Early Art of the Southeastern Indians PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Early Art of the Southeastern Indians PDF full book. Access full book title Early Art of the Southeastern Indians by Susan C. Power. Download full books in PDF and EPUB format.
Author: Susan C. Power
Publisher: University of Georgia Press
ISBN: 9780820325019
Category : Art
Languages : en
Pages : 300
Get Book Here
Book Description
Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.
Author: Susan C. Power
Publisher: University of Georgia Press
ISBN: 9780820325019
Category : Art
Languages : en
Pages : 300
Get Book Here
Book Description
Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.
Author: Emma Lila Fundaburk
Publisher: University of Alabama Press
ISBN: 0817310770
Category : Art
Languages : en
Pages : 233
Get Book Here
Book Description
From utilitarian arrowheads to beautiful stone effigy pipes to ornately-carved shell disks, the photographs and drawings in Sun Circles and Human Hands present the archaeological record of the art and native crafts of the prehistoric southeastern Indians, painstakingly compiled in the 1950s by two sisters who traveled the eastern United States interviewing archaeologists and collectors and visiting the major repositories. Although research over the last 50 years has disproven many of the early theories reported in the text—which were not the editors' theories but those of the archaeologists of the day—the excellent illustrations of objects no longer available for examination have more than validated the lasting worth of this popular book.
Author: Walter L. Williams
Publisher: University of Georgia Press
ISBN: 0820332038
Category : Social Science
Languages : en
Pages : 274
Get Book Here
Book Description
The authors of these essays are an interdisciplinary team of anthropologists and historians who have combined the research methods of both fields to present a comprehensive study of their subject. Published in 1979, the book takes an ethnohistorical approach and touches on the history, anthropology, and sociology of the South as well as on Native American studies. While much has been written on the archaeology, ethnography, and early history of southern Indians before 1840, most scholarly attention has shifted to Oklahoma and western Indians after that date. In studies of the New South or of Indian adaptation after the passage of the frontier, southeastern native peoples are rarely mentioned. This collection fills that void by providing an overview history of the culture and ethnic relations of the various Indian groups that managed to escape the 1830s removal and retain their ethnic identity to the present.
Author: Dorothy Downs
Publisher:
ISBN: 9780813015361
Category : Art
Languages : en
Pages : 319
Get Book Here
Book Description
"A superbly readable piece of cultural history. . . . Downs proves that graphics and narrative can be intertwined in an entertaining and informative historical presentation. . . . Delightful and intellectually enriching."--Southern Historian "Excellent. . . . Well-documented with both historical and anthropological sources, this is the best work to appear on a significant cultural characteristic of the Seminoles in quite some time. An excellent addition to the growing literature on the Seminole and Miccosukee tribes."--Tampa Tribune "Unfolds the meaning of Seminole-Miccosukee arts as metaphor for the people of the Everglades."--Joyce Herold, Denver Museum of Natural History The artistic tradition that in the past sustained Florida Indians helps identify them today as possessing a resilient, modern culture. In this richly illustrated account of the arts and crafts of the Florida Seminole and Miccosukee Indians, Dorothy Downs shows how artistic expression reflects and inspires history. Emphasizing the influence of drastic cultural changes on their artistic traditions, Downs traces Seminole and Miccosukee art from the eighteenth century to the present and demonstrates both the persistence of some prehistoric southeastern Indian designs and the impact of contact with Europeans. In addition to clothing and finger-woven or bead-embroidered accessories, their arts and crafts--most often practiced by women--include pottery, basketry, and doll making. Their most powerful artistic expression is found in the colorful and intricate patchwork patterns that have become their twentieth-century signature. Incorporating color and black-and-white photographs of these remarkable art pieces, Downs also details the "men's work" of silver and wood crafts and chickee building in a volume sure to interest scholars and the general public alike.
