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Author: Olivier Dufault
Publisher:
ISBN: 9781939926135
Category : History
Languages : en
Pages : 168
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Book Description
Early Greek Alchemy, Patronage and Innovation in Late Antiquity provides an example of the innovative power of ancient scholarly patronage by looking at a key moment in the creation of the Greek alchemical tradition. New evidence on scholarly patronage under the Roman empire can be garnered by analyzing the descriptions of learned magoi in several texts from the second to the fourth century CE. Since a common use of the term magos connoted flatterer-like figures (kolakes), it is likely that the figures of "learned sorcerers" found in texts such as Lucian's Philopseudes and the apocryphal Acts of Peter captured the notion that some client scholars exerted undue influence over patrons. The first known author of alchemical commentaries, Zosimus of Panopolis (c. 300 CE), presented himself neither as a magos nor as an alchemist. In his treatises, he rather appears as a Christian scholar and the client of a rich woman named Theosebeia. In three polemical letters to his patroness, Zosimus attempted to discredit rival specialists of alchemy by describing them as magoi and demon-worshippers and by equating their techniques with Egyptian temple practice. In a subtler attempt to edge out his competitors, Zosimus pointed to their limited education and suggested that true alchemy could only be acquired by a meticulous interpretation of Greek alchemical texts. Extant evidence thus suggests that alchemical texts were first introduced among other Greek scholarly traditions when Zosimus annexed Egyptian temple rituals into the ambit of paideia thanks to the support and venue provided by his patroness.
Author: Olivier Dufault
Publisher:
ISBN: 9781939926135
Category : History
Languages : en
Pages : 168
Get Book Here
Book Description
Early Greek Alchemy, Patronage and Innovation in Late Antiquity provides an example of the innovative power of ancient scholarly patronage by looking at a key moment in the creation of the Greek alchemical tradition. New evidence on scholarly patronage under the Roman empire can be garnered by analyzing the descriptions of learned magoi in several texts from the second to the fourth century CE. Since a common use of the term magos connoted flatterer-like figures (kolakes), it is likely that the figures of "learned sorcerers" found in texts such as Lucian's Philopseudes and the apocryphal Acts of Peter captured the notion that some client scholars exerted undue influence over patrons. The first known author of alchemical commentaries, Zosimus of Panopolis (c. 300 CE), presented himself neither as a magos nor as an alchemist. In his treatises, he rather appears as a Christian scholar and the client of a rich woman named Theosebeia. In three polemical letters to his patroness, Zosimus attempted to discredit rival specialists of alchemy by describing them as magoi and demon-worshippers and by equating their techniques with Egyptian temple practice. In a subtler attempt to edge out his competitors, Zosimus pointed to their limited education and suggested that true alchemy could only be acquired by a meticulous interpretation of Greek alchemical texts. Extant evidence thus suggests that alchemical texts were first introduced among other Greek scholarly traditions when Zosimus annexed Egyptian temple rituals into the ambit of paideia thanks to the support and venue provided by his patroness.
Author: Olivier Dufault
Publisher: Lulu.com
ISBN: 1939926122
Category : History
Languages : en
Pages : 180
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Book Description
Early Greek Alchemy, Patronage and Innovation in Late Antiquity provides an example of the innovative power of ancient scholarly patronage by looking at a key moment in the creation of the Greek alchemical tradition. New evidence on scholarly patronage under the Roman empire can be garnered by analyzing the descriptions of learned magoi in several texts from the second to the fourth century CE. Since a common use of the term magos connoted flatterer-like figures (kolakes), it is likely that the figures of "learned sorcerers" found in texts such as Lucian's Philopseudes and the apocryphal Acts of Peter captured the notion that some client scholars exerted undue influence over patrons. The first known author of alchemical commentaries, Zosimus of Panopolis (c. 300 CE), presented himself neither as a magos nor as an alchemist. In his treatises, he rather appears as a Christian scholar and the client of a rich woman named Theosebeia. In three polemical letters to his patroness, Zosimus attempted to discredit rival specialists of alchemy by describing them as magoi and demon-worshippers and by equating their techniques with Egyptian temple practice. In a subtler attempt to edge out his competitors, Zosimus pointed to their limited education and suggested that true alchemy could only be acquired by a meticulous interpretation of Greek alchemical texts. Extant evidence thus suggests that alchemical texts were first introduced among other Greek scholarly traditions when Zosimus annexed Egyptian temple rituals into the ambit of paideia thanks to the support and venue provided by his patroness.
