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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 154
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 154
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Book Description
Author: Johannes Kepler
Publisher: American Philosophical Society
ISBN: 9780871692092
Category : Science
Languages : en
Pages : 618
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Book Description
The authors have presented and interpreted Johannes Kepler's Latin text to English readers by putting it into the kind of clear but earnest language they suppose Kepler would have used if he had been writing today.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 136
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Book Description
Author: Laurie Stras
Publisher: Cambridge University Press
ISBN: 1107154073
Category : Music
Languages : en
Pages : 417
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Book Description
Rethinks and retells the history of music in sixteenth-century Ferrara, putting women, of the court and convent, at the narrative centre.
Author: Zuzana Ruzickova
Publisher:
ISBN: 1408896842
Category : Harpsichordists
Languages : en
Pages : 373
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Book Description
The remarkable memoir of Zuzana Ru ickov i, Holocaust survivor and world-famous harpsichordist. 'Extraordinary' Sunday Times 'Compelling' Daily Telegraph Zuzana Ru ickov i grew up in 1930s Czechoslovakia dreaming of two things- Johann Sebastian Bach and the piano. But her peaceful, melodic childhood was torn apart when, in 1939, the Nazis invaded. Uprooted from her home, transported from Auschwitz to Hamburg to Bergen-Belsen, bereaved, starved, and afflicted with crippling injuries to her musician's hands, the teenage Zuzana faced a series of devastating losses. Yet with every truck and train ride, a small slip of paper printed with her favourite piece of Bach's music became her talisman. Armed with this 'proof that beauty still existed', Zuzana's fierce bravery and passion ensured her survival of the greatest human atrocities of all time, and would continue to sustain her through the brutalities of post-war Communist rule. Harnessing her talent and dedication, and fortified by the love of her husband, the Czech composer Viktor Kalabis, Zuzana went on to become one of the twentieth century's most renowned musicians and the first harpsichordist to record the entirety of Bach's keyboard works. Zuzana's story, told here in her own words before her death in 2017, is a profound and powerful testimony of the horrors of the Holocaust, and a testament in itself to the importance of amplifying the voices of its survivors today. It is also a joyful celebration of art and resistance that defined the life of the 'first lady of the harpsichord' o a woman who spent her life being ceaselessly reborn through her music.
Author: Thomas Forrest Kelly
Publisher: Oxford University Press
ISBN: 0199831890
Category : Music
Languages : en
Pages : 146
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Book Description
From Gregorian chant to Bach's Brandenburg Concerti, the music of the Medieval, Renaissance, and Baroque periods is both beautiful and intriguing, expanding our horizons as it nourishes our souls. In this Very Short Introduction, Thomas Forrest Kelly provides not only a compact overview of the music itself, but also a lively look at the many attempts over the last two centuries to revive it. Kelly shows that the early-music revival has long been grounded in the idea of spontaneity, of excitement, and of recapturing experiences otherwise lost to us--either the rediscovery of little-known repertories or the recovery of lost performing styles, with the conviction that, with the right performance, the music will come to life anew. Blending musical and social history, he shows how the Early Music movement in the 1960s took on political overtones, fueled by a rebellion against received wisdom and enforced conformity. Kelly also discusses ongoing debates about authenticity, the desirability of period instruments, and the relationship of mainstream opera companies and symphony orchestras to music that they often ignore, or play in modern fashion.
Author: Matthew Gardner
Publisher: Cambridge University Press
ISBN: 1108492932
Category : Music
Languages : en
Pages : 303
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Book Description
Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.
Author: Paul Sanden
Publisher: Routledge
ISBN: 0415895405
Category : Art
Languages : en
Pages : 222
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Book Description
This study investigates the idea and practice of liveness in modern music.. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts--tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Early Music America, headquartered in Cleveland, Ohio, is a nonprofit organization that is dedicated to historical performance in North America. The association publishes the quarterly magazine "Early Music America," as well as an annual membership directory. The organization offers a calendar of concerts and information about festivals, workshops, and membership.
Author: Laura Lohman
Publisher: Oxford University Press, USA
ISBN: 0190930616
Category : History
Languages : en
Pages : 345
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Book Description
Following the Revolutionary War, Americans were obsessed with politics and the newspapers that reported it. Music made front page news and brought men to blows. Hail Columbia! is the compelling story of of how Americans ranging from presidents to craftsmen cultivated music to fuel heatedpartisan debates over the future of the young republic during this a crucial period in the nation's history. Through music, they debated the meaning of liberty, the nature of the republic, and Americans' proper place within it. Using music for both propaganda and protest, they called for allegianceto a new federal government, spread utopian visions of worldwide revolution, blasted infringements on American freedoms, and spun compelling myths of national military might.In Hail Columbia!, author Laura Lohman uncovers hundreds of songs circulated in newspapers, broadsides, song collections, sheet music, manuscripts, and scrapbooks to fill a major gap in our understanding of American music between the Revolutionary and antebellum eras. Making extensive use ofnewspapers as a primary musical source and treating contrafact as a topic worthy of serious musical scholarship, Lohman traces how Americans as diverse as elite lawyers, immigrant actresses, humble craftsmen, and African American abolitionists used music for specific political purposes. Unpackingthe partisan and propagandist uses of songs commonly thought to be patriotic or national, she traces how Americans put well-known tunes like "Yankee Doodle" and "The Star-Spangled Banner" to disparate political ends when giving them new lyrics. As Lohman shows, such songs were a staple ofelectioneering, tavern gatherings, presidential encomia, street theatre, and community celebrations on occasions like July 4. Through song, Americans called their neighbors and fellow citizens to hail the nation, a nation defined in partisan terms.
