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Author: Kenneth Parker
Publisher: Routledge
ISBN: 1135637407
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Kenneth Parker
Publisher: Routledge
ISBN: 1135637407
Category : Literary Criticism
Languages : en
Pages : 301
Get Book Here
Book Description
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Aidan Norrie
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513745
Category : Drama
Languages : en
Pages : 283
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Book Description
This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers.
Author: S. P. Cerasano
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838641194
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
Medieval and Renaissance Drama in England is an international volume published annually. Each volume contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama before 1642. Volume 19 reflects a variety of scholarly interests. The collection opens with two essays - each exploring different aspects of John Webster and James Shirley - that further our understanding of attribution studies. One essay - on the ownership of the Bell Savage Playhouse - showcases MaRDiE's ongoing interest in early playhouses, while another - on Marston's Entertainment at Ashby - addresses performance history. Two further essays discuss issues related to stage costuming. Issues of actual identity are raised in an essay concerning John Lyly's biography, while two other authors probe the complex connections between drama and economics. William Rowley's All Lost by Lust becomes the centerpiece for a reassessment of rape tragedy. S. P. Cerasano is the Edgar W. B. Fairchild Professor of Literature at Colgate University.
Author: Chloë Houston
Publisher: Springer Nature
ISBN: 3031226186
Category : History
Languages : en
Pages : 300
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Book Description
This book is a study of the representation of the Persian empire in English drama across the early modern period, from the 1530s to the 1690s. The wide focus of this book, encompassing thirteen dramatic entertainments, both canonical and little-known, allow it to trace the changes and developments in the dramatic use of Persia and its people across one and a half centuries. It explores what Persia signified to English playwrights and audiences in this period; the ideas and associations conjured up by mention of ‘Persia’; and where information about Persia came from. It also considers how ideas about Persia changed with the development of global travel and trade, as English people came into people with Persians for the first time. In addressing these issues, this book provides an examination not only of the representation of Persia in dramatic material, but of the broader relationship between travel, politics and the theatre in early modern England.
Author: Rosalind Ballaster
Publisher: Oxford University Press, USA
ISBN: 0199267332
Category : Literary Criticism
Languages : en
Pages : 423
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Book Description
The first book-length study of the oriental tale in England since 1908, Fabulous Orients is an original work of criticism which illustrates the centrality of narratives of and from the eastern territories of Turkey, Persia, China, and India in the formation of the novel and constructions of western identity in a culture on the threshold of empire.
Author: Eva Johanna Holmberg
Publisher: Springer Nature
ISBN: 3030972283
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
British travellers regarded all inhabitants of the seventeenth-century Ottoman empire as ‘slaves of the sultan’, yet they also made fine distinctions between them. This book provides the first historical account of how British travellers understood the non-Muslim peoples they encountered in Ottoman lands, and of how they perceived and described them in the mediating shadow of the Turks. In doing so it changes our perceptions of the European encounter with the Ottomans by exploring the complex identities of the subjects of the Ottoman empire in the English imagination, de-centering the image of the ‘Terrible Turk’ and Islam.
Author: Justin J. Meggitt
Publisher: Wipf and Stock Publishers
ISBN: 1498291945
Category : History
Languages : en
Pages : 109
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Book Description
Early Quaker encounters with Muslims in the seventeenth century helped generate some of the most distinctive and, at times, sympathetic Christian responses to Islam found in the early modern era. Texts such as George Fox's To the Great Turk (1680), in which he engaged in extensive, constructive exegesis of the Qur'an, demonstrate a conception of Islam and Muslims that disrupts many prevailing assumptions of the period. Some responses are all the more striking as they came about as a reaction to the enslavement of a number of Quakers by Muslims in North Africa, where, paradoxically, they often experienced religious freedom denied them at home. This study seeks to understand how and why this heterodox Christian sect created such unusual interpretations of Islam by analyzing the experience of these slaves and scrutinizing the distinctive, oppositional culture of the movement to which they belonged. The work has implications that go beyond the specific subject of study and raises questions about the role that such things as apocalypticism and sectarianism can play in interreligious encounters, and the analytical limitations of Orientalism in characterizing Christian representations of Islam in the early modern period.
