Author: Bastian Eclercy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 410
Book Description
This volume collects more than 50 masterpieces from the most important museums in the world and presents them side by side to encourage direct comparison.
The Master of Flémalle and Rogier Van Der Weyden
Author: Bastian Eclercy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 410
Book Description
This volume collects more than 50 masterpieces from the most important museums in the world and presents them side by side to encourage direct comparison.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 410
Book Description
This volume collects more than 50 masterpieces from the most important museums in the world and presents them side by side to encourage direct comparison.
The Master of Flémalle and Rogier Van Der Weyden
Author: Ursula Vorwerk
Publisher: Hatje Cantz
ISBN: 9783775723657
Category : Painting, Flemish
Languages : en
Pages : 0
Book Description
Text by Ursula Vorwerk.
Publisher: Hatje Cantz
ISBN: 9783775723657
Category : Painting, Flemish
Languages : en
Pages : 0
Book Description
Text by Ursula Vorwerk.
Rogier Van Der Weyden
Author: Dirk de Vos
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 458
Book Description
"This sumptuously illustrated volume is the first comprehensive study of Van der Weyden's work in twenty-five years. Author Dirk De Vos, who has incorporated all the latest scholarship, illuminates longstanding questions concerning Van der Weyden's early years and a number of problematic attributions."--BOOK JACKET.
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 458
Book Description
"This sumptuously illustrated volume is the first comprehensive study of Van der Weyden's work in twenty-five years. Author Dirk De Vos, who has incorporated all the latest scholarship, illuminates longstanding questions concerning Van der Weyden's early years and a number of problematic attributions."--BOOK JACKET.
Early Netherlandish Paintings
Author: Bernhard Ridderbos
Publisher: Amsterdam University Press
ISBN: 9789053566145
Category : Art
Languages : en
Pages : 506
Book Description
An illustrated scholarly analysis of the art and the cultural interpretations of the Flemish Primitives.
Publisher: Amsterdam University Press
ISBN: 9789053566145
Category : Art
Languages : en
Pages : 506
Book Description
An illustrated scholarly analysis of the art and the cultural interpretations of the Flemish Primitives.
The Flemish Primitives
Author: Dirk de Vos
Publisher:
ISBN: 9780691116617
Category : Art
Languages : en
Pages : 216
Book Description
A treasury of Northern Renaissance masterpieces focuses on key works by the "Flemish Primatives" and reflects their perspectives of the Burgundian realm's classes and culture, their use of transparent layer painting, use of symbolism, and experimentations with light. (Fine Arts)
Publisher:
ISBN: 9780691116617
Category : Art
Languages : en
Pages : 216
Book Description
A treasury of Northern Renaissance masterpieces focuses on key works by the "Flemish Primatives" and reflects their perspectives of the Burgundian realm's classes and culture, their use of transparent layer painting, use of symbolism, and experimentations with light. (Fine Arts)
Early Netherlandish Painting
Author: Max J. Friedländer
Publisher:
ISBN:
Category : Painters, Dutch
Languages : en
Pages : 258
Book Description
Publisher:
ISBN:
Category : Painters, Dutch
Languages : en
Pages : 258
Book Description
Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting
Author: Ingrid Falque
Publisher: BRILL
ISBN: 9004397604
Category : Art
Languages : en
Pages : 334
Book Description
In Devotional Portraiture and Spiritual Experience Ingrid Falque analyses the meditative functions of early Netherlandish paintings including devotional portraits, that is portraits of people kneeling in prayer. Such paintings have been mainly studied in the context of commemorative and social practices, but as Ingrid Falque shows, they also served as devotional instruments. By drawing parallels between the visual strategies of these paintings and texts of the major spiritual writers of the medieval Low Countries, she demonstrates that paintings with devotional portraits functioned as a visualisation of the spiritual process of the sitters. The book is accompanied by the first exhaustive catalogue of paintings with devotional portraits produced in the Low Countries between c. 1400 and 1550. This catalogue is available at no costs in e-format (HERE) and can also be purchased as a printed hardcover book (HERE).
