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Author: Charlotte Zeepvat
Publisher: Sutton Pub Limited
ISBN: 9780750942102
Category : Biography & Autobiography
Languages : en
Pages : 242
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Book Description
The Romanov dynasty ruled Russia for a little over three hundred years and their story, ending with their tragic deaths, has exerted a lasting fascination. This new book, an album of pictures gathered by the author over many years - the majority of which are unpublished - shows the extended Romanov family. There are formal portraits taken to celebrate comings of age, weddings or other family gatherings, but also pictures of the various members of the dynasty at their ease, or dressed up for formal banquets, balls or ceremonies of state. Children play or take rides in horse-carts, mothers tend their children, brothers and sisters walk in the gardens of the grand palaces in which they lived - Gatchina, Ilinskoie, the Alexander Palace. The photographs range from the 1860s, when Alexander II was Tsar, through the reigns of his son, and grandson to the 1930s, when remaining members of the dynasty could be found in the outposts of Europe. people's perception of the monarchy: for the first time ordinary people could see exactly what their monarch looked like, and they became aware of them as human beings - who were confident or shy before the camera, and whose children frowned, sulked or fidgeted. It was perhaps just such familiarity, rather than the deference of the subject, that contributed in part to their downfall
Author: Charlotte Zeepvat
Publisher: Sutton Pub Limited
ISBN: 9780750942102
Category : Biography & Autobiography
Languages : en
Pages : 242
Get Book Here
Book Description
The Romanov dynasty ruled Russia for a little over three hundred years and their story, ending with their tragic deaths, has exerted a lasting fascination. This new book, an album of pictures gathered by the author over many years - the majority of which are unpublished - shows the extended Romanov family. There are formal portraits taken to celebrate comings of age, weddings or other family gatherings, but also pictures of the various members of the dynasty at their ease, or dressed up for formal banquets, balls or ceremonies of state. Children play or take rides in horse-carts, mothers tend their children, brothers and sisters walk in the gardens of the grand palaces in which they lived - Gatchina, Ilinskoie, the Alexander Palace. The photographs range from the 1860s, when Alexander II was Tsar, through the reigns of his son, and grandson to the 1930s, when remaining members of the dynasty could be found in the outposts of Europe. people's perception of the monarchy: for the first time ordinary people could see exactly what their monarch looked like, and they became aware of them as human beings - who were confident or shy before the camera, and whose children frowned, sulked or fidgeted. It was perhaps just such familiarity, rather than the deference of the subject, that contributed in part to their downfall
Author: Philip Steadman
Publisher:
ISBN: 9780192803023
Category : Art
Languages : en
Pages : 238
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Book Description
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
Author: JOHN THOMSON, F.R.G.S.
Publisher:
ISBN:
Category :
Languages : en
Pages : 416
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Book Description
Author: Rosalind C. Morris
Publisher: Duke University Press
ISBN: 0822391821
Category : Photography
Languages : en
Pages : 324
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Book Description
Introducing Photographies East, Rosalind C. Morris notes that although the camera is now a taken-for-granted element of everyday life in most parts of the world, it is difficult to appreciate “the shock and sense of utter improbability that accompanied the new technology” as it was introduced in Asia (and elsewhere). In this collection, scholars of Asia, most of whom are anthropologists, describe frequent attribution of spectral powers to the camera, first brought to Asia by colonialists, as they examine the transformations precipitated or accelerated by the spread of photography across East and Southeast Asia. In essays resonating across theoretical, historical, and geopolitical lines, they engage with photography in China, Japan, Taiwan, and Thailand, and on the islands of Aru, Aceh, and Java in what is now Indonesia. The contributors analyze how in specific cultural and historical contexts, the camera has affected experiences of time and subjectivity, practices of ritual and tradition, and understandings of death. They highlight the links between photography and power, looking at how the camera has figured in the operations of colonialism, the development of nationalism, the transformation of monarchy, and the militarization of violence. Moving beyond a consideration of historical function or effect, the contributors also explore the forms of illumination and revelation for which the camera has offered itself as instrument and symbol. And they trace the emergent forms of alienation and spectralization, as well as the new kinds of fetishism, that photography has brought in its wake. Taken together, the essays chart a bravely interdisciplinary path to visual studies, one that places the particular knowledge of a historicized anthropology in a comparative frame and in conversation with aesthetics and art history. Contributors. James L. Hevia, Marilyn Ivy, Thomas LaMarre, Rosalind C. Morris, Nickola Pazderic, John Pemberton, Carlos Rojas, James T. Siegel, Patricia Spyer