Author: Michael Hattaway
Publisher: John Wiley & Sons
ISBN: 9781444319026
Category : Literary Criticism
Languages : en
Pages : 1264
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Book Description
In this revised and greatly expanded edition of theCompanion, 80 scholars come together to offer an originaland far-reaching assessment of English Renaissance literature andculture. A new edition of the best-selling Companion to EnglishRenaissance Literature, revised and updated, with 22 newessays and 19 new illustrations Contributions from some 80 scholars including Judith H.Anderson, Patrick Collinson, Alison Findlay, Germaine Greer,Malcolm Jones, Arthur Kinney, James Knowles, Arthur Marotti, RobertMiola and Greg Walker Unrivalled in scope and its exploration of unfamiliar literaryand cultural territories the Companion offers new readingsof both ‘literary’ and ‘non-literary’texts Features essays discussing material culture, sectarian writing,the history of the body, theatre both in and outside theplayhouses, law, gardens, and ecology in early modern England Orientates the beginning student, while providing advancedstudents and faculty with new directions for theirresearch All of the essays from the first edition, along with therecommendations for further reading, have been reworked orupdated
Author: Constance Caroline Relihan
Publisher: Kent State University Press
ISBN: 9780873388115
Category : History
Languages : en
Pages : 178
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Book Description
In Cosmographical Glasses Constance Relihan examines the ways in which sixteenth-century English texts - traveler's reports, ethnographic studies, and geographic guides - provide the foundation for how fictional prose of the period envisions the locations in which its tales are set. Relihan suggests that this nonfictional discourse becomes central to how the fictional prose of the period imagines cultural identity, fictional purpose, and gender identity. Places and cultures were defined in opposition to each other in early modern romances. In the examples in Cosmographical Glasses, writers attempt to define the spaces of their texts in an effort to identify what it means to be male, English, and Elizabethan. pieces seize the spirit of ethnographic and geographic texts, as well as the ways in which historically identifiable and overtly fictional places were used to complicate representations of utopian fantasies. A number of prose romances and novella collections and their use of historical and geographical facts are analyzed in order to explore the associations between the genre, the discourses of colonialism, and the construction of gender. These texts become glasses that reflect and refract the social and cultural realities of early modern England. Those interested in sixteenth- and seventeenth-century English literature, the history of the novel, and the influence of travel literature on fictional texts will appreciate Cosmographical Glasses.
Author: Nicole Pohl
Publisher: Routledge
ISBN: 1351871420
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
The first full length study of women's utopian spatial imagination in the seventeenth and eigtheenth centuries, this book explores the sophisticated correlation between identity and social space. The investigation is mainly driven by conceptual questions and thus seeks to link theoretical debates about space, gender and utopianism to historiographic debates about the (gendered) social production of space. As Pohl's primary aim is to demonstrate how women writers explore the complex (gender) politics of space, specific attention is given to spaces that feature widely in contemporary utopian imagination: Arcadia, the palace, the convent, the harem and the country house. The early modern writers Lady Mary Wroth and Margaret Cavendish seek to recreate Paradise in their versions of Eden and Jerusalem; the one yearns for Arcadia, the other for Solomon's Temple. Margaret Cavendish and Mary Astell redefine the convent as an emancipatory space, dismissing its symbolic meaning as a confining and surveilled architecture. The utopia of the country house in the work of Delarivier Manley, Sarah Scott and Mary Hamilton will reveal how women writers resignify the traditional metonym of the country estate. The study will finish with an investigation of Oriental tales and travel writing by Ellis Cornelia Knight, Lady Mary Montagu, Elizabeth Craven and Lady Hester Stanhope who unveil the seraglio as a location for a Western, specifically masculine discourse on Orientalism, despotism and female sexuality and offers their own utopian judgment.