Author: David Rickman
Publisher: Courier Corporation
ISBN: 9780486247281
Category : Juvenile Nonfiction
Languages : en
Pages : 56
Get Book Here
Book Description
Thirty-three black-and-white drawings representing aspects of the culture and society of Indians of the Northwest coast.
Author: Jessica Yirush Stern
Publisher: UNC Press Books
ISBN: 1469631490
Category : History
Languages : en
Pages : 269
Get Book Here
Book Description
In The Lives in Objects, Jessica Yirush Stern presents a thoroughly researched and engaging study of the deerskin trade in the colonial Southeast, equally attentive to British American and Southeastern Indian cultures of production, distribution, and consumption. Stern upends the long-standing assertion that Native Americans were solely gift givers and the British were modern commercial capitalists. This traditional interpretation casts Native Americans as victims drawn into and made dependent on a transatlantic marketplace. Stern complicates that picture by showing how both the Southeastern Indian and British American actors mixed gift giving and commodity exchange in the deerskin trade, such that Southeastern Indians retained much greater agency as producers and consumers than the standard narrative allows. By tracking the debates about Indian trade regulation, Stern also reveals that the British were often not willing to embrace modern free market values. While she sheds new light on broader issues in native and colonial history, Stern also demonstrates that concepts of labor, commerce, and material culture were inextricably intertwined to present a fresh perspective on trade in the colonial Southeast.
Author: Steven Kossak
Publisher: Metropolitan Museum of Art
ISBN: 0870999923
Category : Art, South Asian
Languages : en
Pages : 169
Get Book Here
Book Description
Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.
Author: Gregory A. Waselkov
Publisher: U of Nebraska Press
ISBN: 9780803247727
Category : History
Languages : en
Pages : 188
Get Book Here
Book Description
William Bartram traveled throughout the American Southeast from 1773-1776. He occupies a unique place as an American Enlightenment explorer, naturalist, writer, and artist whose work was widely admired in his time and thereafter. Coleridge, the Wordsworths, and other leading romantics found inspiration in his pages. Bartram's most famous work, Travels has remained in print since the first publication of the book in 1791. However, his writings on Indians have received less attention than they deserve. ø This volume contains all of Bartram's known writings on Native Americans: a new version of "Observations on the Creek and Cherokee Indians," originally edited by E. G. Squier and first published in 1853; a previously unpublished essay, "Some Hints and Observations Concerning the Civilization of the Indians, or Aborigines of America"; and extensive excerpts from Travels. These documents are among the most valuable accounts we have of the Creeks and Seminoles in the last half of the eighteenth century. Several illustrations by Bartram are also included. ø The editors provide information on the history of these documents and supply extensive annotations. The book opens with a biographical essay on Bartram and concludes with a thorough evaluation of his contributions to southeastern Indian ethnohistory, anthropology, and archaeology. The editors have identified and corrected a number of errors found in the extant literature concerning Bartram and his writings.
Author: Milo Cleveland Beach
Publisher: Harvard University Press
ISBN: 9780674221857
Category : Art
Languages : en
Pages : 190
Get Book Here
Book Description
One of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great. Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events. Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar's interests and changing tastes (related in turn to historical and biographical circumstances), he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste. Mughal art, he affirms, can no longer be regarded as simply a reflection of its imperial patrons. The book takes account of recently discovered material and reproduces for the first time important paintings from unpublished manuscripts and albums. It will appeal to the general reader as well as the scholar.
Author: Theda Perdue
Publisher: University of Georgia Press
ISBN: 082032731X
Category : History
Languages : en
Pages : 154
Get Book Here
Book Description
""Mixed Blood" Indians looks at a fascinating array of such birth- and kin-related issues as they were alternately misunderstood and astutely exploited by both Native and European cultures. Theda Perdue discusses the assimilation of non-Indians into Native societies, their descendants' participation in tribal life, and the white cultural assumptions conveyed in the designation "mixed blood." In addition to unions between European men and Native women, Perdue also considers the special cases arising from the presence of white women and African men and women in Indian society.".
