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Author: Steve Mentz
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754654698
Category : History
Languages : en
Pages : 284
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Book Description
Steve Mentz provides a comprehensive historicist and formalist account of prose romance, the most important genre of Elizabethan fiction. He explores how authors and publishers of prose fiction in late sixteenth-century England produced books that combined traditional narrative forms with a dynamic new understanding of the relationship between text and audience. Though prose fiction would not dominate English literary culture until the eighteenth century, Mentz demonstrates that the form began to invent itself as a distinct literary kind in England nearly two centuries earlier.
Author: Steve Mentz
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754654698
Category : History
Languages : en
Pages : 284
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Book Description
Steve Mentz provides a comprehensive historicist and formalist account of prose romance, the most important genre of Elizabethan fiction. He explores how authors and publishers of prose fiction in late sixteenth-century England produced books that combined traditional narrative forms with a dynamic new understanding of the relationship between text and audience. Though prose fiction would not dominate English literary culture until the eighteenth century, Mentz demonstrates that the form began to invent itself as a distinct literary kind in England nearly two centuries earlier.
Author: Mary Ellen Lamb
Publisher: Routledge
ISBN: 1135895244
Category : Literary Criticism
Languages : en
Pages : 489
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Book Description
This collection recovers the continuities between three forms of romance that have often been separated from one another in critical discourse: early modern prose fiction, the dramatic romances staged in England during the 1570s and 1580s, and Shakespeare’s late plays. Although Pericles, Cymbeline, Winter’s Tale, and The Tempest have long been characterized as "romances," their connections with the popular prose romances of their day and the dramatic romances that preceded them have frequently been overlooked. Constructed to explore those connections, this volume includes original essays that relate at least one prose or dramatic romance to an English play written from 1570 to 1630. The introduction explores the use of the term "dramatic romance" over several centuries and the commercial association between print culture, gender, and drama. Eight essays discuss Shakespeare’s plays; three more examine plays by Beaumont, Fletcher, and Massinger. Other authors treated at some length include Boccaccio, Christine de Pizan, Chaucer, Sidney, Greene, Lodge, and Wroth. Barbara Mowat’s afterword considers Shakespeare’s use of Greek romance. Written by foremost scholars of Shakespeare and early modern prose fiction, this book explores the vital cross-currents that occurred between narrative and dramatic forms of Greek, medieval, and early modern romance.
Author: Nandini Das
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409410145
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
Renaissance Romance examines how and why the fears and expectations surrounding the old genre of romance resonated in early modern England. Examining a range of texts and the fiction of Sir Philip Sidney, Robert Greene and Lady Mary Wroth in particular, Das illustrates the sheer cultural persistence of romance, and reveals how a generational consciousness inherent in the genre transformed the new prose fiction of the period.
Author: A. Zurcher
Publisher: Springer
ISBN: 0230605133
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
Overturning the common characterization of Seventeenth Century English prose romance as an exhausted, imitative genre with little bearing on the evolution of the novel, this book argues that early modern romance was a central forum for exploring the newly pressing moral-philosophical and political problem of self-interest.
Author: Leticia Alvarez Recio
Publisher:
ISBN: 1487539002
Category : LITERARY CRITICISM
Languages : en
Pages : 297
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Book Description
"This collection of original essays examines the publication and reception history of sixteenth-century Iberian books of chivalry in English translation and explores the impact of that literary corpus on Elizabethan culture as well as its connections with other contemporary genres such as native English fiction, chronicle, and epistolary writing. The essays focus mainly on Anthony Munday's work as the leading translator as well as the two main Spanish sixteenth-century cycles-Le., Amadis and Palmerin-from a variety of critical approaches, including cultural studies, book history and reception, material history, translation, post-colonial criticism, and early modern Qender studies."--
Author: Andrew Hadfield
Publisher: OUP Oxford
ISBN: 0191655066
Category : Literary Criticism
Languages : en
Pages : 767
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Book Description
The Oxford Handbook of English Prose 1500-1640 is the only current overview of early modern English prose writing. The aim of the volume is to make prose more visible as a subject and as a mode of writing. It covers a vast range of material vital for the understanding of the period: from jestbooks, newsbooks, and popular romance to the translation of the classics and the pioneering collections of scientific writing and travel writing; from diaries, tracts on witchcraft, and domestic conduct books to rhetorical treatises designed for a courtly audience; from little known works such as William Baldwin's Beware the Cat, probably the first novel in English, to The Bible, The Book of Common Prayer and Richard Hooker's eloquent statement of Anglican belief, The Laws of Ecclesiastical Polity. The work not only deals with the range and variety of the substance and types of English prose, but also analyses the forms and styles of writing adopted in the early modern period, ranging from the Euphuistic nature of prose fiction inaugurated by John Lyly's mannered novel, to the aggressive polemic of the Marprelate controversy; from the scatological humour of comic writing to the careful modulations of the most significant sermons of the age; and from the pithy and concise English essays of Francis Bacon to the ornate and meandering style of John Florio's translation of Montaigne's famous collection. Each essay provides an overview as well as comment on key passages, and a select guide to further reading.
Author: Emily Griffiths Jones
Publisher: Penn State Press
ISBN: 0271085444
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
In this book, Emily Griffiths Jones examines the intersections of romance, religion, and politics in England between 1588 and 1688 to show how writers during this politically turbulent time used the genre of romance to construct diverse ideological communities for themselves. Right Romance argues for a recontextualized understanding of romance as a multigeneric narrative structure or strategy rather than a prose genre and rejects the common assumption that romance was a short-lived mode most commonly associated with royalist politics. Puritan republicans likewise found in romance strength, solace, and grounds for political resistance. Two key works that profoundly influenced seventeenth-century approaches to romance are Philip Sidney’s New Arcadia and Edmund Spenser’s The Faerie Queene, which grappled with romance’s civic potential and its limits for a newly Protestant state. Jones examines how these works influenced writings by royalists and republicans during and after the English Civil War. Remaining chapters pair writers from both sides of the war in order to illuminate the ongoing ideological struggles over romance. John Milton is analyzed alongside Margaret Cavendish and Percy Herbert, and Lucy Hutchinson alongside John Dryden. In the final chapter, Jones studies texts by John Bunyan and Aphra Behn that are known for their resistance to generic categorization in an attempt to rethink romance’s relationship to election, community, gender, and generic form. Original and persuasive, Right Romance advances theoretical discussion about romance, pushing beyond the limits of the genre to discover its impact on constructions of national, communal, and personal identity.
Author: George Ellis
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 658
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Book Description
Author: William Burgwinkle
Publisher: Cambridge University Press
ISBN: 0521897866
Category : Literary Criticism
Languages : en
Pages : 823
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Book Description
The most comprehensive history of literature written in French ever produced in English.
Author: John Conlee
Publisher: Medieval Institute Publications
ISBN: 1580444164
Category : Literary Criticism
Languages : en
Pages : 409
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Book Description
With its contextualizing introduction, notes, and gloss, this edition makes the Prose Merlin available to any student of Arthurian legend, no matter their level of proficiency in Middle English. Written in the latter half of the fifteenth century, the Prose Merlin is the first work of Arthurian literature written in English prose. The highly original poem, though based upon the French Vulgate cycle tradition of Arthurian legends, is full of episodes, motifs, and characters found nowhere else in the entire Arthurian corpus. Beginning with the story surrounding Merlin's birth, and charting the course of his fantastical life until his ambiguous death, Prose Merlin is an enchanting text for any class studying Arthuriana.
