delegate to the U.S. Congress, Stevens also distinguished himself in the Mexican War, the Coast Survey, and as head of the Northern Pacific transcontinental railroad survey. In the early years of the Civil War, he was appointed a major general in the Union Army. Dying as flamboyantly as he had lived, Stevens was stricken down in 1862 while charging with banner in hand toward rebel fortifications on the same battlefield where his son lay wounded. Cut short in mid-career, Stevens nonetheless left an indelible mark on the destiny of the nation's great Northwest region.
Author: State Historical Society of Wisconsin
Publisher:
ISBN:
Category : Wisconsin
Languages : en
Pages : 624
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Book Description
V.29 entitled The Attainment of statehood; v.31 entitled California letters of Lucuis Fairchild.
Author: Ian Tan
Publisher: Springer Nature
ISBN: 3030992497
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
This book is a unique contribution to scholarship of the poetics of Wallace Stevens, offering an analysis of the entire oeuvre of Stevens’s poetry using the philosophical framework of Martin Heidegger. Marking the first book-length engagement with a philosophical reading of Stevens, it uses Heidegger’s theories as a framework through which Stevens’s poetry can be read and shows how philosophy and literature can enter into a productive dialogue. It also makes a case for a Heideggerian reading of poetry, exploring his later philosophy with respect to his writing on art, language, and poetry. Taking Stevens’s repeated emphasis on the terms “being”, “consciousness”, “reality” and “truth” as its starting point, the book provides a new reading of Stevens with a philosopher who aligns poetic insight with a reconceptualization of the metaphysical significance of these concepts. It pursues the link between philosophy, American poetry as reflected through Stevens, and modernist poetics, looking from Stevens’s modernist techniques to broader European philosophical movements of the twentieth century.
Author: JoAnn Roe
Publisher: Caxton Press
ISBN: 9780870044281
Category : History
Languages : en
Pages : 196
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Book Description
Distributed by the University of Nebraska Press for Caxton Press The history of the opening of Stevens Pass through the northern Cascades into the Seattle region is a saga of nearly superhuman feats by railroad construction crews, ghastly design mistakes, natural catastrophes, and the determination of railroad owners to connect isolated communities.
Author: Thomas F. Lombardi
Publisher: Susquehanna University Press
ISBN: 9780945636793
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
"Wallace Stevens and the Pennsylvania Keystone represents the definitive work on origins as they appear in Stevens's poetry. Author Thomas Francis Lombardi, a poet himself, traces Stevens's originary influences - place, family, tradition, the feminine, ethnic heritage, and religious roots - against the cosmopolitan influences of Cambridge and New York and demonstrates the extent to which Stevens's formative and early adult years shaped his entire life and influenced the grand sweep of his poetry." "That influence spread itself across Stevens's entire canon, from the early verse through Harmonium, Ideas of Order, Parts of a World, Notes toward a Supreme Fiction, Transport to Summer, The Auroras of Autumn, The Rock, and finally Opus Posthumous. Though Lombardi acknowledges the importance of the global presence in Stevens's poetry, he argues that the hallmark of the poet's vision is the presence of his Pennsylvania provincialism and the increasing significance he attached to his roots as he grew older." "Stevens's life epitomized a personal and irresistible rite of passage toward origins, a universal odyssey that sensitive people undertake over the course of their lives - the ethnocentric pull toward the native experience. That attraction to his native soil would inform much of the content of his poetry. To this end, he wished to be one with his ancestors for the reason of experiencing a sense of identity with the provincial past, not in spite of, but because of it. Without an adequate understanding of this relationship, no in-depth comprehension of Stevens's poetry seems possible."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
