Early English Stages, 1300 to 1660: Plays and their makers to 1576 PDF Download
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Author: Glynne William Gladstone Wickham
Publisher: Columbia University Press
ISBN: 9780231089388
Category : English drama
Languages : en
Pages : 408
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Book Description
Author: Glynne William Gladstone Wickham
Publisher: Columbia University Press
ISBN: 9780231089388
Category : English drama
Languages : en
Pages : 408
Get Book Here
Book Description
Author: Glynne Wickham
Publisher: Routledge
ISBN: 113628897X
Category : Performing Arts
Languages : en
Pages : 404
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Book Description
This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.
Author: Glynne Wickham
Publisher: Routledge
ISBN: 1136288392
Category : Performing Arts
Languages : en
Pages : 465
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Book Description
This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.
Author: Glynne Wickham
Publisher: Routledge
ISBN: 1136288694
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.
Author: Glynne William Gladstone Wickham
Publisher: Psychology Press
ISBN: 9780415197830
Category : Performing Arts
Languages : en
Pages : 524
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Book Description
This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.
Author: Glynne William Gladstone Wickham
Publisher: Psychology Press
ISBN: 9780415197854
Category : Theater
Languages : en
Pages : 320
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Book Description
Author: Glynne Wickham
Publisher: Taylor & Francis
ISBN: 1000949540
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
First published in 2002.This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.
Author: John D. Cox
Publisher: Columbia University Press
ISBN: 9780231102438
Category : Drama
Languages : en
Pages : 590
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Book Description
Twenty-six original essays by leading theorists and historians of the pre-seventeenth-century English stage chart a paradigmatic shift within the field. In contrast to the traditional emphasis on individual authors, the contributors to this storehouse of new historical information and critical insight explore the place of the stage within the larger society, as well as issues of performance and physical space, providing an innovative approach to both literary studies and cultural history.
Author: Annette Drew-Bear
Publisher: Bucknell University Press
ISBN: 9780838752302
Category : Drama
Languages : en
Pages : 158
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Book Description
She also shows that in Renaissance comedy, playwrights exploited the many bawdy meanings of fucus, or cosmetic paint, to dramatize that "theres knauery in dawbing.".
Author: Chanita Goodblatt
Publisher: Routledge
ISBN: 1317111060
Category : Literary Criticism
Languages : en
Pages : 422
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Book Description
English Biblical drama of the sixteenth century resounds with a variety of Jewish and Christian voices. Whether embodied as characters or manifested as exegetical and performative strategies, these voices participate in the central Reformation project of biblical translation. Such translations and dramatic texts are certainly enriched by studying them within the wider context of medieval and early modern biblical scholarship, which is implemented in biblical translations, commentaries and sermons. This approach is one significant contribution of the present project, as it studies the reciprocal illumination of Bible and Drama. Chanita Goodblatt explores the way in which the interpretive cruxes in the biblical text generate the dramatic text and performance, as well as how the drama’s enactment underlines the ethical and theological issues as the heart of the biblical text. By looking at English Reformation biblical drama through a double-edged prism of exegetical and performative perspectives, Goodblatt adds a new dimension to the existing discussion of the historical resonance of these plays. Jewish and Christian Voices in English Reformation Biblical Drama integrates Jewish and Christian exegetical traditions with the study of Reformation biblical drama. In doing so, this book recovers the interpretive and performative powers of both biblical and dramatic texts.