Author: Tobias Churton
Publisher: Simon and Schuster
ISBN: 1644116847
Category : Body, Mind & Spirit
Languages : en
Pages : 395
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Book Description
Explores the origins and practices of early alchemy • Examines the oldest surviving alchemical texts, the original purpose of the “Royal Art,” and the first alchemists, showing how women dominated early alchemy • Looks at the historical setting for the first alchemists, with detailed accounts of their apparatus, recipes, chemical processes, and the ingredients they used • Reveals how changing the color of materials was more important in early alchemy than transmuting base metals into gold Investigating the origins of alchemy and the legend of the Philosopher’s Stone, Tobias Churton explores the oldest surviving alchemical texts, the original purpose of the “Royal Art,” and the first alchemists themselves. He reveals the theories and philosophies behind the art and how early apparatus and methods were employed by alchemists through the ages. Showing how women dominated early alchemy, Churton looks at the first known alchemist, the Jewess Maria the Prophetess, inventor of the bain marie, still in use worldwide today. He also looks at early alchemist Cleopatra (not the well-known Egyptian queen) and 3rd–4th century Egyptian female artisan Theosebeia, who had a guild of adepts working under her. He examines in depth the work of Zosimos of Panopolis and shows how Zosimos’s historic work inspired the medieval view of alchemy as an initiatory path whose stages follow the transmutation of base metals into gold. Exploring the latest research on early practices in Upper Egypt, the author discusses the political and industrial realities facing the first alchemists. He examines the late antique “Stockholm” and “Leiden” papyri, which offer detailed knowledge of the first known Greco-Egyptian chemical recipes for gold and silver dyes for metal and stone, and purple dyes for wool. He emphasizes how changing color in early alchemy was misinterpreted to imply transmutation of one metal into another. He reveals how the alchemical secrets for working with the “living statues” of the Egyptian temples was jealously guarded by the priesthood and how secrecy helped to reinforce beliefs that alchemical knowledge came from forbidden, celestial sources. He also investigates the mysterious relation between alchemy, spiritual gnosis, Hermeticism, and the Book of Enoch. Revealing the hidden legacy of the early alchemists, Churton shows how their secret workings provided a transmission line for ancient heretical doctrines to survive into the Renaissance and beyond.
Author: Mark Edwards
Publisher: Routledge
ISBN: 1134855982
Category : Education
Languages : en
Pages : 671
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Book Description
This volume offers the most comprehensive survey available of the philosophical background to the works of early Christian writers and the development of early Christian doctrine. It examines how the same philosophical questions were approached by Christian and pagan thinkers; the philosophical element in Christian doctrines; the interaction of particular philosophies with Christian thought; and the constructive use of existing philosophies by all Christian thinkers of late antiquity. While most studies of ancient Christian writers and the development of early Christian doctrine make some reference to the philosophic background, this is often of an anecdotal character, and does not enable the reader to determine whether the likenesses are deep or superficial, or how pervasively one particular philosopher may have influenced Christian thought. This volume is designed to provide not only a body of facts more compendious than can be found elsewhere, but the contextual information which will enable readers to judge or clarify the statements that they encounter in works of more limited scope. With contributions by an international group of experts in both philosophy and Christian thought, this is an invaluable resource for scholars of early Christianity, Late Antiquity and ancient philosophy alike.
