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Author: John Sullivan Dwight
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 428
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Book Description
Author: John Sullivan Dwight
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 428
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440
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Book Description
Author: John S. Dwight
Publisher: BoD – Books on Demand
ISBN: 3375162189
Category : Fiction
Languages : en
Pages : 426
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Book Description
Reprint of the original, first published in 1857.
Author: John Sullivan Dwight
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 468
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 444
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Book Description
Author: John Sullivan Dwight
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 200
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Book Description
Author: J.S. Dwight
Publisher: Рипол Классик
ISBN: 5881620305
Category : History
Languages : en
Pages : 621
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Book Description
Author: John Sullivan Dwight
Publisher: BoD – Books on Demand
ISBN: 3375090463
Category : Fiction
Languages : en
Pages : 430
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Book Description
Reprint of the original, first published in 1865.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 222
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Book Description
Author: Bill F. Faucett
Publisher: Oxford University Press
ISBN: 0197684181
Category : Biography & Autobiography
Languages : en
Pages : 377
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Book Description
"John Sullivan Dwight (1813-93) was for much of the nineteenth century America's leading music critic. Born into a musical family and educated at several premiere Boston schools, he fell under the spell of New England Transcendentalism during which time he befriended Ralph Waldo Emerson, Elizabeth Palmer Peabody, Margaret Fuller, George Ripley, and others of a similarly progressive mindset. Dwight resided at the socialist/utopian community of Brook Farm where he learned the art of journalism and the business of publishing while writing for The Harbinger. He wrote on many topics-Transcendentalism, of course, but especially on music and musical performance. Dwight was a skilled communicator, and he conveyed ideas powerfully, persuasively, and constantly in language that had recently been given verve by German Romanticism and Emersonian Transcendentalism. When Brook Farm collapsed, Dwight's professional prospects ran desperately low. After several years as a journeyman writer, he launched in 1852 his own Dwight's Journal of Music: A Paper of Art and Literature, a newspaper that firmly established him as a serious music critic. The Journal was published regularly until 1881. It was and remains an important periodical. In its own time, it spoke to America's growing appetite for art music; today it is indispensable for research into nineteenth-century American classical music, especially in Boston. This biography follows Dwight's fascinating life as he meets and writes about some of the era's most crucial intellectuals and musicians. His enormous body of essays, reviews, and translations, much of it illuminated here, leads to the conclusion that Dwight the Music Critic and Dwight the Transcendentalist are inseparable"--
