Early Medieval Art, 300-1150 PDF Download
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Author: Caecilia Davis-Weyer (red.)
Publisher: University of Toronto Press
ISBN: 9780802066282
Category : Art
Languages : en
Pages : 196
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Book Description
Originally published by Prentice-Hall, 1971.
Author: Caecilia Davis-Weyer (red.)
Publisher: University of Toronto Press
ISBN: 9780802066282
Category : Art
Languages : en
Pages : 196
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Book Description
Originally published by Prentice-Hall, 1971.
Author: Caecilia Davis-Weyer
Publisher:
ISBN:
Category : Art, Mediaeval
Languages : en
Pages : 182
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Book Description
Author: Cäcilia Davis-Weyer
Publisher:
ISBN:
Category :
Languages : en
Pages : 178
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Book Description
Author: R. A. Stalley
Publisher: Oxford University Press, USA
ISBN: 9780192842237
Category : Architecture
Languages : en
Pages : 276
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Book Description
Drawing on new work published over the past twenty years, the author offers a history of building in Western Europe from 300 to 1200. Medieval castles, church spires, and monastic cloisters are just some of the areas covered.
Author: Benjamin Anderson
Publisher: Yale University Press
ISBN: 030022849X
Category : Art
Languages : en
Pages : 213
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Book Description
In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states—the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, Cosmos and Community in Early Medieval Art illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history.
![The Early Medieval World [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/iOTNEAAAQBAJ?fife=w80-h100)
Author: Michael Frassetto
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 613
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Book Description
This book examines a pivotal period in ancient human history: the fall of the Roman Empire and the birth of a new European civilization in the early Middle Ages. The Early Medieval World: From the Fall of Rome to the Time of Charlemagne addresses the social and material culture of this critical period in the evolution of Western society, covering the social, political, cultural, and religious history of the Mediterranean world and northern Europe. The two-volume set explains how invading and migrating barbarian tribes—spurred by raiding Huns from the steppes of Central Asia—contributed to the fall of the Western Roman Empire, and documents how the blending of Greco-Roman, Germanic, and Christian cultures birthed a new civilization in Western Europe, creating the Christian Church and the modern nation-state. A-Z entries discuss political transformation, changing religious practices in daily life, sculpture and the arts, material culture, and social structure, and provide biographies of important men and women in the transitional period of late antiquity. The work will be extremely helpful to students learning about the factors that contributed to the decline of the Roman Empire—an important and common topic in world history curricula.
Author: Veronica Sekules
Publisher: Oxford University Press
ISBN: 9780192842411
Category : Art
Languages : en
Pages : 246
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Book Description
This refreshing new look at Medieval art conveys a very real sense of the impact of art on everyday life in Europe from 1000 to 1500. It examines the importance of art in the expression and spread of knowledge and ideas, including notions of the heroism and justice of war, and the dominant view of Christianity. Taking its starting point from issues of contemporary relevance, such as the environment, the identity of the artist, and the position of women, the book also highlights the attitudes and events specific to the sophisticated visual culture of the Middle Ages, and goes on to link this period to the Renaissance. The fascinating question of whether commercial and social activities between countries encouraged similar artistic taste and patronage, or contributed to the defining of cultural difference in Europe, is fully explored.
Author: Robert G. Calkins
Publisher: Cornell University Press
ISBN: 9780801493065
Category : Architecture
Languages : en
Pages : 348
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Book Description
This richly illustrated and scholarly study traces the development of art through the Middle Ages, from the early Christian catacombs of Italy and the treasures of Sutton Hoo to the masterpieces of Romanesque cathedrals and illuminated manuscripts.
Author: Teresa Grace Frisch
Publisher: University of Toronto Press
ISBN: 9780802066794
Category : Art
Languages : en
Pages : 196
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Book Description
An anthology offering a chronological assessment of a whole range of technical documents on art written by and for clerks, laymen, churchmen, lawyers, city magistrates, and guilds, this text reveals differences in milieu, customs , resources and psychology during different periods. First Published in 1971 by Prentice Hall.
Author: Heidi C. Gearhart
Publisher: Penn State Press
ISBN: 0271079819
Category : Art
Languages : en
Pages : 519
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Book Description
In this study of the rare twelfth-century treatise On Diverse Arts, Heidi C. Gearhart explores the unique system of values that guided artists of the High Middle Ages as they created their works. Written in northern Germany by a monk known only by the pseudonym Theophilus, On Diverse Arts is the only known complete tract on art to survive from the period. It contains three books, each with a richly religious prologue, describing the arts of painting, glass, and metalwork. Gearhart places this one-of-a-kind treatise in context alongside works by other monastic and literary thinkers of the time and presents a new reading of the text itself. Examining the earliest manuscripts, she reveals a carefully ordered, sophisticated work that aligns the making of art with the virtues of a spiritual life. On Diverse Arts, Gearhart shows, articulated a distinctly medieval theory of art that accounted for the entire process of production—from thought and preparation to the acquisition of material, the execution of work, the creation of form, and the practice of seeing. An important new perspective on one of the most significant texts in art history and the first study of its kind available in English, Theophilus and the Theory and Practice of Medieval Art provides fresh insight into the principles and values of medieval art making. Scholars of art history, medieval studies, and Christianity will find Gearhart’s book especially edifying and valuable.