Author: Jared Secord
Publisher: Penn State Press
ISBN: 0271087641
Category : History
Languages : en
Pages : 124
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Book Description
Early in the third century, a small group of Greek Christians began to gain prominence and legitimacy as intellectuals in the Roman Empire. Examining the relationship that these thinkers had with the broader Roman intelligentsia, Jared Secord contends that the success of Christian intellectualism during this period had very little to do with Christianity itself. With the recognition that Christian authors were deeply engaged with the norms and realities of Roman intellectual culture, Secord examines the thought of a succession of Christian literati that includes Justin Martyr, Tatian, Julius Africanus, and Origen, comparing each to a diverse selection of his non-Christian contemporaries. Reassessing Justin’s apologetic works, Secord reveals Christian views on martyrdom to be less distinctive than previously believed. He shows that Tatian’s views on Greek culture informed his reception by Christians as a heretic. Finally, he suggests that the successes experienced by Africanus and Origen in the third century emerged as consequences not of any change in attitude toward Christianity by imperial authorities but of a larger shift in intellectual culture and imperial policies under the Severan dynasty. Original and erudite, this volume demonstrates how distorting the myopic focus on Christianity as a religion has been in previous attempts to explain the growth and success of the Christian movement. It will stimulate new research in the study of early Christianity, classical studies, and Roman history.
Author: Christopher Faraone
Publisher: University of Michigan Press
ISBN: 0472133276
Category : History
Languages : en
Pages : 563
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Book Description
Essays on the magical handbooks of Greco-Roman Egypt
Author: Paul Turquand Keyser
Publisher: Oxford University Press
ISBN: 0199734143
Category : History
Languages : en
Pages : 1065
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Book Description
With a focus on science in the ancient societies of Greece and Rome, including glimpses into Egypt, Mesopotamia, India and China, 'The Oxford Handbook of Science and Medicine in the Classical World' offers an in depth synthesis of science and medicine circa 650 BCE to 650 CE. 0The Handbook comprises five sections, each with a specific focus on ancient science and medicine. The Handbook provides through each of its approximately four dozen essays, a synthesis and synopsis of the concepts and models of the various ancient natural sciences, covering the early Greek era through the fall of the Roman Republic, including essays that explore topics such as music theory, ancient philosophers, astrology, and alchemy.
Author: Shannon Grimes
Publisher:
ISBN: 9780473407759
Category : Alchemy
Languages : en
Pages : 290
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Book Description
FOREMOST among the alchemists of the Hellenized world, the "divine" Zosimos practiced a sacred art in which metaphysical and metallurgical realities were fundamentally intertwined. Rather than being an exclusive product of Alexandrian syncretism, however, the dual spiritual and material emphasis of this alchemy reveals much deeper roots than expected: roots which extend deep into the religious cultures of the Ancient Near East. Through the methods of "cultural biography" and "thick description," Becoming Gold guides the reader deep into the temple culture of Roman Egypt, where the role of scribal priest intersects explicitly with the metallurgical craft traditions. Going beyond generalizations, Grimes explores the metal-coloring techniques developed in Egyptian polychromic statuary, as well as the rituals of statue animation performed by the priests of the House of Life. In this light, Zosimos is increasingly revealed as a scribal priest responsible for preserving and translating ancient Egyptian metallurgical recipes; a high-ranking goldsmith who oversaw temple statue makers. Against the wider backdrop of late antique religion and philosophy, Grimes also details the fascinating connections between alchemy, theurgy, and gnosticism. Here, Zosimos's spiritual attitudes are explored through the daimonic versus astrological influences upon alchemical operations; meditative practices using mirrors of electrum to attain divine gnosis; and the overarching imperative to transform the bonds of embodiment into vehicles for divinity. Zosimos reveals an alchemy in which spiritual and material realities are ultimately nondual; in which metals becomes living bodies for divine spirits; and in which the immortal soul--luminous and golden--radiates through its material forms.
Author: Warburg Institute
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 380
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Book Description
Author: Jacob A. Latham
Publisher: Cambridge University Press
ISBN: 1316692426
Category : History
Languages : en
Pages : 369
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Book Description
The pompa circensis, the procession which preceded the chariot races in the arena, was both a prominent political pageant and a hallowed religious ritual. Traversing a landscape of memory, the procession wove together spaces and institutions, monuments and performers, gods and humans into an image of the city, whose contours shifted as Rome changed. In the late Republic, the parade produced an image of Rome as the senate and the people with their gods - a deeply traditional symbol of the city which was transformed during the empire when an imperial image was built on top of the republican one. In late antiquity, the procession fashioned a multiplicity of Romes: imperial, traditional, and Christian. In this book, Jacob A. Latham explores the webs of symbolic meanings in the play between performance and itinerary, tracing the transformations of the circus procession from the late Republic to late antiquity.