Author: Bahattin Öztuncay
Publisher:
ISBN: 9789756959435
Category : Portrait photography
Languages : en
Pages : 238
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Book Description
The exhibition consists of a selection from the Ottoman portrait photographs from Ömer M. Koç collection shows the high level of technical and artistic terms of photography by the interest of the Ottoman imperial family. This exhibition marks the importance given by the Ottoman sultans, other members of the royal dynasty and statesmen in the 19th century and includes the photographs of Prince Ömer Faruk the son of Caliph Abdülmecid, Nazime Sultan the daughter of Sultan Abdülaziz, Fehime Sultan the daughter of Sultan Murad V, Prince Yusuf İzzeddin the son of Sultan Abdülaziz, Sultan Murad V, Prince Mehmed Selim the son of Sultan Abdülhamid II, Prince Mehmed Seyfeddin and Esma Sultan the children of Sultan Abdülaziz. During the reign of Sultan Abdülaziz, who acceded to the throne in 1861 and was keenly interested in various branches of fine arts, Ottoman portrait photography reached a pinnacle of achievement in both technical and artistic terms, thanks to the skill of the Abdullah Brothers, who specialised in portrait photography. Vasilaki Kargopulo, who was appointed as court photographer in 1878, two years after Sultan Abdülhamid II came to the throne, contiuned to take similarly high quality portraits of the royal family and statesmen. As ameteur photography gained momentum from the turn of the century onwards, members of the royal family began to take their own photographs, the number of family photographs taken in private areas of royal residences increased significantly.
Author: John Thomson
Publisher: Read Books Ltd
ISBN: 1446548287
Category : Photography
Languages : en
Pages : 401
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Book Description
Originally published in 1898. INTRODUCTION: Since the time when I made my first journey into Cambodia to examine its ancient cities, it has been my constant endeavour to show how the explorer may add not only to the interest but to the permanent value of his work by the use of photography. To those of my readers interested in photography I may add a note on my method of working. All my negatives were taken by the wet collodion process, a process most exacting in its chemistry, especially in a land where the science is practically unknown. With over 100 illustrations this unusual works will appeal greatly to anyone interested in early China and photography. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Tanya Sheehan
Publisher: Routledge
ISBN: 1317578961
Category : Photography
Languages : en
Pages : 254
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Book Description
Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium. Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do? Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing. Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology.
Author: Jostein Gripsrud
Publisher: Routledge
ISBN: 1134884907
Category : Social Science
Languages : en
Pages : 333
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Book Description
The Dynasty Years documents and analyses in detail 'the Dynasty phenomenon', the hotly debated success of the Hollywood-made 'Rolls Royce of a primetime soap' which heralded a profound transformation of European television. From the operatic camp of Krystle and Alexis' fight in the lilypond or the Moldavian wedding massacre to the unprecedented gay sub-plot, Dynasty represented, in the words of co-producer Esther Shapiro, "the ultimate dollhouse fantasy for middle-aged women". Using evidence from audience survey results, newspaper and magazine clippings and letters to broadcasters and drawing on semiotics, psychoanalysis, feminism and critical social theories, Jostein Gripsrud examines every aspect of Dynasty's production, reception and context. The result is a groundbreaking critical study. Jostein Gripsrud offers a theoretical but empirically grounded critique of many central positions in media studies, including notions of 'audience resistance' and the 'sovereign' audience and its freedom in meaning-making, arguing against what he perceives as the uncritical celebrations of the soap-opera genre in much contemporary media criticism.
Author: Stephen Perkins
Publisher: Lulu.com
ISBN: 1641368101
Category : Fiction
Languages : en
Pages : 302
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Book Description
What would you give up for immortality? More seductive than sex. More addictive than any drug. More precious than gold. And one man is willing to sacrifice it all to get it. Beyond the arctic wall of ice lies a new and unknown world. The CEO of the world's most powerful corporation - Theodore von Buren - plans to sacrifice the known world and everything in it to gain immortality in paradise. Though the world may be filled with lies and liars America's most controversial alternative media journalist Dan Sheraton will do anything to find out why. Strange things have been seen out in the deserts of New Mexico and when an even stranger phone call leads him on a dangerous adventure to a mysterious destination, Sheraton discovers earth shattering epiphanies. When a plot hatched by a global corporation threatens the survival of mankind the most unlikely hero emerges. But is the savior man, machine, god or devil?
Author:
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 334
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Book Description