Publisher: BRILL
ISBN: 9004397604
Category : Art
Languages : en
Pages : 334
Book Description
In Devotional Portraiture and Spiritual Experience Ingrid Falque analyses the meditative functions of early Netherlandish paintings including devotional portraits, that is portraits of people kneeling in prayer. Such paintings have been mainly studied in the context of commemorative and social practices, but as Ingrid Falque shows, they also served as devotional instruments. By drawing parallels between the visual strategies of these paintings and texts of the major spiritual writers of the medieval Low Countries, she demonstrates that paintings with devotional portraits functioned as a visualisation of the spiritual process of the sitters. The book is accompanied by the first exhaustive catalogue of paintings with devotional portraits produced in the Low Countries between c. 1400 and 1550. This catalogue is available at no costs in e-format (HERE) and can also be purchased as a printed hardcover book (HERE).
Ad vivum?
Author: Thomas Balfe
Publisher: BRILL
ISBN: 9004393994
Category : Art
Languages : en
Pages : 377
Book Description
The term ad vivum and its cognates al vivo, au vif, nach dem Leben and naer het leven have been applied since the thirteenth century to depictions designated as from, to or after (the) life. This book explores the issues raised by this vocabulary and related terminology with reference to visual materials produced and used in Europe before 1800, including portraiture, botanical, zoological, medical and topographical images, images of novel and newly discovered phenomena, and likenesses created through direct contact with the object being depicted. The designation ad vivum was not restricted to depictions made directly after the living model, and was often used to advertise the claim of an image to be a faithful likeness or a bearer of reliable information. Viewed as an assertion of accuracy or truth, ad vivum raises a number of fundamental questions in the area of early modern epistemology – questions about the value and prestige of visual and/or physical contiguity between image and original, about the kinds of information which were thought important and dependably transmissible in material form, and about the roles of the artist in that transmission. The recent interest of historians of early modern art in how value and meaning are produced and reproduced by visual materials which do not conform to the definition of art as unique invention, and of historians of science and of art in the visualisation of knowledge, has placed the questions surrounding ad vivum at the centre of their common concerns. Contributors: Thomas Balfe, José Beltrán, Carla Benzan, Eleanor Chan, Robert Felfe, Mechthild Fend, Sachiko Kusukawa, Pieter Martens, Richard Mulholland, Noa Turel, Joanna Woodall, and Daan Van Heesch.
Publisher: BRILL
ISBN: 9004393994
Category : Art
Languages : en
Pages : 377
Book Description
The term ad vivum and its cognates al vivo, au vif, nach dem Leben and naer het leven have been applied since the thirteenth century to depictions designated as from, to or after (the) life. This book explores the issues raised by this vocabulary and related terminology with reference to visual materials produced and used in Europe before 1800, including portraiture, botanical, zoological, medical and topographical images, images of novel and newly discovered phenomena, and likenesses created through direct contact with the object being depicted. The designation ad vivum was not restricted to depictions made directly after the living model, and was often used to advertise the claim of an image to be a faithful likeness or a bearer of reliable information. Viewed as an assertion of accuracy or truth, ad vivum raises a number of fundamental questions in the area of early modern epistemology – questions about the value and prestige of visual and/or physical contiguity between image and original, about the kinds of information which were thought important and dependably transmissible in material form, and about the roles of the artist in that transmission. The recent interest of historians of early modern art in how value and meaning are produced and reproduced by visual materials which do not conform to the definition of art as unique invention, and of historians of science and of art in the visualisation of knowledge, has placed the questions surrounding ad vivum at the centre of their common concerns. Contributors: Thomas Balfe, José Beltrán, Carla Benzan, Eleanor Chan, Robert Felfe, Mechthild Fend, Sachiko Kusukawa, Pieter Martens, Richard Mulholland, Noa Turel, Joanna Woodall, and Daan Van Heesch.
Early Netherlandish Painting: Rogier van der Weyden and the master of Flémalle
Author: Max J. Friedländer
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 270
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 270
Book Description
Early Netherlandish Painting
Author: Max J. Friedländer
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description